Il Cambise is an opera by Alessandro Scarlatti to a libretto by Domenico Lalli. It was first performed on 4 February 1719 at the Teatro San Bartolomeo in Naples. It was the composer's 111th opera and his last for Naples. [1]
Pietro Alessandro Gaspare Scarlatti was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.
Domenico Cimarosa was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies. He also wrote instrumental works and church music.
Giovanni Battista Draghi, usually referred to as Giovanni Battista Pergolesi, was an Italian Baroque composer, violinist, and organist, leading exponent of the Baroque; he is considered one of the greatest Italian musicians of the first half of the 18th century and one of the most important representatives of the Neapolitan school.
Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti, was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.
Leonardo Vinci was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable.
Leonardo Leo, more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque composer.
Johann Adolph Hasse was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of opera seria and 18th-century music.
Bernardo Pasquini was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio.
NicolaAntonio Giacinto Porpora was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Johann Adolph Hasse, Matteo Capranica and Joseph Haydn.
Pietro Filippo Scarlatti was an Italian composer, organist, and choirmaster.
Francesco Feo was an Italian composer, known chiefly for his operas. He was born and died in Naples, where most of his operas were premièred.
The Opera Barga Festival is an annual opera festival held in July in the town of Barga, Italy, founded in 1967 by Peter Hunt and Gillian Armitage together with Peter Gellhorn as musical director and Lorenzo Malfatti, head of didactics. Its performances take place in the late 18th century theatre, Teatro dei Differenti which seats 289.
Cataldo Vito Amodei was an Italian composer of the mid-Baroque period who spent his career in Naples. His cantatas were important predecessors to the active cantata production of 18th-century Naples, and he stands with the elder Francesco Provenzale and younger Alessandro Scarlatti as among the principal cantata composers. Other surviving works include a book of motets dedicated to Leopold I, Holy Roman Emperor; a serenata; two pastorales; two psalms; and four oratorios, which were important contributions to their genre.
Tigrane, o vero L'egual impegno d'amore e di fede is an opera seria in three acts by the Italian composer Alessandro Scarlatti with a libretto by Domenico Lalli. It was first performed at the Teatro San Bartolomeo, Naples, on 16 February 1715. It is regarded as one of Scarlatti's finest operas. As well as the serious main plot, there are also comic scenes involving the servants Dorilla and Orcone.
"Se tu della mia morte" is an aria from act 3 of Alessandro Scarlatti's 1697 opera La caduta de' decemviri to a libretto by Silvio Stampiglia.
Carlo Scalzi was an Italian castrato who had an active performance career in major opera houses in Italy from 1718-1738. He was also heard in London in 1733–1734 where he notably created the role of Alceste in the world premiere of George Frideric Handel's Arianna in Creta. The librettist Pietro Metastasio described Scalzi as a "very unique singer" and likened his voice to that of the famous castrato Farinelli.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
Telemaco, ossia L'isola di Circe is a 1718 opera by Alessandro Scarlatti to a libretto by Carlo Sigismondo Capece, court poet to Queen Maria Casimira of Poland, living in exile in Rome, for the Teatro Capranica in Rome, where it was premiered during the carnival season. The opera was revived in 2005 by the Schwetzingen Festival and the Deutsche Oper am Rhein.
Erminia, Tancredi, Polidoro e Pastore (R.374.26) or more simply Erminia, is the last of the serenades by Italian composer Alessandro Scarlatti. Conceived for four voices, choir and orchestra, the work was created on the occasion of a wedding at the Palazzo Zevallos Stigliano in Naples on June 13, 1723, two years before the musician's death. The second part has gone astray in time and long considered lost or as an unfinished work. In the 2010s, fragments were found thanks to the Répertoire international des sources musicales.
Matteo Sassano, called Matteuccio, was a famous Italian castrato, also called "the nightingale of Naples" (il rosignuolo di Napoli) because of his extremely beautiful soprano voice and virtuoso singing.