Camera Camera (Nazia and Zoheb Hassan album)

Last updated
Camera Camera
Camera Camera (Nazia and Zoheb Hassan album).jpg
Studio album by
Released1992
Genre Pakistani pop
Nazia & Zoheb Hassan chronology
Hotline
(1987)
Camera Camera
(1992)

Camera Camera is the 1992 studio album by Nazia and Zoheb. [1] Primarily in the Urdu language, the album also featured two English songs (If and If You Could Read My Mind). Reviews noted that the album was influenced by the Pet Shop Boys. [2] [3] The album came several years after the successful run of four LPs which had ended with the 1987 album Hotline. This fifth album enjoyed only modest success and was the duo's last. [4] [5]

Contents

Track list

  1. Camera
  2. If
  3. Mehrbani
  4. Wala Wai
  5. Tali de Thullay
  6. Camera (Dance Mix)
  7. Nasha
  8. Pyar Ka Geet
  9. If You Could Read My Mind
  10. Mama Papa
  11. Dil Ki Lagi
  12. Kyoun

Credits

Vocals – Nazia Hassan, Zoheb Hassan

Lyrics By – Nazia Hassan and Zoheb Hassan, Indevar, Sabir Zafar.

Music By, Arranged By, Producer – Zoheb Hassan (tracks: 1, 2, 5, 6 to 10, 12)

Music By – Bappi Lahri (tracks: 3, 4, 11), Mian Yousuf Sallauddin (track 5), Gordon Lightfoot (track 9)

Producer – Jamie Lane (tracks: 2, 9 )

Remix – Jamie Lane (tracks: 4, 6, 7)

Keyboards, Programmed By, Guitar – Tony Lowe

Saxophone – Martin Dobson

Tabla, Percussion – Kuljit Burma

Publisher: Timbuktu Records UK LTD

Photography by – D.C.B. Photos

Album Cover Design – The Bureaux Graphics Group

Notes

On the CD inlay:

"We would really like to thank our fans; you are the reason for our success over the last decade. We would also like to thank our parents for their encouragement, guidance and support and all at Timbuktu records for believing in the project"

Related Research Articles

The Music of Pakistan includes diverse elements ranging from music from various parts of South Asia as well as Central Asian, Middle Eastern, and modern-day Western popular music influences. With these multiple influences, a distinctive Pakistani music has emerged.

<span class="mw-page-title-main">Indian pop</span> Pop music produced in India

Indian pop music, also known as Indi-pop, refers to pop music produced in India that is independent from filmi soundtracks for Indian cinema. Indian pop is closely linked to Bollywood, Kollywood, Tollywood and the Asian Underground scene of the United Kingdom. The variety of South Asian music from different countries are generally known as Desi music.

Nazia and Zoheb were a Pakistani pop duo from Karachi, Sindh formed in 1980. The group consisted of two siblings, Nazia Hassan and Zoheb Hassan, who were a singing sensation and pop icons across South Asia. They are regarded as pioneers of the Pakistani pop scenes, and were one of the most successful Asian pop duos of all time, selling more than 105 million albums worldwide.

Biddu Appaiah is a British-Indian singer-songwriter, composer, and music producer who composed and produced many worldwide hit records during a career spanning five decades. Considered one of the pioneers of disco, Euro disco, and Indian pop, he has sold millions of records worldwide, and has received an Ivor Novello award for his work. He has been ranked at number 34 on NME's "The 50 Greatest Producers Ever" list.

<span class="mw-page-title-main">Indeevar</span>

Shyamalal Babu Rai, known professionally as Indeevar, was one of the leading Hindi film lyricists in the 1960s.

<span class="mw-page-title-main">Nazia Hassan</span> Pakistani singer

Nazia Hassan was a Pakistani singer-songwriter, lawyer and social activist. Referred to as the Queen of South Asian pop, she is considered one of the most influential singers in the subcontinent. Starting in the 1980s, as part of the duo Nazia and Zoheb, she and her brother Zoheb Hassan, have sold over 65 million records worldwide.

Zoheb Hassan is a Pakistani pop icon, singer, songwriter, producer, and was a part of the superduo Nazia and Zoheb.

Pakistani popular music or shortly Pakistani pop music refers to popular music forms in Pakistan. Pakistani pop is a mixture of traditional Pakistani classical music and western influences of jazz, rock and roll, hip hop and disco sung in various languages of Pakistan, including Urdu. The popularity of music is based on the individual sales of a single, viewership of its music video or the singer's album chart positions. Apart from within Pakistan, Pakistani pop music has also achieved an influential following and popularity in neighboring countries and is listened by members of the Pakistani diaspora, especially in the Middle East, Europe and North America.

<i>Disco Deewane</i> 1981 studio album by Nazia Hassan

Disco Deewane is a 1981 Pakistani pop album released by Pakistani singer Nazia Hassan. The music was composed by Indian-British music director Biddu who also produced it under the label of HMV India/Saregama. It charted in fourteen countries worldwide and became the best-selling Asian pop record to-date. The debut album led Nazia Hasan to overnight fame. It changed trends in music across South Asia, where it broke sales records. In India, it sold 100,000 records within a day of its release in Mumbai alone, went Platinum within three weeks, and went Double-Platinum soon after.

<i>Star/Boom Boom</i> 1982 studio album by Nazia & Zoheb Hassan

Star/Boom Boom is the second studio album by Pakistani pop duo Nazia and Zoheb, released in 1982. The Bollywood film Star used the album's music as its soundtrack. The album was thus also released as Star, a Bollywood music soundtrack album. The album featured music composed by British-Indian producer Biddu.

<i>Young Tarang</i> 1983 studio album by Nazia and Zoheb

Young Tarang is the third studio album by the Pakistani pop duo Nazia and Zoheb, consisting of Nazia Hassan and Zoheb Hassan. The music was composed by Zoheb and British-Indian producer Biddu, with lyrics written by Nazia and Zoheb.

<i>Hotline</i> (Nazia and Zohaib Hassan album) 1987 studio album by Nazia & Zoheb Hassan

Hotline was the fourth studio album from the Pakistani pop duo of Nazia and Zoheb, released in 1987. It was produced by the Indian producer Biddu. Along with several other albums from Biddu and the Hassan duo, its success in India contributed to the creation of the Indi-pop market. It was also released in the United Kingdom in 1987. It was the best-selling album of the duo after Disco Deewane.

Music '89 was the first ever all pop music stage-show to be aired on Pakistan TV.

<i>Star</i> (1982 film) 1982 Indian film

Star is a 1982 Indian Bollywood movie, directed by Vinod Pande, starring Kumar Gaurav, Rati Agnihotri, Raj Kiran, Saeed Jaffrey, A.K. Hangal, Dina Pathak and Padmini Kolhapure.

"Aap Jaisa Koi" is a song from the soundtrack of the 1980 Bollywood film Qurbani. It was the debut song of Pakistani singer Nazia Hassan, and was composed by British Indian producer Biddu. The song was featured in the film as an item number, picturised on Zeenat Aman. It has been remixed and sampled by many other artists.

Nazia may refer to:

<span class="mw-page-title-main">Strings (band)</span> Pakistani pop/rock band

Strings was a Pakistani pop/rock band composed of two members, plus four live band members from Karachi, Pakistan. The band was initially formed by four college students—Bilal Maqsood, Faisal Kapadia (vocals), Rafiq Wazir Ali (synthesizer) and Kareem Bashir Bhoy —in 1988. In 1992 the quartet disbanded, only to make a comeback with Maqsood and Kapadia in 2000. While the initial band rode the new wave of Pakistani pop music, the later lineup ushered a revival in the Pakistani music industry.

Sabir Zafar is a leading poet and lyricist in Pakistan. He has written songs for many Pakistani films, singers such as Nazia Hasan, Sajjad Ali, Ali Azmat and his band Junoon, as well as many successful TV drama serials. He was awarded a Tamgha-e-Imtiaz by the Government of Pakistan in 2010.

Tarang may refer to:

<i>Disco Se Aagay</i> 1984 studio album by Nermin Niazi and Feisal Mosleh

Disco Se Aagay is a 1984 British new wave album by the British Pakistani sister-brother duo Nermin Niazi and Feisal Mosleh. The only album that they produced and released, it initially received relatively little notice at release. However, its remaster and re-release by the record label Discostan in 2021 caused it to gain more mainstream attention for combining British new wave, synthpop and disco with Urdu lyrics and Hindustani music as well as the background and experiences of the artists as British Pakistanis.

References

  1. The Herald - Volume 38, Issues 7-9 2007 "It would not be amiss to say that music was never the same again after "Aap Jaisa Koi..." Over the next several years Nazia and Zoheb continued to rock not just the Pakistani but also the Indian disco scene; Disco Deewane that broke sales records across the subcontinent was followed by four more albums - Boom Boom, Young Tarang, Hotline and Camera Camera - released between 1982 and 1992. They were also pioneering enough to release videos of their tracks — another first."
  2. The Herald - Volume 23, Issues 5-8 - Page 150 1992 Nazia and Zoheb HASSAN Camera Camera From the opening bars of the title track of this new LP from Pakistan's pioneer pop duo, Nazia and Zoheb, we know that the latest source of inspiration for the filial twosomes the British techno pop group, Pet Shop Boys. But that's not all. These : are a host of other people lending their services. There are two tracks composed by the prolific Indian film music director, Bappi Lahiriandon.
  3. Asian News Digest 2000 In the early 80s, Nazia and Zohaib released Young Tarang in Pakistan. The Hassan siblings, along with Alamgir and Muhammad AM Shahki, are regarded as the trend-setters of disco music in Pakistan. In 1987, EMI music company released the album Hotline featuring Naiza and Zohaib. It had the popular numbers Hum Aur Turn, Turn or Hum and Aisa Kya Hai Paisa. The duo also made several appearances on Pakistan Television. Their last album was Camera Camera released in early 90s, which had the numbers ..."
  4. Stan Jeffries Encyclopedia of World Pop Music, 1980-2001 - Page 84 0313315477 - 2003 "Eight years later a third album, Camera Camera, was released; but the record displayed little development beyond the sound that had proved so popular almost a decade earlier, and it enjoyed only modest success."
  5. Collectif, Antoinette Fouque, Mireille Calle-Gruber -Le Dictionnaire universel des créatrices 2015 2721006517 - "Déçue par le manque de succès relatif de son album Camera camera et par le milieu du show-business, elle abandonne la chanson au début des années 1990 et s'engage dans une série de missions philanthropiques au sein d'institutions internationales. N. Hassan n'a cessé de promouvoir le soutien aux enfants, aux déshérités, aux toxicomanes. Bien qu'elle ait toujours considéré la musique pop comme un passe-temps, son influence artistique s'est révélée considérable."