Candice Lin (born 1979) is an American interdisciplinary artist who works in installation, sculpture, drawing, ceramics, and video. Her work is multi-sensorial and often includes living and organic materials and processes. [1]
Lin lives and works in Los Angeles, California. She is co-founder and co-director of the artist-run collective and space Monte Vista Projects [2] [3] and is an assistant professor in the Department of Art at the UCLA School of Arts and Architecture. [4]
Lin was born in Concord, Massachusetts in 1979. She graduated from Brown University in 2001, where she received a dual BA in Visual Arts and Art Semiotics. [5] She then attended and graduated from San Francisco Art Institute in 2004, where she received an MFA in New Genres. [6]
Lin is known for her ethnographic approach to art-making alongside crude fantasy scenes. [7] A strong interest in the history of slavery and the cultural implications of colonialism informs her work. [8] [9] The post-colonial critique behind Lin's work can be seen in her piece, Dildos (Corn Hill, Queen Victoria, Bird in Space) (2012) first shown at a solo show at Francois Ghebaly Gallery . [10] Here, dildos encased in bell jars are made from molds of corn and are either pink, white, or black—hyperbolic "skin tones." [11]
The list of materials in Lin's work is extensive. One piece, as described by art critic Michael Ned Holte, includes "cochineal (a prized red dye made from crushed insects), poppy seeds, metal castings, water, tea, sugar, a copper still, a hot plate, ceramic vessels, a mortar and pestle, mud from the Thames, and something called a 'microbial mud battery.'" [12] These materials often are multi-sensorial and intangible. In 2017, Lin collaborated with artist Patrick Staff to create the piece Hormonal Fog, a smoke machine that pumped testosterone-lowering, plant-based tinctures into the gallery space. [13]
Lin uses a variety of fluids, like tea, collected and distilled urine, and moisture. [14] These fluids, as Holte suggests, "perform a 'wet potential' to seep into and erode the stabilizing forces and categorical imperatives that define a colonialist imaginary, one that shamefully continues into the present." [12]
Recently, Lin has been characterized as one of the most radical artists in terms of the deconstruction of androcentric images of the female body. Lin's work often "resist the sovereignty of the [masculine] eye" and exposes "the violence of the gyneco-scopic regime" that "cuts the [female] body into pieces, making visual, anatomical, and aesthetic cuts to produce territories or genital organs. These chunks of the body are recodified as synecdoches (that is, the part represents the whole: woman is represented by a piece of herself, genitals represent gender, etc.)" [15]
From 2004 to 2011 Lin was awarded several residencies, grants, and fellowships. These include the Frankfurter Kunstverein Deutsche Borse Residency, Sacatar Foundation Artist Residency in Brazil in 2011. In 2010, she was invited to the Banff Centre Artist Residency in Canada and the Department of Los Angeles Cultural Affairs CEI grant. The Smithsonian Artist Research Fellowship was awarded to her in 2009, and AIR at CESTA located in the Czech Republic, in 2004.
In 2016 Lin's A Body Reduced to Brilliant Colour [16] show at Gasworks Gallery in London was reviewed in Art in America . [17] Lin also participated in a residency at the Headlands Center for the Arts. [18]
In 2017 Lin was included in Trigger: Gender as a Tool and a Weapon at the New Museum. [19] The show, which featured the work of over 40 artists, was the largest show to date at a major museum dealing with the theme of gender fluidity. [13] Lin's collaboration with artist Patrick Staff, Hormonal Fog, was displayed and pumped into the museum's lobby. [13]
In 2017 Lin was included in The Sharjah Biennial 13: Upon a Shifting Plate. [20]
In 2018 Lin was included in Made in L.A. 2018 at the Hammer Museum. [21]
In 2018 Lin had her first solo exhibition in Chicago, A Hard White Body, a Porous Slip, at Logan Center Exhibitions. [22] One installation incorporated biographical references to writer James Baldwin and French botanist Jeanne Baret. [23]
In 2024 an exhibition of Lin's work, 'The Animal Husband', was held at the Talbot Rice Gallery in Edinburgh. This was her first solo exhibition in Scotland. [24]
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
My Barbarian is a Los Angeles based collaborative theatrical group consisting of Malik Gaines, Jade Gordon and Alexandro Segade. The trio makes site-responsive performances and video installations that use theatrical play to draw allegorical narratives out of historical dilemmas, mythical conflicts, and current political crises.
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Cassils is a visual and performance artist, body builder, and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming, transmasculine, and goes by singular they pronouns.
Catalina BauerNovoa, born in Buenos Aires on September 15, 1976, is a visual artist from Chile.
Kenya (Robinson) (born 1977) is an American multimedia artist whose work includes performance, sculpture and installation. Raised in Gainesville, Florida, (Robinson)'s work depicts themes of privilege and consumerism, exploring perceptions of gender, race and ability. Combining a variety of audio-visual elements and live performance, (Robinson)'s work has been shown at the Museum of Modern Art, The Kitchen, The Museum of Contemporary African Diasporan Arts, and the 60 Wall Street Gallery of Deutsche Bank. She has lectured at Hampshire College, Long Island University, and the University of Florida.
Patricia Fernández Carcedo is a Spanish-born Los Angeles-based female artist.
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Kandis Williams is an artist, writer, editor, and publisher stationed both in Berlin and Los Angeles. Williams has received critical acclaim for her collage art, performance art, and publishing work. She is best known for her art exploring racial issues, nationalism, and many other categories.
P. Staff is a contemporary visual and performance artist.
Young Joon Kwak is an artist and musician based in Los Angeles. Much of their work focuses on queer bodies, how they have been represented in art history, and how they form communities. They have exhibited and performed at art museums around the world. Kwak is the lead singer in the band Xina Xurner, and a founding member of the collective Mutant Salon.