Cantar de gesta

Last updated

A cantar de gesta is the Spanish equivalent of the Old French medieval chanson de geste or "songs of heroic deeds".

The most important cantares de gesta of Castile were:

Smaller importance had the Mainete, the Cantar del Cerco de Zamora and others. However, only the Cantar de Mio Cid, the Cantar de Rodrigo and a few verses of the Cantar de Roncesvalles have been preserved in written form. The philologues have reconstructed other passages of the lost Castilian epic from fragments turned into prose in chronicles, where they served as sources of information.

The characteristics of the Spanish cantares de gesta are:

See also

Related Research Articles

<span class="mw-page-title-main">El Cid</span> Castilian warlord and Prince of Valencia from 1094 to 1099

Rodrigo Díaz de Vivar was a Castilian knight and ruler in medieval Spain. Fighting both with Christian and Muslim armies during his lifetime, he earned the Arabic honorific as-Sayyid, which would evolve into El Çid, and the Spanish honorific El Campeador. He was born in Vivar, a village near the city of Burgos.

<i>Chanson de geste</i> Medieval narrative in poetic form

The chanson de geste is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.

<i>Cantar de mio Cid</i> Castilian epic poem

El Cantar de mio Cid, or El Poema de mio Cid, also known in English as The Poem of the Cid, is the oldest preserved Castilian epic poem. Based on a true story, it tells of the deeds of the Castilian hero Rodrigo Díaz de Vivar—known as El Cid—and takes place during the eleventh century, an era of conflicts in the Iberian Peninsula between the Kingdom of Castile and various Taifa principalities of Al-Andalus. It is considered a national epic of Spain.

Mester de juglaría is a Spanish literature genre from the 12th and 13th centuries, transmitted orally by "juglares" who made their living by reciting and singing these stories for the recreations of nobles, rulers, and the general public. These were people of humble origins, traveling comedians who also engaged in circus acts like juggling, tightrope walking, and acrobatics, or acted as clowns who told jokes or played simple instruments, or danced and sang versions of simple mime or puppet pieces, or, importantly, recited verses composed by other authors, called troubadours, either in public places, or in castles of feudal lords for whom they were housed; much of the time they also supported themselves by the visual arts.

<span class="mw-page-title-main">Tizona</span> Name of one of the swords carried by El Cid

Tizona is the name of one of the swords carried by Rodrigo Díaz de Vivar, El Cid, according to the Cantar de Mio Cid. The name of the second sword of El Cid is Colada.

This article concerns poetry in Spain.

<span class="mw-page-title-main">Carrión de los Condes</span> Municipality in Castile and León, Spain

Carrión de los Condes is a municipality in the province of Palencia, part of the Autonomous Community of Castile and León, Spain.

Gesta may refer to:

<i>Mocedades de Rodrigo</i> Castilian medieval song

The Mocedades de Rodrigo is an anonymous Castilian cantar de gesta, composed around 1360, that relates the origins and exploits of the youth of the legendary hero El Cid.

<i>Poema de Fernán González</i>

The Poema de Fernán González is a Castilian epic poem, specifically, a cantar de gesta of the Mester de Clerecía. Composed in a metre called the cuaderna vía, it narrates the deeds of the historical Count of Castile, Fernán González. It was written between 1250 and 1266 by a monk of San Pedro de Arlanza. In 1960 a fourteenth-century Arab roofing tile was discovered in Merindad de Sotoscueva north of Burgos that had some verses of the poem scrawled on it in Old Spanish. It is the oldest copy of the work.

<span class="mw-page-title-main">Urraca of Zamora</span> Leonese noblewoman

Urraca of Zamora was a Leonese infanta, one of the five children of Ferdinand I the Great, who received the city of Zamora as her inheritance and exercised palatine authority in it. Her story was romanticized in the cantar de gesta called the Cantar de Mio Cid, and Robert Southey's Chronicle of the Cid. Urraca's mother was Sancha of León.

<i>Estoria de España</i> Book by Alfons X van Castilië

The Estoria de España, also known in the 1906 edition of Ramón Menéndez Pidal as the Primera Crónica General, is a history book written on the initiative of Alfonso X of Castile "El Sabio", reigned 1252-1284, and who was actively involved in the chronicle's editing. It is believed to be the first extended history of Spain in Old Spanish, a West Iberian Romance language that forms part of the lineage from Vulgar Latin to modern Spanish. Many prior works were consulted in constructing this history.

<i>Romance</i> (meter)

The romance is a metrical form used in Spanish poetry. It consists of an indefinite series (tirada) of verses, in which the even-numbered lines have a near-rhyme (assonance) and the odd lines are unrhymed. The lines are octosyllabic ; a similar but far less common form is hexasyllabic and is known in Spanish as romancillo ; that, or any other form of less than eight syllables may also be referred to as romance corto. A similar form in alexandrines also exists, but was traditionally used in Spanish only for learned poetry.

The Poem of Almería is a medieval Latin epic poem in 38512 leonine hexameters. It was appended to the end of the Chronica Adefonsi imperatoris, an account of the reign of Alfonso VII of León and Castile, and narrates the victorious military campaign of 1147 that culminated in the conquest of the port of Almería. The poem, as it survives, is unfinished, abruptly ending mid-line before recounting the actual siege of Almería itself. Of its surviving lines, 293 consist of "dénombrement épique, a stirring roll-call of the chief members and contingents of the army".

A romancero is a collection of Spanish romances, a type of folk ballad. The romancero is the entire corpus of such ballads. As a distinct body of literature they borrow themes such as war, honour, aristocracy and heroism from epic poetry, especially the medieval cantar de gesta and chivalric romance, and they often have a pretense of historicity.

<span class="mw-page-title-main">Medieval Spanish literature</span> Corpus of literary works in Old Spanish

Medieval Spanish literature consists of the corpus of literary works written in Old Spanish between the beginning of the 13th and the end of the 15th century. Traditionally, the first and last works of this period are taken to be respectively the Cantar de mio Cid, an epic poem whose manuscript dates from 1207, and La Celestina (1499), a work commonly described as transitional between the Middle Ages and the Renaissance.

<i>Cantar de los Siete Infantes de Lara</i>

The Cantar de los Siete Infantes de Lara is a legend, perhaps derived from a lost cantar de gesta, that relates a tale of family feuding and revenge, centering on the murder of the eponymous seven infantes (princes) of Lara or Salas. The legend survives in prose form in medieval chronicles, the oldest being in the extended version of the Estoria de España compiled during the reign of Sancho IV of Castile before 1289.

The cantar is a form of classical Spanish canción, song or poem.

<span class="mw-page-title-main">Castle of Alcocer</span> Historic site in Ateca, Spain

The castle of Alcocer was a fortified Muslim village located in the archaeological site of La Mora Encantada in the Aragonese municipality of Ateca, Zaragoza, Spain.

Cristina Rodríguez was a daughter of Rodrigo Díaz also known as El Cid and Jimena Díaz.

References