A Movie is a 1958 experimental collage film by American artist Bruce Conner. It combines pieces of found footage taken from various sources such as newsreels, soft-core pornography, and B movies, all set to a score featuring Ottorino Respighi's Pines of Rome.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Bruce Baillie was an American experimental filmmaker.
Sidney Peterson, was an American writer, artist, avant-garde filmmaker, and educator. He founded the first film courses at the California School of Fine Arts in 1947.
Nathaniel Dorsky is an American experimental filmmaker and film editor. His film career began during the New American Cinema movement of the 1960s, when he met his partner Jerome Hiler. He won an Emmy Award in 1967 for his work on the film Gaugin in Tahiti: Search for Paradise.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Cosmic Ray is a 1962 American experimental short film directed by Bruce Conner. With both found footage and original material, it features images of countdown leader, a nude woman dancing, a Mickey Mouse cartoon, and military exercises. It is soundtracked by a performance of Ray Charles's "What'd I Say" and has been recognized by some critics as one of the first music videos.
San Francisco Cinematheque is a San Francisco-based film society for artist-made cinema. It was created in 1961 by a group of filmmakers, including Bruce Baillie and Chick Strand. This screening program grew into Canyon Cinema before being split off into a sister organization, originally named the Foundation for Art in Cinema, during the 1970s.
Luther Price (pseudonym) was an experimental filmmaker and visual artist.
The Cinematheque, founded in 1972, is a Canadian charity and non-profit film institute, media education centre, and film exhibitor based in Vancouver, British Columbia.
The Film-Makers' Cooperative is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.
![<i>Invisible Adversaries</i> 1977 [[Cinema of Austria|Austria]] film](https://upload.wikimedia.org/wikipedia/en/5/5f/InvisibleAdversariesDVDcover.jpg)
Invisible Adversaries is a 1977 Austrian experimental drama film directed by Valie Export, her debut feature film.
Sara Kathryn Arledge was an American artist and filmmaker acknowledged as "one of the foremothers of the American experimental cinema."
Freude (Florence) Bartlett also known as Freude Solomon-Bartlett, was an American experimental film director and founder of the Serious Business Company, a San Francisco-based film sales and film distribution company known for its collection of avant-garde, animation and women's films.
Schmeerguntz is a 1965 American avant-garde film by Gunvor Nelson and Dorothy Wiley. It is a collage film that contrasts messy depictions of domestic life with the pristine images of women found in media and advertising. The film was an inspiration for the Miss America protest that happened in 1968.
All My Life is a 1966 American experimental short film directed by Bruce Baillie. It shows a continuous shot of a fence, soundtracked by Ella Fitzgerald's 1936 debut single "All My Life". Film critic P. Adams Sitney identified it as an early example of what he termed structural film.
Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.
Side/Walk/Shuttle is a 1991 American avant-garde film directed by Ernie Gehr. It shows downtown San Francisco as seen at different angles from a moving elevator.
17 Reasons Why is a 1987 American avant-garde short film directed by Nathaniel Dorsky. Working with a collection of secondhand portable cameras, Dorsky used the unslit 8 mm footage to create a split screen with four quadrants. Normally screened on 16 mm film at 16 frames per second, it is one of his only works to have been shown as a digital transfer.
The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.
