Venice is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 126 islands that are separated by expanses of open water and by canals; portions of the city are linked by 472 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers. In 2020, around 258,685 people resided in greater Venice or the Comune di Venezia, of whom around 51,000 live in the historical island city of Venice and the rest on the mainland (terraferma). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million.
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.
The Grand Tour was the principally 17th- to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank when they had come of age. The custom—which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary—served as an educational rite of passage. Though it was primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans.
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.
The Grand Canal is the largest channel in Venice, Italy, forming one of the major water-traffic corridors in the city.
Santa Maria della Salute, commonly known simply as La Salute, is a Roman Catholic church and minor basilica located at the Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
Ca' Foscari, the palace of the Foscari family, is a Gothic building on the waterfront of the Grand Canal in the Dorsoduro sestiere of Venice, Italy.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
The bucentaur was the ceremonial barge of the doges of Venice. It was used every year on Ascension Day up to 1798 to take the doge out to the Adriatic Sea to perform the "Marriage of the Sea" – a ceremony that symbolically wedded Venice to the sea.
A veduta is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti.
Events from the year 1795 in art.
Antonio Visentini was a Venetian architectural designer, painter and engraver, known for his architectural fantasies and capricci, the author of treatises on perspective and a professor at the Venetian Academy.
Luca Carlevarijs or Carlevaris was an Italian painter and engraver working mainly in Venice. He pioneered the genre of the cityscapes (vedute) of Venice, a genre that was later widely followed by artists such as Canaletto and Francesco Guardi.
Joseph Smith, often known as Consul Smith, was the British consul at Venice from 1744 to 1760. He was a patron of artists, most notably Canaletto, a collector and connoisseur, banker to the British community at Venice, and a major draw on the British Grand Tour. His collection of drawings was bought for George III of Great Britain and forms a nucleus of the Royal Collection of drawings in the Print Room at Windsor Castle.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
William Marlow was an English landscape and marine painter and etcher.
Horatio Robert Forbes Brown was a Scottish historian who specialized in the history of Venice and Italy.
The Stonemason's Yard is an early oil painting by Giovanni Antonio Canal, better known as Canaletto. It depicts an informal scene in Venice, looking over a temporary stonemason's yard in the Campo San Vidal set up for the construction of Andrea Tirali's facade of the church of San Vidal, and across the Grand Canal towards the church of Santa Maria della Carità. Painted in the mid to late 1720s, it is now in the collection of the National Gallery in London and is considered one of Canaletto's finest works.
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola is a painting by Canaletto in the J. Paul Getty Museum in Los Angeles, California. Painted around 1738, it may have been commissioned by the English merchant and art collector Joseph Smith (1682–1770).
