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The term jazz guitar may refer to either a type of electric guitar or to the variety of guitar playing styles used in the various genres which are commonly termed "jazz". The jazz-type guitar was born as a result of using electric amplification to increase the volume of conventional acoustic guitars.
John Scofield, sometimes referred to as "Sco", is an American guitarist and composer whose music over a long career has blended jazz, jazz fusion, funk, blues, soul and rock. He first came to mainstream attention in the band of Miles Davis, and has toured and recorded with many prominent jazz artists, including saxophonists Eddie Harris, Dave Liebman, Joe Henderson and Joe Lovano; keyboardists George Duke, Joey DeFrancesco, Herbie Hancock, Larry Goldings and Robert Glasper; fellow guitarists Pat Metheny, John Abercrombie, Pat Martino and Bill Frisell; bassists Marc Johnson and Jaco Pastorius; and drummer Billy Cobham and Dennis Chambers. Outside the world of jazz, he has collaborated with Phil Lesh, Mavis Staples, John Mayer, Medeski Martin & Wood, and Gov’t Mule.
Jazz fusion is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll.
Bitches Brew is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970 by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.
Allan Holdsworth was a British jazz fusion and progressive rock guitarist and composer.
John McLaughlin is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Indian classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made Extrapolation, his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams's group Lifetime and then with Miles Davis on his electric jazz fusion albums In a Silent Way, Bitches Brew, Jack Johnson, and On the Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.
The Mahavishnu Orchestra were a jazz fusion band formed in New York City in 1971, led by English guitarist John McLaughlin. The group underwent several line-up changes throughout its history across in its two periods of activity, from 1971 to 1976 and from 1984 to 1987. With its first line-up consisting of musicians Billy Cobham, Jan Hammer, Jerry Goodman, and Rick Laird, the band received its initial acclaim for its complex, intense music consisting of a blend of Indian classical music, jazz, and psychedelic rock as well as its dynamic live performances between 1971 and 1973. Many members of the band have gone on to acclaimed careers of their own in the jazz and jazz fusion genres.
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European classical music and European free improvisation as central influences.
Lizard is the third studio album by British progressive rock band King Crimson, released in December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the only album by the band to feature singer and bass guitarist Gordon Haskell and drummer Andy McCulloch as official members of the band.
Jonathan M. Finn is an American rock musician and guitarist. He is the founder and leader of the Jon Finn Group, and is a professor at the Berklee College of Music; he joined the guitar faculty there in 1988. He is also the author of several books on the guitar, and was an instructional columnist for Guitar magazine for three years.
Larry Coryell was an American jazz guitarist.
Robert Berg was an American jazz saxophonist.
Joseph Thomas "Coke" Escovedo was an American percussionist, who came from a prominent musical family including five musician brothers and his niece, Sheila E. He played in various genres, including R&B, jazz fusion and soul, with bands including Santana, Malo, Cal Tjader, and Azteca.
Gerald Stanley Wilson was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson.
Carl Verheyen is an American musician best known for being the guitarist of Supertramp, the leader of the Carl Verheyen Band, and as a Los Angeles session guitarist. He was ranked One of the World's Top 10 Guitarists by Guitar Magazine and won the LA Music Awards category of Best Guitarist at their 6th annual awards ceremony. He has recorded with such artists as The Bee Gees, Dolly Parton, Victor Feldman, Richard Elliot, and Stanley Clarke and has played guitar on film soundtracks including The Crow, The Usual Suspects, Ratatouille, and Mission: Impossible – Ghost Protocol, and TV shows Cheers, Seinfeld, and Scrubs.
Kenn Smith, birth name Kenneth LaMont Smith, is an American guitarist, bassist, composer, educator and journalist, born in Chicago, Illinois. Well versed in many styles of music, Ambient, Jazz, Classical, Rock, Progressive Rock.
Antonio Carlos Ribeiro Barbosa Lima was a Brazilian classical and jazz guitarist. He spent most of his professional life as a resident in the United States, devoting much of his time as a recitalist on international concert tours. He appeared often as a soloist and with orchestras.
Barry Miles is an American pianist, record producer, and author.
In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments. Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." On June 16, 1972 the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc.
Guitar, Drums 'n' Bass is an album by free improvisation guitarist Derek Bailey, released by Avant Records in 1996. After spending several years improvising his guitar to the sound of jungle and drum and bass music on pirate radio, Bailey proposed to collaborator John Zorn that he make an album of his musical fusion. Zorn then contacted Birmingham-based drum and bass producer D.J. Ninj to provide the musical backing, who recorded his contributions in spring 1995. After a failed session with engineer Mick Harris, Bailey recorded his overlaid guitar improvisations in Bill Laswell's New York City studio in October 1995, slightly altering Ninj's contributions to remove electric piano passages.
References
- 1 2 Kopp, Ed (1 September 2000). "Carl Filipiak: Peripheral Vision". All About Jazz. Retrieved 23 August 2013.
- ↑ Nguyen, Lan (19 September 1991). "Baltimore guitarist makes natural progression from rock to jazz". tribunedigital-baltimoresun. Retrieved 1 August 2017.
