Related Research Articles
Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into their mass as well.
The Association of Vineyard Churches, also known as the Vineyard Movement, is an international neocharismatic evangelical Christian association of churches.
John Richard Wimber was an American pastor, Christian author and musician. Initially ordained as a Quaker minister, he became an early, pioneering pastor of charismatic congregations, and a popular thought leader in modern Christian publications on the third person of the Christian Trinity, the Holy Spirit, and the Holy Spirit's action in modern churches through miraculous phenomena referred to as miracles, or signs and wonders. Wimber was a founding leader of the Vineyard Movement, a Christian movement that Ken Gulliksen began in the United States and that later became a wider denomination.
"It Came Upon the Midnight Clear", sometimes rendered as "It Came Upon a Midnight Clear", is an 1849 poem and Christmas carol written by Edmund Sears, pastor of the Unitarian Church in Wayland, Massachusetts. In 1850, Sears' lyrics were set to "Carol", a tune written for the poem the same year at his request, by Richard Storrs Willis. This pairing remains the most popular in the United States, while in Commonwealth countries, the lyrics are set to "Noel", a later adaptation by Arthur Sullivan from an English melody.
"The Spirit of God Like a Fire Is Burning" is a hymn of the Latter Day Saint movement. It was written by W. W. Phelps, one of the most prolific hymnwriters of early Latter Day Saint movement.
Brian Robert Doerksen is a Canadian Christian singer-songwriter and worship leader from Abbotsford, British Columbia.
Brenton Gifford Brown is a dual South African and American Christian musician and worship leader.
Edward Mote was a pastor and hymn writer. Born in London on 21 January 1797, his parents managed a pub and often left Edward to his own devices playing in the street. Speaking of these childhood years he once said, "So ignorant was I that I did not know that there was a God." He was finally exposed to the Christian gospel and was baptised the age of 18. He was trained as a cabinet maker and worked in London for 37 years. Only in his 50s did he enter the ministry and was pastor at Rehoboth Baptist Church in Horsham, West Sussex for 26 years. He was well liked by the congregation in Horsham and they offered him the church building as a gift. Mote replied "I do not want the chapel, I only want the pulpit; and when I cease to preach Christ, then turn me out of that." He died on 13 November 1874 and is buried in the church yard at Rehoboth Church.
Charles Hutchinson Gabriel was an American composer and lyricist of gospel songs and gospel tunes. He is said to have written and/or composed between 7,000 and 8,000 songs, many of which are available in 21st century hymnals. He used several pseudonyms, including Charlotte G. Homer, H. A. Henry, and S. B. Jackson.
Graham Kendrick is an British Christian singer, songwriter and worship leader.
John Fawcett was a British-born Baptist theologian, pastor and hymn writer.
Scott Wesley Brown is an American CCM singer and songwriter. He has recorded 25 albums and toured in over 50 countries.
"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley. It is performed to one of several tunes, including "Stuttgart", "Hyfrydol", and "Cross of Jesus". The hymn is considered an enduring classic in Christian hymnody.
"In Christ Alone" is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. The music was by Getty and the original lyrics by Townend. It was composed in 2001.
"What Wondrous Love Is This" is a Christian folk hymn from the American South. Its text was first published in 1811, during the Second Great Awakening, and its melody derived from a popular English ballad. Today it is a widely known hymn included in hymnals of many Christian denominations.
"Crown Him with Many Crowns" is an 1851 hymn with lyrics written by Matthew Bridges and Godfrey Thring and sung to the tune 'Diademata' by Sir George Job Elvey. The hymn appears in many hymnals.
Acharya A. B. Masilamani or Abel Boanerges Masilamani (1914–1990) was a Golden Jubilee Baptist pastor and evangelist on whom parallels had been drawn comparing his ecclesiastical ministry with that of Saint Paul. The Mar Thoma Syrian Church, one of the Saint Thomas Christian Churches founded by Thomas the Apostle in the first century which holds the annual Maramon Conventions used to have Masilamani preach at its conventions since the 1970s. During one such Maramon Convention held in 1983 at Maramon, Masilamani was one of the main speaker who spoke on Christology in the presence of the two patriarchs of the Mar Thoma Church, Alexander Mar Thoma and Thomas Mar Athanius.
Canaan Hymns or Songs of Canaan is a collection of Chinese hymns composed by Lü Xiaomin, a Christian convert peasant woman with no musical education, beginning in 1990. Lü's theological background is in Pentecostalism and the local churches movement, and the hymns reflect themes of Christology, pneumatology and eschatology against the backdrop of Chinese political realities.
Hymnody in continental Europe developed from early liturgical music, especially Gregorian chant. Music became more complicated as embellishments and variations were added, along with influences from secular music. Although vernacular leisen and vernacular or mixed-language carols were sung in the Middle Ages, more vernacular hymnody emerged during the Protestant Reformation, although ecclesiastical Latin continued to be used after the Reformation. Since then, developments have shifted between isorhythmic, homorhythmic, and more rounded musical forms with some lilting. Theological underpinnings influenced the narrative point of view used, with Pietism especially encouraging the use of the first person singular. In the last several centuries, many songs from Evangelicalism have been translated from English into German.
References
- 1 2 3 4 5 I Could Sing of Your Love Forever: Stories Behind 100 of the World's Most Popular Worship Songs, by Lindsay Terry, ISBN 9781418519698, pp110-111.
- ↑ Together in Song, ISBN 1 86371 762 5, hymn number 724
- ↑ Baptist Hymnal 2008, ISBN 1148740066, hymn number 135
 | This biographical article about person in connection with Christianity is a stub. You can help Wikipedia by expanding it. |
   | This article about a singer-songwriter from the United States is a stub. You can help Wikipedia by expanding it. |