Related Research Articles
The São Paulo Art Biennial was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the Venice Biennale, which serves as its role model.
Alfons Hug is a curator, critic and exhibition organizer.
Sérgio de Camargo was a sculptor and relief maker, born in Rio de Janeiro, Brazil. Sergio De Camargo studied at the Academia Altamira in Buenos Aires under Emilio Pettoruti and Lucio Fontana. Camargo also studied philosophy at the Sorbonne in Paris. On a protracted trip through Europe in 1948, Camargo met Brâncuși, Arp, Henri Laurens and Georges Vantongerloo. Sérgio de Camargo showed work at numerous international exhibitions, including the 1965 São Paulo Biennale, the 1966 Venice Biennale, and the 1968 documenta in Kassel. Sérgio de Camargo died in Rio de Janeiro in 1990. The Tate Gallery in London has one of de Camargo's work in their permanent collection.
Brígida Baltar was a Brazilian visual artist. Her work spanned across a wide range of mediums, including video, performance, installation, drawing, and sculpture. She was interested in capturing the ephemeral in her artwork.
Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.
Jorge Glusberg was an Argentine author, publisher, curator, professor, and conceptual artist.
Luis Pérez-Oramas is a Venezuelan/American poet, art historian and curator. He is the author of eleven poetry books, seven recollections of essays, and numerous art exhibition catalogs. He has contributed as Op-Ed author to national newspapers in Venezuela as well as to various literary and art magazines in the U.S., Latin America and Europe.
Sheila Leirner is a French Brazilian curator, journalist, and art critic, as well as a writer. She was chief curator of the XVIII and XIX São Paulo Art Biennials.
Gilvan Samico was a Brazilian painter, teacher and engraver of the Armorial Movement of graphic design.
Sonia Gomes is a Brazilian contemporary artist who lives and works in São Paulo, Brazil. Gomes frequently employs found objects and textiles in her works, twisting, stretching, and bundling them to fashion wiry or knotty sculptural forms.
Dudi Maia Rosa is a Brazilian artist.
Waldemar Cordeiro was an Italian-born Brazilian art critic and artist. He worked as a computer artist in the early days of computer art and was a pioneer of the concrete art movement in Latin America.
Judith Lauand was a Brazilian painter and printmaker. She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo, the Grupo Ruptura.
Hermelindo Fiaminghi was a Brazilian painter, designer, graphic designer, lithographer, professor, and art critic, known for his geometric works and exploration of color.
Priscilla Monge is a Costa Rican artist. She is one of the best-known female artists from Central America.
Valeska Soares is a Brooklyn-based Brazilian-American sculptor and installation artist.
Sheila Maureen Bisilliat is a Brazilian photographer.
Marcia Grostein Marcia Grostein is a Brazilian-American artist known for using various mediums across public art, sculpture, painting, video art, photography, and portable wearable art/jewelry. She was the first contemporary Brazilian artist to be acquired by the Metropolitan Museum of Art for the 20th Century Collection by the curator Lowery Sims.
Yolanda Léderer Mohalyi was a painter and designer who worked with woodcuts, mosaics, stained glass and murals as well as more usual materials. Her early work was figurative, but she increasingly moved towards abstract expressionism. With artists such as Waldemar da Costa and Cicero Dias, she opened the way for abstraction in Latin American art.
Adriano Pedrosa is a Brazilian curator. He is the artistic director of the São Paulo Museum of Art (MASP) and curated the 2024 Venice Biennale.
References
- 1 2 "Carla Zaccagnini". The Guggenheim Museums and Foundation . Archived from the original on 28 March 2024. Retrieved 27 March 2024.
- ↑ "Carla Zaccagnini". The Guggenheim Museums and Foundation. Retrieved 2024-10-19.
- ↑ "Bienal de São Paulo announces the continuation of its digital program". São Paulo Biennial Foundation . 11 February 2021. Archived from the original on 9 July 2023. Retrieved 27 March 2024.
- ↑ Zaccagnini, Carla (2022). Cuentos de cuentas[Accounts of Accounting] (in English and Spanish). Berlin: K. Verlag. ISBN 9783947858323. OCLC 1336487506.
- ↑ Rexer, Lyle (4 October 2022). "Carla Zaccagnini's Cuentos de Cuentas". The Brooklyn Rail . Archived from the original on 29 February 2024. Retrieved 27 March 2024.
- ↑ Weeks, Meg (20 October 2022). "Chronicles of a Financial Collapse". Hyperallergic . Archived from the original on 4 October 2023. Retrieved 27 March 2024.
- ↑ Kolhatkar, Sheelah (2 May 2022). "Making Art Out of Inflation" . The New Yorker . ISSN 0028-792X. Archived from the original on 9 May 2022. Retrieved 27 March 2024.
- ↑ "BRAVO-RADIO-ATLAS-VIRUS-OPERA | 2009–10". Tate . Archived from the original on 9 July 2023. Retrieved 27 March 2024.
- ↑ "Carla Zaccagnini - Elements of Beauty: a Tea Set is Never Only a Tea Set, 2014". São Paulo Museum of Art . Archived from the original on 9 July 2023. Retrieved 27 March 2024.
- ↑ Miranda, Carolina A. (1 June 2016). "Investigating Carmen Miranda and fighting the 'biennial effect': Two Latin American artists in L.A. prepare for Pacific Standard Time" . Los Angeles Times . Archived from the original on 28 March 2024. Retrieved 27 March 2024.
| International | |
|---|---|
| National | |
| Other | |
