Carlos Casas is a filmmaker and artist whose practice encompasses film, sound and the visual arts. His films have been screened and awarded in festivals around the world, like the Venice Film Festival, International Film Festival Rotterdam, Buenos Aires International Film Festival, Mexico International Film Festival, CPH DOX Copenhagen, FID Marseille, etc... Retrospectives of his films have been presented international festivals and cinematheques from Madrid, Mexico to Bruxelles, his work has been exhibited and performed in international art institutions and galleries, such as Tate Modern in London, Fondation Cartier, Palais de Tokyo, Centre Pompidou in Paris, NTU CCA Singapore; Hangar Bicocca, and La Triennale in Milan, CCCB Barcelona, Matadero Madrid, Museo Nacional Centro de Arte Reina Sofía Madrid, MAAT Lisbon, GAM Torino, Bozar, Kunsten Festival des Arts Bruxelles … among others. He has collaborated with musicians and artists like Phill Niblock, Z'EV, Nico Vascellari, Prurient, Sebastian Escofet, Nastro Mortal.
Carlos Casas studied fine arts, cinema and design. In 1998 he was awarded an Artist-in-residence in Fabrica, research and communication center of Benetton. [1] [2] In 2000 his short Film “Afterwords”, produced by Marco Müller and Fabrica Cinema was selected for Venice Film Festival, [3] International Film Festival Rotterdam and Reencontres du Cinema in Paris 2001. In 2001 he started a series of documentaries for Colors Magazine, [4] and a series of Fieldworks, an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes, in 2003 he developed a 52 min documentary,”Rocinha. Daylight of a favela” Shot on location in one of the biggest favelas in Rio de Janeiro.He also publish a compilation of Funk Carioca in collaboration with DJ Marlboro and Irma Records. In 2004 he finished “Aral. Fishing in an invisible sea” about the life of the three remaining generation of Fishermen in the Aral sea, which won the best documentary award in Torino Film festival 2004, and was selected for the International Film Festival Rotterdam 2005. Visions du Réel documentary film festival, Nyon, Switzerland 2005, One World Prague 2005, and Documenta Madrid 2005 where it received the special mention from the jury. In May 2005 he finished a 52 min version of the Patagonia research “Solitude at the end of the world”which received the special prize from the Jury in BAFICI Buenos Aires International Festival of Independent Cinema 2006. The Siberia project ”Hunters since the beginning of time” is the last chapter of a trilogy of films dedicated to the most extreme environments in the world. (Patagonia, Aral, Siberia) was awarded Best Documentary Award in FICCO Mexico International Film Festival 2008. In 2008 he published a selection of forbidden funk [Proibidão]Proibidao CV: Forbidden Gang Funk From Rio de Janeiro for the label Sublime Frequencies. In 2007 he presented in different festivals in his latest work Tundra from the Siberian Fieldworks series, [5] a live media project premiered at Netmage Festival [6] in Bologna and Sonar. [7] and was also presented in Multiplicidade in Rio de Janeiro. In 2008 he founded together with fellow artist friend, Nico Vascellari Von Archives an audiovisual label publishing experimental audiovisual productions. Later in 2009 he created with partner and wife Saodat Ismailova, Map Productions, a production house dedicated to develop audiovisual projects around the world, from feature films, to documentaries. In 2010 he presented his Cemetery Archive Works in Netmage and his End trilogy was presented for the first time in Cineteca Mexicana. In June 2010 Hangar Bicocca in Milano presented END a comprehensive exhibition of the trilogy. Avalanche (overture) his latest project is a collaboration with the American sound artist and minimalist legend Phill Niblock an ongoing project based in the Pamir mountains, in one of the world's highest inhabited villages. Avalanche (overture) superimposes Casas' footage over the overtones of "Stosspeng," a piece by Niblock. It is a visual-sonic journey, an extremely intense audiovisual meditation and a sensory experience in which extremes meet: nature in its rawest state and the pure, breathtaking and heady sound of drones. Presented for the first time in its first incarnation in Sonar Festival, Avalanche is an open film, reedited every time it is shown and adapted to the space it is presented Avalanche is an organic example of film-making, an ongoing document to the disappearance of this village, a reactive film within its community, Avalanche is alive together with the village, dying and born again every time it is presented. Avalanche is a lifelong project and site-specific film project based on one of Pamir highest inhabited village has been presented in different museums, festivals and gallery spaces around Europe and the USA. Cemetery his latest project is a take on the myth of the elephant cemetery. And has been awarded in FID Marseille, and presented in festivals all over the world. He is co-founder of Map Productions and the visual sound label Von Archives. He is currently researching and working on a new project based on the eruption of the Krakatoa volcano in Indonesia.
Cinema of Colombia refers to the film industry based in Colombia. Colombian cinema began in 1897 and has included silent films, animated films and internationally acclaimed films. Government support included an effort in the 1970s to develop the state-owned Cinematographic Development Company which helped produce some films yet struggled to stay financially viable. FOCINE went defunct in 1993. In 1997 the Colombian congress approved Law 397 of Article 46 or the General Law of Culture with the purpose of supporting the development of the Colombian film industry by creating a film promotion mixed fund called Corporación PROIMAGENES en Movimiento. In 2003 Congress also approved the Law of Cinema which helped to restart the cinematographic industry in Colombia.
The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was Saída do Pessoal Operário da Fábrica Confiança, made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was O Rapto de Uma Actriz (1907). The first all-talking sound film, A Severa, was made in 1931. Starting in 1933, with A Canção de Lisboa, the Golden Age would last the next two decades, with films such as O Pátio das Cantigas (1942) and A Menina da Rádio (1944). Aniki-Bóbó (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the Cinema Novo movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like Dom Roberto (1962) and Os Verdes Anos (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's Recordações da Casa Amarela won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's Arena won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. João Sete Sete (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.
Isabel Coixet Castillo is a Spanish film director. She is one of the most prolific film directors of contemporary Spain, having directed twelve feature-length films since the beginning of her film career in 1988, in addition to documentary films, shorts, and commercials. Her films depart from the traditional national cinema of Spain, and help to “untangle films from their national context ... clearing the path for thinking about national film from different perspectives.” The recurring themes of “emotions, feelings, and existential conflict” coupled with her distinct visual style secure the “multifaceted ” filmmaker's status as a “Catalan auteur.”
Christian Frei is a Swiss filmmaker and film producer. He is mostly known for his films War Photographer (2001), The Giant Buddhas (2005) and Space Tourists (2009).
The Centre de Cultura Contemporània de Barcelona is an arts centre in Barcelona, Catalonia, Spain.
Colors was a quarterly magazine about 'the rest of the world' funded by the Benetton clothing company. Founded in 1991 "as a way of communicating the intelligence of the Benetton brand to an extremely sophisticated consumer", it was published worldwide in six editions: Chinese/English, French/English, Italian/English, Korean/English, Portuguese/English, German/English and Spanish/English. Every issue of the magazine took a single theme and covers it from an international perspective. It was produced at the Fabrica research centre in Treviso, Italy.
Punto de VistaInternational Documentary Film Festival of Navarra is a film festival created in 2005 and held annually in the city of Pamplona. It emerged as the heir of the old Certamen de Creación Audiovisual de Navarra. It is promoted by the Department of Culture of the Government of Navarra and organized by NICDO. It takes place every year in March and its main venue is Baluarte, Palacio de Congresos y Auditorio de Navarra.
The Council of Europe Film Award (FACE) is presented at the Istanbul International Film Festival by the Council of Europe to the director whose entry to the festival raises public awareness and interest in human rights issues and promotes a better understanding of their significance.
Netmage is an international festival dedicated to electronic art curated by Xing and produced annually—in the city of Bologna—as a multidisciplinary program of works, investigating and promoting contemporary audiovisual research. The festival was born in 2000 with funds provided by the European Union, when Bologna represented one of the nine major European capital of culture. The festival concentrates on an amalgam of Happenings, environments, and audio/visual installations, it does through a concentration on creative scenes and subcultural communities.
Marseille International Film Festival is a documentary film festival held yearly since 1989 in Marseille, France. The festival awards grand prizes in international and national categories. The 2009 competition featured 20 documentaries in the international category and 14 in the French category.
Dzi Croquettes is a 2009 Brazilian documentary film directed by Tatiana Issa and Raphael Alvarez about the dance and theater group of the same name.
Christophe Bisson is an international film director. He created, with the American filmmaker Maryann De leo, the documentary White Horse for HBO Studios and the Discovery Channel. He is a well-known artist based in Caen, France.
ART for The World is a non-governmental organization (NGO) associated with the United Nations Department of Public Information (UNDPI). It is based in Geneva, Switzerland, and since 2005 has collaborated with its sister association ART for The World Europa, based in Milan, Italy. In 1995, Adelina von Fürstenberg founded ART for The World within Dialogues de Paix, an international contemporary art exhibition which she curated on the occasion of the 50th anniversary of the United Nations.
Harutyun Khachatryan is an Armenian film director, script writer, director of photography, film producer, General director of the Golden Apricot Yerevan International Film Festival, Meritorious Artist of the Republic of Armenia and voting Member of European Film Academy since 2006.
Alejandro Catalán better known as Alex Catalán, is a Spanish director of photography, who has worked in more than 20 feature films and other short films which have won several prizes.
Oriol Paulo is a Spanish screenwriter and director. He is known for crime thriller movies such as The Body (2012) and The Invisible Guest (2016). Both films garnered international acclaim and were remade in several languages.
Joana Hadjithomas and Khalil Joreige are Lebanese filmmakers and artists. Their work includes feature and documentary films, video and photographic installations, sculpture, performance lectures and texts.
Sofia Bohdanowicz is a Canadian filmmaker. She is known for her collaborations with Deragh Campbell and made her feature film directorial debut in 2016 with Never Eat Alone. Her second feature film, Maison du Bonheur, was a finalist for the Rogers Best Canadian Film Award at the 2018 Toronto Film Critics Association Awards. That year, she won the Jay Scott Prize from the Toronto Film Critics Association. Her third feature film, MS Slavic 7, which she co-directed with Campbell, had its world premiere at the 69th Berlin International Film Festival in 2019. She has also directed several short films, such as Veslemøy's Song (2018) and Point and Line to Plane (2020).
Idrissou Mora-Kpai, is a Beninese filmmaker. He is most notable as the director of critically acclaimed films Indochina Traces of a Mother, Arlit The Second Paris, and Si-Gueriki The Queen Mother. He is a recipient of the John Simon Guggenheim Memorial Foundation Fellowshipand the Dutch Prince Claus Award
Laura Huertas Millán is a French artist and filmmaker. Her works have been presented in various cinema festivals, including the IFFR, FIDMarseille, Cinéma du Réel, Berlinale, and Locarno Film Festival. Widely shown in the contemporary art world, her artworks are part of public and private collections in Europe and the Americas.