Established | 1927 |
---|---|
Location | Dolores Street between 5th & 6th Ave., Carmel-by-the-Sea, California |
Coordinates | 36°33′24″N121°55′14″W / 36.556667°N 121.920556°W |
Type | Art Gallery |
Founder | Jennie V. Cannon |
Director | Board of Directors |
Architect | Clay Otto |
Website | carmelart |
The Carmel Art Association (CAA) is a Not-for-profit arts organization and gallery located in Carmel-by-the-Sea, California. The CAA is Carmel's oldest gallery. It features the work of many local artists living on the Monterey Peninsula. Many of its members were early California artists. The CAA is a 501(c)(3) organization. [1]
The CAA was founded on August 8, 1927, by a small group of artists who gathered at “Gray Gables,” the modest home and studio of Josephine M. Culbertson and Ida A. Johnson at the corner of Seventh and Lincoln in Carmel-by-the-Sea, California. The originator of the plan was Jennie V. Cannon of Berkeley, California, who was a frequent visitor to Carmel and owned a summer cottage there. [2] Pedro Joseph de Lemos of Carmel was elected the first president of the CAA in August 1927. A constitution presented by Ada B. Champlin was accepted with some amendments. [3] In late October 1927, the exhibition of 41 artists took place in Seven Arts Building in Carmel. [4] The association filed articles of incorporation on January 26, 1934. [5]
Artist and playwright Ira Mallory Remsen (1876-1928) was active with the Carmel Art Association when it was at the corner of Seventh and Lincoln Street. On July 8, 1929, artists Ray and Dorthy Woodward purchased Rem's studio for $6,000 (equivalent to $106,465in 2023). [6] In the fall of 1933, the Carmel Art Association moved to its present location on Dolores Street, when the organization purchased Remsen's former studio with a loan from businessman Barnet J. Segal (1898-1985). Today part of the Remsen's original studio survives as the Beardsley Room inside the building. [7] [8] [9]
Architect Clay Otto designed and Michael J. Murphy the expansion of the existing building in 1938. It is a two-story wood and adobe brick and concrete block framed art gallery. The sculpture garden in front of the building was designed by artist William P. Silva (1859-1948). [7] The gallery was registered with the California Register of Historical Resources on May 10, 2002. [8] [ dubious – discuss ]
One of the first CAA exhibitions was on June 3, 1928 at the Stanford Art Gallery of oil paintings and watercolors by 25 of its members. One of the paintings was by Percy Gray called "Coast Near Monterey". [10]
Jo Mora was active in the Carmel community and served on the board of directors of the CAA, where his sculptures were exhibited between 1927 and 1934. [5]
Salvador Dalí joined the CAA. On June 8, 1947, he participated as an art expert and juror in a contest sponsored by CAA that awarded high school students from Albany High School in Oakland, California. [11]
On July 28, 1988, the CAA held an exhibition of paintings and graphics by six early members. Francis McComas was one of them. [12]
The gallery has won awards in the following areas:
Wah Ming Chang was an American designer, sculptor, and artist. With the encouragement of his adoptive father, James Blanding Sloan, he began exhibiting his prints and watercolors at the age of seven to highly favorable reviews. Chang worked with Sloan on several theatre productions and in the 1940s, they briefly created their own studio to produce films. He is known later in life for his sculpture and the props he designed for Star Trek: The Original Series, including the tricorder and communicator.
Joseph Jacinto Mora was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who lived with the Hopi and wrote about his experiences in California. He has been called the "Renaissance Man of the West".
Percy Gray was an American painter. At the 1915 Panama–Pacific International Exposition he won a bronze medal for his watercolor Out of the Desert, Oregon. Gray's artwork is held in the permanent online collections of several museums, including the Monterey Museum of Art.
Carmel Highlands is an unincorporated community in Monterey County, California, United States. It is 3.5 miles (5.6 km) south of Carmel-by-the-Sea, at an elevation of 318 feet. Carmel Highlands is just south of the Point Lobos State Reserve, and serves as the northern gateway of the Big Sur coastline along California State Route 1. Carmel Highlands was laid out in 1916 by developers Frank Hubbard Powers and James Franklin Devendorf and the Carmel Development Company.
Guy Orlando Rose was an American Impressionist painter and California resident, who received national recognition in the late 19th and early 20th centuries.
Arthur Hill Gilbert was an American Impressionist painter, notable as one of the practitioners of the California-style. Today, he is remembered for his large, colorful canvases depicting meadows and groves of trees along the state's famed 17 Mile Drive. Gilbert was part of the group of American impressionist artists who lived and painted in the artists' colony scene in California at Carmel and Laguna Beach during the 1920s and 1930s.
William Frederic Ritschel, also known as Wilhelm Frederick Ritschel, was a California impressionist painter who was born in Nurenberg, Kingdom of Bavaria.
Johan Hagemeyer was a Dutch-born horticulturalist and vegetarian who is remembered primarily for being an early 20th century photographer and artistic intellectual.
The Society of Six was a group of artists who painted outdoors, socialized, and exhibited together in and around Oakland, California in the 1910s and 1920s. They included Selden Connor Gile, August Gay, Maurice Logan, Louis Siegriest, Bernard von Eichman, and William H. Clapp. They were somewhat isolated from the artistic mainstream of the San Francisco Bay Area at the time, and painted in more avant-garde styles than most of their peers, especially after being inspired by modern trends represented in the Panama Pacific International Exposition of 1915.
Mary Evelyn McCormick was an American Impressionist who lived and worked around San Francisco and Monterey, California at the turn of the 20th century.
Jennie Amelia Vennerström Cannon, also known as Jennie Vennerstrom Cannon (1869–1952), was an American artist who spent most of her career in California but gained national recognition. She received the first master's degree from the Art Department at Stanford University, studied in New York with William Merritt Chase, whom she befriended and later persuaded to teach at Carmel-by-the-Sea, California, and received both the Elliott Bronze Medal and the Langdon Prize at the National Academy of Design. From her studio-homes in Berkeley and Carmel, California, her art was sent on traveling exhibitions across the United States. She was instrumental in founding the Carmel Art Association and the California League of Fine Arts in Berkeley. She championed women's equality in art communities across northern California. Her published art reviews appeared for decades in regional newspapers.
Jessie Hazel Arms Botke was an Illinois and California painter noted for her bird images and use of gold leaf highlights.
Josephine M. Culbertson, also known as J. M. Culbertson, was an American landscape painter and etcher. She was a co-founder of the Carmel Art Association located in Carmel-by-the-Sea, California. Culbertson's dedication to the arts extended to her involvement in various clubs and associations, such as the Carmel Boys' Club and the Dicken's Club, where she fostered artistic growth and camaraderie among fellow artists.
Mary DeNeale Morgan also known as M. DeNeale Morgan, was an American plein air painter, especially in watercolor, and printmaker. She was the director the Carmel Summer School of Art sponsored by the Carmel Arts and Crafts Club and a founding member of the Carmel Art Association (CAA) in Carmel-by-the-Sea, California.
Theodore Criley was an American hotel manager and landscape artist. He joined the art colony in Carmel-by-the-Sea, where he was a watercolorist, portrait painter, and wood engraver. His artwork was well received by fellow artists Jennie V. Cannon and Percy Gray, as well as art critics for the San Francisco Chronicle and the Oakland Tribune. His work can be seen at the Mills College Art Museum in Oakland, California.
John O'Shea was a California impressionist painter known for his landscape, marine, figure, and portrait paintings. He was one of the major artists in Carmel-by-the-Sea, California between 1917-1945, and resident of Carmel for 36 years. His works are held in the permanent collections of several locations, including the Harrison Memorial Library, Monterey Museum of Art, Municipal Gallery of Modern Art, and the Bohemian Club.
The Carmel Arts and Crafts Club was an art gallery, theatre and clubhouse founded in 1905, by Elsie Allen, a former art instructor for Wellesley College. After using the facilities of various town parks and hotels, in 1907, a clubhouse was built at Monte Verde Street in Carmel-by-the-Sea, California, where the Circle Theatre of the Golden Bough Playhouse is today. The clubhouse served as Carmel's first community cultural center. It held dramatic performances, poetry readings, lectures, and was a summer school for the arts. Between 1919 and 1948 Carmel was the largest art colony on the Pacific coast.
The following is a timeline of the history of Carmel-by-the-Sea, California, United States.
Barnet Joseph Segal was an American businessman and early investor and banker in Carmel-by-the-Sea, California. He helped start several financial institutions, including the Bank of Carmel and the Carmel Savings and Loan Association. He was "historically Carmel's most significant financier." Segal setup the Barnet J. Segal Charitable Trust to distribute his estate for the benefit of Monterey County, California.
Ira Mallory Remsen , known locally as Rem Remsen, was an American painter, playwright and Bohemian Club member. He was the son of Dr. Ira Remsen chemist and former president of Johns Hopkins University. Remsen was the author of children's plays notably Inchling and Mr. Blunt, he produced at the Forest Theater in Carmel-by-the-Sea, California in the 1920s. His studio on Dolores Street became the permanent home for the Carmel Art Association in 1933.
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