Carmen de Prodicione Guenonis

Last updated

Carmen de Prodicione Guenonis ("Song of the Treachery of Ganelon") is an anonymous poem in medieval Latin, written in the first half of the 12th century. Composed in elegiac couplets by an unskilled versifier, it is a version of the legendary history of the Battle of Roncevaux Pass. This is the same story that is told in the Old French Chanson de Roland and in several other versions and languages. The Latin poem seems to be based on a hearing or reading of an Old French chanson de geste , in the same tradition as the written Chanson but differing from it in many details, perhaps around the year 1120.

Bibliography

Related Research Articles

<span class="mw-page-title-main">Roland</span> Frankish military leader under Charlemagne

Roland was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's Vita Karoli Magni, which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass.

<i>Song of Roland</i> 11th-century French epic poem

The Song of Roland is an 11th-century chanson de geste based on the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries.

Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.

<i>Chanson de geste</i> Medieval narrative in poetic form

The chanson de geste is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.

<span class="mw-page-title-main">Ogier the Dane</span> Legendary Knight of Charlemagne

Ogier the Dane is a legendary paladin of Charlemagne who appears in many Old French chansons de geste. In particular, he features as the protagonist in La Chevalerie Ogier, which belongs to the Geste de Doon de Mayence. The first part of this epic, the enfance[s] of Ogier, is marked by his duel against a Saracen from whom he obtains the sword Cortain, followed by victory over another Saracen opponent from whom he wins the horse Broiefort. In subsequent parts, Ogier turns into a rebel with cause, seeking refuge with the King of Lombardy and warring with Charlemagne for many years, until he is eventually reconciled when a dire need for him emerges after another Saracen incursion.

The Matter of France, also known as the Carolingian cycle, is a body of literature and legendary material associated with the history of France, in particular involving Charlemagne and his associates. The cycle springs from the Old French chansons de geste, and was later adapted into a variety of art forms, including Renaissance epics and operas. Together with the Matter of Britain, which concerned King Arthur, and the Matter of Rome, comprising material derived from and inspired by classical mythology, it was one of the great European literary cycles that figured repeatedly in medieval literature.

<span class="mw-page-title-main">Battle of Roncevaux Pass</span> 8th-century battle in France

The Battle of Roncevaux Pass in 778 saw a large force of Basques ambush a part of Charlemagne's army in Roncevaux Pass, a high mountain pass in the Pyrenees on the present border between France and Spain, after his invasion of the Iberian Peninsula.

Anglo-Norman literature is literature composed in the Anglo-Norman language and developed during the period of 1066–1204, as the Duchy of Normandy and the Kingdom of England were united in the Anglo-Norman realm.

<span class="mw-page-title-main">Medieval French literature</span>

Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century.

<i>Romance of Thebes</i> French romance composed around 1150

The Romance of Thebes is a poem of some 10,000 lines that appears to be based on an abridged version of the Thebaid of Statius. This view is supported by the omission of incidents and details which, in spite of the altered conditions under which the poem was composed, would naturally have been preserved in any imitation of the Thebaid, while again certain modifications of the version of Statius can hardly be due to the author's invention but point to an ancient origin.

<i>Amis et Amiles</i>

Amis et Amiles is an old French romance based on a widespread legend of friendship and sacrifice. In its earlier and simpler form it is the story of two friends, one of whom, Amis, was sick with leprosy because he had committed perjury to save his friend. A vision informed him that he could only be cured by bathing in the blood of Amiles's children. When Amiles learnt this he killed the children, who were, however, miraculously restored to life after the cure of Amis.

<i>Historia Caroli Magni</i>

The Historia Caroli Magni, also known as the Historia Karoli Magni et Rotholandi or the (Pseudo-)Turpin Chronicle, is a 12th-century Latin chronicle consisting of legendary material about Charlemagne's campaigns in Spain. The chronicle states it was written by Charlemagne's contemporary Turpin, Archbishop of Reims, but it was found out as a medieval forgery. The work was extremely popular, and served as a major source of material on Charlemagne in chronicles, fiction and iconography throughout Medieval Europe. The miracles of the flowering lances and the death of Ferracutus appear on the windows of Chartres cathedral.

<i>Song of the Albigensian Crusade</i> 1213 epic poem by William of Tudela

The Song of the Albigensian Crusade is an Old Occitan epic poem narrating events of the Albigensian Crusade from March 1208 to June 1219. Modelled on the Old French chanson de geste, it was composed in two distinct parts: William of Tudela wrote the first towards 1213, and an anonymous continuator finished the account. However, recent studies have proposed the troubadour Gui de Cavalhon as the author of the second part. It is one of three major contemporary narratives of the Albigensian Crusade, the Historia Albigensis of Pierre des Vaux-de-Cernay and the Chronica of William of Puylaurens being the others.

<span class="mw-page-title-main">Paladin</span> Legendary knights of Charlemagnes court

The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them led by Roland. The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.

<i>Cançó de Santa Fe</i>

The Cançóde Santa Fe, a hagiographical poem about Saint Faith, is an early surviving written work in Old Occitan and has been proposed to be the earliest work in Old Catalan. It is 593 octosyllabic lines long, divided into between 45 and 55 monorhyming laisses. It was written between 1054 and 1076, during the reign of Ramon Berenguer I, Count of Barcelona, by an anonymous poet.

<span class="mw-page-title-main">Aymeri de Narbonne</span>

Aymeri de Narbonne is a legendary hero of Old French chansons de geste and the Matter of France. In the legendary material, as elaborated and expanded in various medieval texts, Aymeri is a knight in the time of Charlemagne's wars with the Saracens after the Battle of Roncevaux Pass. He is son of Hernaut and the grandson of Garin de Monglane. He conquers the city of Narbonne, marries a princess named Hermengarde or Hermenjart, and fathers seven sons, the most famous being Guillaume d'Orange, the hero of several popular chansons de geste.

<i>Prise dOrange</i> 12th-century poem

Prise d'Orange is a mid-12th century chanson de geste written in Old French. Its fictional story follows the hero Guillaume as he captures the walled city of Orange from Saracens and marries Orable, its queen. Other characters include Arragon, the king of Orange, and Tibaut, Orable's erstwhile husband and Arragon's father. The anonymously written poem, part of a larger cycle about Guillaume called La Geste de Garin de Monglane, consists of 1,888 decasyllable verses in laisses. It combines motifs of courtly love with an epic story of military conquest. The narrative is humorous and parodies the tropes of epic poetry.

<i>Galiens li Restorés</i>

Galiens li Restorés, or Galien le Restoré or Galien rhétoré, is an Old French chanson de geste which borrows heavily from chivalric romance. Its composition dates anywhere from the end of the twelfth century to the middle of the fourteenth century. Five versions of the tale are extant, dating from the fifteenth century to the sixteenth century, one in verse and the others in prose. The story—which is closely linked to the earlier chansons de gestePèlerinage de Charlemagne and The Song of Roland —tells of the adventures of Galien, son of the hero Olivier and of Jacqueline, the daughter of the (fictional) emperor Hugon of Constantinople.

Guernes de Pont-Sainte-Maxence, also known as Garnier, was a 12th-century French scribe and one of the ten contemporary biographers of Saint Thomas Becket of Canterbury.