A high cross or standing cross is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain.
The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages. A type of ringed cross, it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish missionaries, from the ninth through the 12th centuries.
Inishowen is a peninsula in the north of County Donegal in Ireland. Inishowen is the largest peninsula on the island of Ireland.
A Pictish stone is a type of monumental stele, generally carved or incised with symbols or designs. A few have ogham inscriptions. Located in Scotland, mostly north of the Clyde-Forth line and on the Eastern side of the country, these stones are the most visible remaining evidence of the Picts and are thought to date from the 6th to 9th century, a period during which the Picts became Christianized. The earlier stones have no parallels from the rest of the British Isles, but the later forms are variations within a wider Insular tradition of monumental stones such as high crosses. About 350 objects classified as Pictish stones have survived, the earlier examples of which holding by far the greatest number of surviving examples of the mysterious symbols, which have long intrigued scholars.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Sculptured stones is a name applied to carved stone monuments from the early Christian period excavated in various parts of the British Isles and Scandinavia. They document the conversion of these areas to Christianity
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
Saint Fothad, also known as Fothad Na Canoine was an Irish monk and saint who lived in Fahan-Mura monastery in modern-day County Donegal, Ireland during the late 8th century. He moved quickly up to the rank of bard. He then became a counsellor to High King of Ireland Áed Oirdnide.
The Eassie Stone is a Class II Pictish stone of about the mid 8th century AD in the village of Eassie, Angus, Scotland. The stone was found in Eassie burn in the late 18th century and now resides in a purpose-built perspex building in the ruined Eassie church.
The Aberlemno Sculptured Stones are a series of Pictish standing stones originating in and around the village of Aberlemno, Angus, Scotland. Three are located in the village and a fourth, found in 1962, is on display in The McManus in Dundee. They date from the Early Medieval period. A fifth stone standing in the village has signs of carving, but is of unknown authenticity as a Pictish artefact.
The Woodwrae Stone is a Class II Pictish Stone that was found in 1819 when the foundations of the old castle at Woodwrae, Angus, Scotland were cleared. It had been reused as a floor slab in the kitchen of the castle. Following its removal from the castle, it was donated to the collection of Sir Walter Scott at Abbotsford House. It is now on display at the Museum of Scotland in Edinburgh.
The Cantwell Fada is an effigy of a knight on display in the ruins of the 14th-century Kilfane Church in Kilfane near Thomastown in County Kilkenny, southern Ireland.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
A lintel or lintol is a type of beam that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented/structural item. In the case of windows, the bottom span is referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern-day lintels may be made using prestressed concrete and are also referred to as beams in beam-and-block slabs or as ribs in rib-and-block slabs. These prestressed concrete lintels and blocks can serve as components that are packed together and propped to form a suspended-floor concrete slab.
Sculpture in Scotland includes all visual arts operating in three dimensions in the borders of modern Scotland. Durable sculptural processes traditionally include carving and modelling, in stone, metal, clay, wood and other materials. In the modern era these were joined by assembly by welding, modelling, moulding and casting. Some installation art can also be considered to be sculpture. The earliest surviving sculptures from Scotland are standing stones and circles from around 3000 BCE. The oldest portable visual art are carved-stone petrospheres and the Westray Wife is the earliest representation of a human face found in Scotland. From the Bronze Age there are extensive examples of rock art, including cup and ring marks and elaborate carved stone battle-axes. By the early Iron Age Scotland had been penetrated by the wider European La Tène culture, and a few examples of decoration survive from Scotland. There are also decorated torcs, scabbards, armlets and war trumpets. The Romans began military expeditions into what is now Scotland from about 71 CE, leaving a direct sculptural legacy of distance slabs, altars and other sculptures.
Clonamery Church is a medieval church and National Monument in County Kilkenny, Ireland.
Rachel Moss is an Irish art historian and professor specialising in medieval art, with a particular interest in Insular art, medieval Irish Gospel books and monastic history. She is the current head of the Department of the History of Art at Trinity College Dublin, where she became a fellow in 2022.
The Ballinderry Brooch is an Irish penannular brooch dated to the late 6th or early 7th centuries. It was found in the 1930s, along with a number of similar objects, underneath a timber floor of the late Bronze Age Ballinderry Crannóg No.2, on Ballinderry lake, County Offaly. Made from copper-alloy, tin and enamel, and decorated with millefiori patterns, it is relatively small, with a maximum ring diameter of 8.6 cm, while its pin is 18.3 cm long.
The Corleck Head is an Irish three-faced stone idol usually dated to the 1st or 2nd century AD. Although its origin cannot be known for certain, its dating to the Early Iron Age is based on similar iconography from northern European Celtic artefacts from that period. Archaeologists agree that it probably represents a Celtic god, and was intended to be placed on top of a larger shrine associated with a Celtic head cult, and may have continued in use for the Lughnasadh, a medieval harvest festival celebrated by the Gaels that survived into the modern period.
Bell shrines are metal objects built to hold early medieval hand-bells, particularly those associated with early Irish saints. Although the enshrinement of bells lasted from the 9th to the 16th centuries, the more well-known examples date from the 11th century. Nineteen such Irish or British bell shrines survive, along with several fragments, although many more would have been produced. Of those extant, fifteen are Irish, three are Scottish and one is English. Most follow the general shape of a hand-bell capped with a crest above a semicircular cap that matches the shape of a bell handle.
