Carndonagh stones

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High cross and attendant pillars. Carndonagh High Cross and Pillars 2014 09 09.jpg
High cross and attendant pillars.
The east face of the marigold stone. Carndonagh Marigold Stone East Face 2019 08 26.jpg
The east face of the marigold stone.
The west face of the marigold stone. Carndonagh Marigold Stone West Face 2016 09 05.jpg
The west face of the marigold stone.
The decorated lintel. Carndonagh Donagh Church Lintel 2016 09 05.jpg
The decorated lintel.

The Carndonagh stones are a set of five sculpted stones in the town of Carndonagh, County Donegal. All five stones are on the grounds of Donagh Church. The group consists of one free-standing high cross with two smaller, attendant pillars; a free-standing pillar known as the "Marigold Stone"; and a decorated door lintel. The pieces apart from the lintel are thought, on the basis of their stylistic similarity, to be roughly contemporaneous. These stones are generally now dated between the 9th and 10th century, though a minority date them to the 7th century on the basis of stylistic comparisons with the Book of Durrow. [1] :167–169

Contents

The north pillar has a carving of a seated harpist and a outline of a warrior. The south pillar has a figure similar to the Janus (two headed) figure found on Boa Island. The Marigold Stone in the nearby graveyard is 5.5 feet high and 1.4 feet wide and is dated to around to the year 600. The name comes from the seven petalled flower on its west side. The east side shows Christ with arms outstretched and a tripartite knot at its base. [2]

French scholar Françoise Henry (who dated the stone to the 7th century) made the Carndonagh high cross famous by citing it prominently in her theory of the origin of Insular high crosses. [1] :169 She believed that high crosses gradually emerged from carved slabs (such as the St Mura Cross at Fahan) and that the Carndonagh high cross "marks the final victory in the attempt to free the cross from the slab". [3] :128 This theory gained few supporters, with later archaeological evidence substantially refuting it. [1] :169 Scottish archaeologist Robert B. K. Stevenson sharply criticised her interpretation of the Carndonagh stones. [4] [5]

References

  1. 1 2 3 Newman, Conor (2007). "Iconographical analysis of the Marigold Stone, Carndonagh, Inishowen, Co. Donegal". In Walsh, Niamh (ed.). Making and meaning in Insular art. pp. 167–183.
  2. Meehan, Cary (2004). Sacred Ireland. Somerset: Gothic Image Publications. pp. 134–135. ISBN   0 906362 43 1.
  3. Henry, Françoise (1965). Irish art in the early Christian period, to 800 A.D . Cornell University Press.
  4. Stevenson, Robert B. K. (1956). "The Chronology and Relationships of Some Irish and Scottish Crosses". The Journal of the Royal Society of Antiquaries of Ireland. 86 (1): 84–96. JSTOR   25509235.
  5. Stevenson, Robert B. K. (1985). "Notes on the Sculptures at Fahan Mura and Carndonagh, County Donegal". The Journal of the Royal Society of Antiquaries of Ireland. 115: 92–95. JSTOR   25508883.

Further reading