Clifford Possum Tjapaltjarri AO was an Australian painter, considered to be one of the most collected and renowned Australian Aboriginal artists. His paintings are held in galleries and collections in Australia and elsewhere, including the Art Gallery of New South Wales, the National Gallery of Australia, the Kelton Foundation and the Royal Collection.
Dorothy Napangardi was a Warlpiri speaking contemporary Indigenous Australian artist born in the Tanami Desert and who worked in Alice Springs.
John Mawurndjul is a highly regarded Australian contemporary Indigenous artist. He uses traditional motifs in innovative ways to express spiritual and cultural values, and is especially known for his distinctive and innovative creations based on a traditional cross-hatching style of bark painting technique known as rarrk.
The Queensland College of Art (QCA) is a specialist arts and design college located in South Bank, Brisbane, and Southport, on the Gold Coast of Queensland in Australia. Founded in 1881, the college is the oldest arts institution in Australia. It has been part of Griffith University since 1991, co-located with the Queensland Conservatorium, the Griffith Film School and Griffith Graduate Centre. The Griffith University Art Museum, formerly known as Griffith University Art Gallery (GUAG), as well as a collection of galleries known as the QCA Galleries, are also located on the campus.
Daisy Loongkoonan was an Australian Aboriginal artist and elder from the Nyikina people of the central western Kimberley region in Western Australia. Loongkoonan was born at Mount Anderson near the Fitzroy River. Her parents worked on cattle stations, and as she grew up, Loongkoonan followed them, mustering sheep and cooking in stock camps. Later she rode horses and mustered cattle.
The Kluge-Ruhe Aboriginal Art Collection of the University of Virginia houses one of the finest Indigenous Australian art collections in the world, rivaling many of the collections held in Australia. It is the only museum outside Australia dedicated solely to Indigenous Australian art. The museum houses many important breakthrough paintings of the Papunya Tula movement and Arnhem Land artists. The collection comprises more than 2000 objects in a variety of media, including bark and acrylic paintings, sculpture, photography, prints and artifacts. The director of the Kluge-Ruhe Aboriginal Art Collection is anthropologist Margo Smith.
Kumantje Jagamara, also known as Kumantje Nelson Jagamara, Michael Minjina Nelson Tjakamarra, Michael Nelson Tjakamarra and variations, was an Aboriginal Australian painter. He was one of the most significant proponents of the Western Desert art movement, an early style of contemporary Indigenous Australian art.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Garry Andrews is an Australian contemporary artist.
Bardayal "Lofty" Nadjamerrek was a Kunwinjku Aboriginal artist of the Mok clan. He is currently referred to by his skin and clan as "Wamud Namok", following the Kunwinjku custom of avoiding use of the name of deceased persons.
Jennifer Herd is an Australian Indigenous artist with family ties to the Mbar-barrum people of North Queensland. She is a founding member of the ProppaNOW artist collective, and taught at the Queensland College of Art in Brisbane, where she convened both the Bachelor of Fine Art and Contemporary Australian Indigenous Art. In 2003 she won the Queensland College of Art Graduate Students prize, the Theiss Art Prize, for her Masters of Visual Arts.
Vernon Ah Kee is an Australian award-winning artist, political activist and founding member of ProppaNOW. He is an Aboriginal Australian man with ties to the Kuku Yalandji, Waanji, Yidinji and Gugu Yimithirr peoples in Queensland, Australia. His art practice typically focuses on his Aboriginal Australian identity and place within a modern Australian framework. He is a contemporary artist, based primarily in Brisbane, and is regarded as one of Australia's most prominent, active artists. Ah Kee has exhibited his art at numerous galleries across Australia, including the Art Gallery of New South Wales (AGNSW) and the Museum of Contemporary Art Australia. He has also exhibited internationally, most notably at the 2009 Venice Biennale and the 2015 Istanbul Biennial, having been chosen to represent Australia.
Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.
Nonggirrnga Marawili is an Australian Yolngu painter and printmaker. She is the daughter of the acclaimed artist and pre-contact warrior Mundukul. Marawili was born on the beach at Darrpirra, near Djarrakpi, as a member of the Madarrpa clan. She grew up in both Yilpara and Yirrkala in Arnhem Land in the Northern Territory, but lived wakir', meaning her family would move frequently, camping at Madarrpa clan-related sites between Blue Mud Bay and Groote Eylandt. As of May 2020 she lives and works in the community at Yirrkala.
Djambawa Marawili is an Aboriginal Australian artist known for bark painting, wood sculpture, and printmaking.
Ken Thaiday, known as Ken Thaiday Snr, is an artist from Erub, one of the Torres Strait Islands. He is known for his headdresses (dhari), masks, shark totems and kinetic sculptures, which connect to his island traditions and culture.
Lucy Malirrimurruwuy Armstrong Wanapuyngu is an Aboriginal Australian master fibre artist. She is an elder of the Gapuwiyak community, and is heavily involved in the transmission of knowledge dealing with fibre works. She has worked with anthropologist Louise Hamby, since 1995, and many of her works have been spotlighted at different art festivals, collections, galleries, and museums.
Michael Cook is an Aboriginal Australian photographic artist of Bidjara heritage, whose work is held in major Australian galleries. He strives to promote understanding of Indigenous Australian culture and history in his work, and is the winner of two Deadly Awards.
Alick Tipoti, whose traditional name is Zugub, is a Torres Strait Islander artist, linguist, and activist of the Kala Lagaw Ya people, from Badu Island, in the Zenadh Kes. His work includes painting, installations, printmaking, sculpture and mask-making, and is focused on preserving the culture and languages of his people.
The Institute of Modern Art (IMA) is a public art gallery located in the Judith Wright Arts Centre in the Brisbane inner-city suburb of Fortitude Valley, which features contemporary artworks and showcases emerging artists.
“Art of the Skins“, State Library of Queensland