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The Smithsonian American Art Museum is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. More than 7,000 artists are represented in the museum's collection. Most exhibitions are held in the museum's main building, the Old Patent Office Building, while craft-focused exhibitions are shown in the Renwick Gallery.
The National Museum of Women in the Arts (NMWA), located in Washington, D.C., is "the first museum in the world solely dedicated" to championing women through the arts. NMWA was incorporated in 1981 by Wallace and Wilhelmina Holladay. Since opening in 1987, the museum has acquired a collection of more than 6,000 works by more than 1,000 artists, ranging from the 16th century to today. The collection includes works by Mary Cassatt, Alma Woodsey Thomas, Élisabeth Louise Vigée-LeBrun, and Amy Sherald. NMWA also holds the only painting by Frida Kahlo in Washington, D.C., Self-Portrait Dedicated to Leon Trotsky.
Sue Coe is an English artist and illustrator working primarily in drawing, printmaking, and in the form of illustrated books and comics. Her work is in the tradition of social protest art and is highly political. Coe's work often includes animal rights commentary, though she also creates work that centralizes the rights of marginalized peoples and criticizes capitalism. Her commentary on political events and social injustice are published in newspapers, magazines and books. Her work has been shown internationally in both solo and group exhibitions and has been collected by various international museums. She lives in Upstate New York.
Chakaia Booker is an American sculptor known for creating monumental, abstract works for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the United States, Europe, Africa, and Asia. Booker was included in the 2000 Whitney Biennial, received a Guggenheim Fellowship in 2005, and an American Academy of Arts and Letters Award for Art in 2001. Booker has lived and worked in New York City’s East Village since the early 1980s and maintains a production studio in Allentown, Pennsylvania.
Carol Barton is a book artist, paper engineer, curator, and educator known for her series of interactive workbooks, The Pocket Paper Engineer.
Claire Van Vliet is an artist, illustrator, printmaker, and typographer who founded Janus Press in San Diego, California in 1955. She received a MacArthur Genius Grant in 1989. She is known for her innovative use of dyed paper pulp to create illustrations. She is also known for her long career in artist's books. She was teaching at the museum school in Philadelphia in 1961
Sarah Jeanette Jackson, was an American-Canadian artist. Jackson first became known for her sculptures and drawings, and then for her photocopy and digital art. She was an early user of the photocopier to make art, and used this practice to embrace mail art.
Clarissa T. Sligh is an African-American book artist and photographer based in Asheville, North Carolina. At age 15, she was the lead plaintiff in a school desegregation case in Virginia. In 1988, she became a co-founder of Coast-to-Coast: A Women of Color National Artists' Project, which focused on promoting works completed by women of color.
Bill Gaskins is an American photographer and academic. His work explores the intersection of black hair and critical analysis of the portraiture in the 21st century. In his book Good And Bad Hair: Photographs, Gaskins tackles the role of hairstyling and the representation in African American culture and he also examines the transcultural role of hair, adornment of ornaments and personal identity with the body.
Clarice Smith was an American painter and portraitist whose paintings have appeared in a number of exhibitions in the United States and Europe. With her husband, Robert H. Smith, Clarice Smith engaged in philanthropy, especially at the University of Maryland, where the Clarice Smith Performing Arts Center is named for her, and at George Washington University, where the couple endowed the Smith Hall of Art. They also initiated a distinguished lecture series at the Smithsonian Museum of American Art.
Sandra C. Fernández is an Ecuadorian-American artist living in Texas. Her practice includes—separately and in combination—printmaking, photography, artist's books, soft sculpture, fiber art, assemblage, and installations; using a variety of materials, such as paper, thread, metal, wood, organic materials, and small found objects. Fernandez's work is rooted in the transborder experiences of exile, dislocation, relocation, memory, and self-conscious identity-construction/reconstruction.
Sue Ann Robinson is an American book artist, educator, and museum professional. She attended the University of New Hampshire and Columbia University. She has had a long association with the Long Beach Museum of Art, starting in 1988 as an Artist-in-Residence and moving on to other positions including Director of Education, Director of Collections and Exhibitions, and Curator Emerita
Carol Rosen (1933–2014) was an American artist known for her sculpture, collage and book art.
Christine Kermaire is a Belgian book artist. Her work is in many museums and libraries including the Barcelona Museum of Contemporary Art, the Centre de la Gravure et de l’Image imprimée, the Crossett Library at Bennington College, the Emily Carr University of Art and Design library, the Fine Arts Library of Harvard University, the MassArt Library, Michigan State University library, the Minneapolis Institute of Art, The New School, the Fleet library at the Rhode Island School of Design, the art library at the University of Louisville, the University of Michigan Library, the University of Tulsa library, the library of the University of Wisconsin–Madison and the National Museum of Women in the Arts
Kerry McAleer-Keeler is an American book artist, printmaker and educator. She attended Mount Holyoke College and George Washington University. Her 2007 artist's book, Gifts from Our Elders, is in the Smithsonian Libraries and Archives. She provided illustrations for the collaborative book Uncovering white privilege : a primer which is in the collection of the University of Puget Sound Artists' Books Collection. Her 2011 book [For the birds] is in the National Museum of Women in the Arts.
Lois Morrison is an American book artist. She attended Mary Baldwin College, Indiana University Bloomington, and Virginia Commonwealth University. On several occasions she has collaborated with fellow book artist Julie Chen, including the 2017 volume A recuerdo for Ste. Ostrich.
Gail Shaw-Clemons is an American artist and educator known for her printmaking and mixed media art. She was born in Washington, DC and attended the University of Maryland, College Park where her teachers included David Driskell and Martin Puryear. She was an art instructor at the United Nations International School for 24 years. She resides in Washington, DC and is on the board of STABLE, a non-profit organization fostering the arts in Washington.
Claudia Smigrod is an American artist and educator known for her photography and book art. She attended Alfred University and the George Washington University. She taught at the Corcoran School of the Arts and Design from 1982 through 2016, and is now Professor Emerita.
Pamela Spitzmueller is an American conservator and book artist. She attended the University of Illinois Chicago and then studied with the book conservator Gary Frost. She worked in the conservation departments of the Library of Congress, the Newberry Library, the University of Iowa Libraries, and Harvard Library, where she was Chief Conservator for Special Collections.
Debra Weier is an American printmaker, book artist, and installation artist. She attended the University of Wisconsin-Madison. In 1986 she held a residency at the Women's Studio Workshop. Her work is in the Brooklyn Museum, the Metropolitan Museum of Art, the Museum of Fine Arts, Houston, the National Museum of Women in the Arts, the Smithsonian American Art Museum, the Victoria and Albert Museum, and the University of Louisville Library,
References
- 1 2 "Carol Schwartzott". Smithsonian American Art Museum. Retrieved 18 March 2023.
- ↑ "Carol Schwartzott". NMWA Library & Research Center. Retrieved 18 March 2023.
- ↑ "Carol Schwartzott". Archives and Special Collections at Rutgers. Retrieved 18 March 2023.
- ↑ "The garden". Artstor. Retrieved 18 March 2023.
- ↑ Blair, Trish. "Schwartzott, Carol". UofL Libraries. Retrieved 18 March 2023.
- ↑ "Art Is in the Eye of the Beholder". USC News. 6 December 2010. Retrieved 18 March 2023.
- ↑ "A brief history of paper (1 of 2) - UWDC -". UW-Madison Libraries. Retrieved 18 March 2023.
- ↑ "Carol Schwartzott". Walker Art Center. Retrieved 18 March 2023.
- ↑ "Inky Fingers". Center for Book Arts. Retrieved 18 March 2023.
- ↑ "The Book as Art: Accordion Adaptations | Online Exhibition". NMWA. Retrieved 18 March 2023.
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