Carol Stronghilos (June 18, 1925 - October 3, 2010) was an American artist. [1] In 1979, Stronghilos co-founded the New York Feminist Art Institute. [2] [3] [4]
She has exhibited her paintings at the Whitney Museum, the Aldrich Museum, the Newark Museum and the Brooklyn Museum. [5]
1972, Carol Stronghilos, Brooklyn Museum. [6]
Carolee Schneemann was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work, primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Although renowned for her work in performance and other media, Schneemann began her career as a painter, saying: "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, the London National Film Theatre, and many other venues.
Lorraine O'Grady is an American artist, writer, translator, and critic. Working in conceptual art and performance art that integrates photo and video installation, she explores the cultural construction of identity – particularly that of Black female subjectivity – as shaped by the experience of diaspora and hybridity. O'Grady studied at Wellesley College and the University of Iowa Writers' Workshop before becoming an artist at age forty-five. Regarding the purpose of art, O'Grady said in 2016: "I think art’s first goal is to remind us that we are human, whatever that is. I suppose the politics in my art could be to remind us that we are all human."
Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Hannah Wilke (born Arlene Hannah Butter; was an American painter, sculptor, photographer, video artist and performance artist. Her work is known for exploring issues of feminism, sexuality and femininity.
Linda Nochlin was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ARTnews.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
The Opera Company of Brooklyn (OCB) is an opera company founded in 2000 which performs in a variety of venues in New York City. It is a non-profit organization operating under Section 501(c)(3) of the Internal Revenue Code.
Harmony Hammond is an American artist, activist, curator, and writer. She was a prominent figure in the founding of the feminist art movement in 1970s New York.
Sheila Pepe is an artist and educator living and working in Brooklyn, New York. She is a prominent figure as a lesbian cross-disciplinary artist, whose work employs conceptualism, surrealism, and craft to address feminist and class issues. Her most notable work is characterized as site-specific installations of web-like structure crocheted from domestic and industrial material, although she works with sculpture and drawing as well. She has shown in museums and art galleries throughout the United States.
Annunziata Jean Azara was an American sculptor. Her work involved sculpture using carved, assembled and highly painted wood with gold and silver leaf and encaustic. The wood, the paint and the layers that make up the sculpture record a journey of memory, images and ideas. Azara's other art pieces involved collages, banners, prints where she continuously reshaped the elements and materials. Azara worked and carved in wood for many years because of the presence and symbolism inherent in trees and because the metaphor of the tree is a "stand-in" for herself. This statement and representation of tree as “self” and woman was timely in a world which is losing touch with its primal essence.
Nicole Eisenman is a French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial. On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Cynthia Carlson is an American visual artist, living and working in New York.
New York Feminist Art Institute (NYFAI) was founded in 1979 by women artists, educators and professionals. NYFAI offered workshops and classes, held performances and exhibitions and special events that contributed to the political and cultural import of the women's movement at the time. The women's art school focused on self-development and discovery as well as art. Nancy Azara introduced "visual diaries" to artists to draw and paint images that arose from consciousness-raising classes and their personal lives. In the first half of the 1980s the school was named the Women's Center for Learning and it expanded its artistic and academic programs. Ceres Gallery was opened in 1985 after the school moved to TriBeCa and, like the school, it catered to women artists. NYFAI participated in protests to increase women's art shown at the Museum of Modern Art, The Whitney Museum of American Art and other museums. It held exhibitions and workshops and provided rental and studio space for women artists. Unable to secure sufficient funding to continue its operations, NYFAI closed in 1990. Ceres Gallery moved to SoHo and then to Chelsea and remained a gallery for women's art. However, a group continues to meet called (RE)PRESENT, a series of intergenerational dialogues at a NYC gallery to encourage discussion across generations about contemporary issues for women in the arts. It is open to all.
Miriam Schaer is an American artist who creates artists' books, and installations, prints, collage, photography, and video in relation to artists' books. She also is a teacher of the subject.
Irene Peslikis was an American feminist artist, activist, and educator. She was one of the early founders and organizers in the women's art movement, especially on the east coast.
Boryana Rossa is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.
Carol Armstrong is an American professor, art historian, art critic, and photographer. Armstrong teaches and writes about 19th-century French art, the history of photography, the history and practice of art criticism, feminist theory and women and gender representation in visual culture.
Camille Hoffman is a painter and mixed-media installation artist, living and working in New York, NY. Using everyday materials and drawing from Philippine weaving and Jewish folk traditions, Hoffman combines personal narrative and historical critique. Hoffman's work reflects on the embedded meanings of light, nature, the frontier, borders, race, gender and power in American landscape paintings of the 19th century. Hoffman has worked as an arts educator and community organizer in Phoenix, the San Francisco Bay Area, New Haven, Brooklyn, and Queens.