Lady Caroline Kininmonth (1907-1978) was a British artist, known for her paintings of flowers and landscapes in both oil and watercolours.
Kininmonth spent most of her life in Edinburgh and studied at the Edinburgh College of Art from 1926 to 1930. [1] Working in oils, she painted still-life and botanic subjects plus rural scenes and landscapes. [2] During the 1940s and 1950s she was a regular exhibitor at the Royal Scottish Academy, showing some twenty-five works there. [3] Kininmonth also exhibited with the Scottish Society of Women Artists and the Royal Glasgow Institute of the Fine Arts. [3] [2] She was married to the architect Sir William Kininmonth. The University of Edinburgh and the Arts Council of Scotland hold examples of her paintings. [1]
Edinburgh College of Art (ECA) is one of eleven schools in the College of Arts, Humanities and Social Sciences at the University of Edinburgh. Tracing its history back to 1760, it provides higher education in art and design, architecture, history of art, and music disciplines for over three thousand students and is at the forefront of research and research-led teaching in the creative arts, humanities, and creative technologies. ECA comprises five subject areas: School of Art, Reid School of Music, School of Design, School of History of Art, and Edinburgh School of Architecture & Landscape Architecture (ESALA). ECA is mainly located in the Old Town of Edinburgh, overlooking the Grassmarket; the Lauriston Place campus is located in the University of Edinburgh's Central Area Campus, not far from George Square.
Dame Elizabeth Violet Blackadder, Mrs Houston, was a Scottish painter and printmaker. She was the first woman to be elected to both the Royal Scottish Academy and the Royal Academy of Arts.
Sir William Hardie Kininmonth was a Scottish architect whose work mixed a modern style with Scottish vernacular.
Anne Redpath (1895–1965) was a Scottish artist whose vivid domestic still lifes are among her best-known works.
Emily Murray Paterson RSW SWA (1855–1934) was a Scottish artist, connected with the Glasgow School and member of the Society of Women Artists.
Dr Mary Nicol Neill Armour LLD, née Steel, was a Scottish landscape and still life painter, art teacher and an Honorary President of the Glasgow School of Art and the Royal Glasgow Institute of the Fine Arts.
Katharine Cameron RWS RE was a Scottish artist, watercolourist, and printmaker, best known for her paintings and etchings of flowers. She was associated with the group of artists known as the Glasgow Girls.
Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885.
Barbara Davis Rae CBE RA FRSE is a Scottish painter and printmaker. She is a member of the Royal Scottish Academy and the Royal Academy of Arts.
Mary Rose Hill Burton was a British artist and conservationist. She was active in the failed protests against the location of a smelting plant at the Falls of Foyers, near Loch Ness, in Inverness-shire.
Jane Nasmyth was a Scottish landscape painter of the Nasmyth School in Edinburgh. She was the daughter and student of the portrait and landscape painter Alexander Nasmyth.
Penelope Beaton ARSA RSW (1886-1963) was a Scottish watercolour painter influenced by the expressionism movement. A member of both the Royal Scottish Academy and the Royal Society of Watercolour Painters, Beaton was both an alumna and a senior lecturer at the Edinburgh College of Art and had her work exhibited widely across Scotland.
Charlotte Nasmyth was a Scottish painter whose works were regarded at the time as "gems", and which are now included in the collections of the Scottish National Gallery and other museums.
Mary C. Davidson (1865–1951) was a Scottish artist, notable for her landscape and flower paintings.
Perpetua (Pip) Pope was a Scottish painter of landscapes, flower pieces and still-life compositions in both oil and watercolours, and was also an art teacher in Edinburgh.
Mabel Dawson was a Scottish artist who painted a wide variety of subjects, including animals and birds, in both watercolour and tempera.
Ann Spence Black was a Scottish artist known for her landscape and flower paintings.
Mary Parsons Reid Allan (1917–2002) was a Scottish artist known for her oil paintings of still-life subjects.
Georgina Mossman Greenlees (1849–1932) was a Scottish artist known for her landscape painting. She was an advocate for art education and practice for women.
Frances Crawshaw was a British painter in oils and watercolours and also a botanical artist.