Carry Nation | |
---|---|
Opera by Douglas Moore | |
Librettist | W. N. Jayme |
Language | English |
Based on | Life of Carrie Nation |
Premiere |
Carry Nation is an opera in a prologue and two acts by composer Douglas Moore which is based on the life of temperance activist Carrie Nation, whose sometimes spelled her first name "Carry". The work uses an English-language libretto by W. N. Jayme. The opera was commissioned by the University of Kansas in commemoration of the school's 100th anniversary. The premiere performance was given at KU's Murphy Hall on March 28, 1966 [1] with a cast headlined by four professional opera singers brought in for the event, and the supporting cast supplied by KU's music and theatre students. Lewin Goff staged the production and Robert Baustian conducted. [2] The opera was subsequently given its first professional production at the San Francisco Opera in June 1966 under the baton of Herbert Grossman. [3] The New York City Opera mounted the first New York production in March 1968 [4] and released a recording of the work in 1969. All three of these initial stagings and the recording starred mezzo-soprano Beverly Wolff in the title role. [5]
Mefistofele is an opera in a prologue and five acts, later reduced to four acts and an epilogue, the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera was given its premiere on 5 March 1868 at La Scala, Milan, under the baton of the composer, despite his lack of experience and skill as a conductor.
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Jean Kraft was an American operatic mezzo-soprano. She began her career singing with the New York City Opera (NYCO) during the early 1960s, after which she embarked on a partnership with The Santa Fe Opera from 1965 through 1987. In 1970 she joined the roster of singers at the Metropolitan Opera in New York City where she remained a fixture until 1989. She also performed as a guest of many other opera companies throughout the United States. In 2005 Opera News called her "a gifted mezzo and observant, imaginative actress who lent distinction to a wide range of character roles. By the end of her Met tenure, she had sung nearly 800 performances and become a solid audience favorite."
Arnold Voketaitis is an American bass-baritone of Lithuanian descent who had an active singing career performing in operas, concerts, and recitals from the late 1950s through the 1990s. He enjoyed a particularly successful partnership with the New York City Opera and has performed with most of the major opera companies in North America. A strong actor, he has a powerful voice with a wide range and fine timbre.
Lee Venora is an American operatic soprano and musical theater actress. She was highly active with the New York City Opera between 1957 and 1967 and a regular performer at the San Francisco Opera between 1961 and 1966. She also appeared in a few Broadway musicals, Lincoln Center revivals, and national tours of musicals during her career. Composer and conductor Leonard Bernstein was an admirer of her voice, and she performed with him and the New York Philharmonic on a number of occasions during the late 1950s and early 1960s. She also sang with the orchestra on a couple of recordings and appears on a few musical recordings as well.
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