Gallantry (opera)

Last updated
Gallantry
Opera by Douglas Moore
Librettist Arnold Sundgaard
LanguageEnglish
Premiere
March 19, 1958 (1958-03-19)
Brander Matthews Theater, Colorado

Gallantry is a one-act opera by composer Douglas Moore. The work is a parody of soap opera, complete with sung commercial interruptions. The work uses an English-language libretto by Arnold Sundgaard.

Contents

The opera premiered in a double bill with Dominick Argento's The Boor on March 19, 1958, in New York City at the former Brander Matthews Theater on 117th Street, located between Amsterdam Avenue and Morningside Drive. It was produced by Columbia University School of Music with a student cast. [1] It has been staged over more than forty years by other university opera programs in the United States and Canada.

The first professional opera company to stage Gallantry was the Detroit Opera, which presented the work in a double bill with Gian Carlo Menotti's The Medium in January 1962. [2] Gallantry was adapted by Moore for television and was broadcast by CBS on August 30, 1962, in a program which also included a presentation of Wallingford Riegger's ballet Parallels. The production was produced by Pamela Illott, directed by Martin Carr, hosted by Jan Peerce, and featured the CBS Symphony Orchestra. It starred Laurel Hurley as the Nurse, Ron Holgate as the Surgeon, Charles Anthony as the Patient, and Martha Wright as the Announcer. [3] The opera was staged at the 1967 Florida International Music Festival in Daytona Beach with Metropolitan Opera performers Carol Courtman, Julian Patrick, and Enrico Di Giuseppe. [4] The opera was subsequently staged by the Canadian Opera Company (1977) [5] and the Lake George Opera (1986). [6] Since the late 20th century, the opera has been performed by several chamber opera ensembles, with productions being staged by the American Chamber Opera Company (1988), [7] A Small Company In America (1990), [8] the New York Chamber Ensemble (1991), [9] and Pocket Opera (2000). [10]

Roles

RoleVoice typePremiere Cast, [1]
March 19, 1958
(Conductor: – Emerson Buckley)
Announcer mezzo-soprano Cecilia Ward
Lola Markham, a nurse soprano Bonnie Murray
Donald Hopewell, a patient tenor Joseph Sopher
Doctor Gregg baritone David Atkinson

Discography

Productions

The work has been staged for more than 40 years by numerous university opera theatre programs in the United States and Canada, including UCLA (1958, [11] 1974, [12] and 1994 [13] ), Immaculate Heart College (1968), [14] Goucher College (1969), [15] the University of Michigan (1978), [16] the University of Toronto (1988), [17] San Diego State University (1989), [18] Pepperdine University (1990), [19] Wilfrid Laurier University (1992), [20] the University of Arizona (1995), [21] George Washington University (1999), [22] the University of Wisconsin (2003) and Houghton College (2019) among others. [23] The University of Southern California toured the opera to the Netherlands in 1968. [24]

Related Research Articles

Jane Powell American actress (1929–2021)

Jane Powell was an American actress, singer, and dancer who first appeared in Metro-Goldwyn-Mayer musicals in the 1940s. With her soprano voice and girl-next-door image, Powell appeared in films, television and on the stage. She was notable for her performances in A Date with Judy (1948), Royal Wedding (1951), Seven Brides for Seven Brothers (1954), and Hit the Deck (1955).

Zubin Mehta Indian conductor

Zubin Mehta is an Indian conductor of Western and Eastern classical music. He is music director emeritus of the Israel Philharmonic Orchestra (IPO) and conductor emeritus of the Los Angeles Philharmonic.

Douglas Moore American composer

Douglas Stuart Moore was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera The Ballad of Baby Doe (1956) has remained well known into the 21st century.

Thomas Adès British composer, pianist and conductor

Thomas Joseph Edmund Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).

David Hedison American actor

Albert David Hedison Jr. was an American film, television, and stage actor. He was billed as Al Hedison in his early film work until 1959 when he was cast in the role of Victor Sebastian in the short-lived espionage television series Five Fingers. NBC insisted that he change his name and he proposed his middle name and he was billed as David Hedison from then on. He was known for his roles as the titular character in The Fly (1958), Captain Lee Crane in the television science fiction drama Voyage to the Bottom of the Sea (1964–1968), and CIA agent Felix Leiter in two James Bond films, Live and Let Die (1973) and Licence to Kill (1989).

Joanna Gleason is a Canadian actress and singer. She is a Tony Award–winning musical theatre actress and has also had a number of notable film and TV roles. She's known for originating the role of the Baker's Wife in Stephen Sondheim's Into the Woods where she won the Tony Award for Best Actress in a Musical. She is also known for her film work in Mike Nichols' Heartburn (1985), Woody Allen's Hannah and Her Sisters (1986), and Crimes and Misdemeanors (1989), and Paul Thomas Anderson's Boogie Nights (1997). She has had television roles in shows such as Friends, The West Wing, The Good Wife and The Affair.

Gary William Friedman is an American musical theatre, symphonic, film and television composer. His career began in the 1960s in New York City as a saxophonist in an improvisational ensemble and as a composer for experimental theater. Friedman's 1970 musical, The Me Nobody Knows opened Off-Broadway and won the Obie Award for Best Music of a Musical before moving to Broadway and earning five Tony Award nominations. Friedman has also composed scores for numerous American films and television series such as PBS's children's television series, The Electric Company. His orchestral and operatic compositions have been commissioned by festivals and venues including the Kennedy Center for the Performing Arts.

John Charles Eaton was an American composer.

Paul Seiko Chihara is an American composer.

Gerald Wilson American trumpetist

Gerald Stanley Wilson was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson.

Adrienne Albert is an American composer living and working in Santa Monica, California. Although relatively new to composition, Albert is established in the field with a recent NEA grant for a "symphony" about Homer, Alaska, now complete, and various other commissions, artist in residencies, and awards. Albert's work is performed internationally, in the US, in Europe, and extends to a recent set of Chinese performances.

Milagro Vargas American mezzo-soprano (born 1955)

Milagro Vargas is an American mezzo-soprano known for her distinctive voice and stage presence. She has appeared as an international soloist in operatic, orchestral, chamber music and recital settings.

William Chapman was an American operatic baritone and stage actor. He appeared in several Broadway productions and was notably a leading performer at the New York City Opera from 1957 through 1979.

Raymond Beegle is an American piano accompanist and vocal chamber musician.

William Mayer was an American composer, best known for his prize-winning opera A Death in the Family.

Michael Schelle, born January 22, 1950 in Philadelphia, is a composer of contemporary concert music. He is also a performer, conductor, author, and teacher.

Stanley Silverman

Stanley Silverman is an American composer, arranger, conductor and guitarist.

The UCLA Herb Alpert School of Music, located on the campus of the University of California, Los Angeles, is “the first school of music to be established in the University of California system.” Established in 2007 under the purview of the UCLA School of Arts and Architecture and the UCLA Division of Humanities, the UC Board of Regents formally voted in January 2016 to establish the school.[1] Supported in part by a $30 million endowment from the Herb Alpert Foundation.[1]

Keith Clark is an American composer, conductor, and music educator who is best known for founding the Pacific Symphony and the Astoria Music Festival. Active globally as a conductor, he has an extensive discography with symphonies internationally, including the London Philharmonic, Vienna Chamber Orchestra, Slovak State Philharmonic, Prague Radio Symphony Orchestra, Seoul Philharmonic Orchestra, and Pacific Symphony among others. He is currently Principal Guest Conductor of the Siberian Chamber Orchestra in Omsk, Russia, Principle Conductor of the Amadeus Opera Ensemble in Salzburg, Artistic Director of Portland Summerfest’s Opera in the Park, and Artistic Director of the Astoria Music Festival.

The Devil and Daniel Webster is a folk opera in one act by American composer Douglas Moore. The opera's English-language libretto was written by Stephen Vincent Benét who also penned the 1936 short story of the same name upon which the work is based. Composed from 1937 through 1939, it premiered on Broadway at the Martin Beck Theatre on 18 May 1939. The first opera by Moore to achieve wide success, it has remained a part of the opera repertory. Containing spoken words as well as sung material, Martin Bookspan stated that "the opera is really a 20th-century American singspiel, with extensive stretches of dialogue alternating with the musical numbers." The opera is set in 1840s New Hampshire within the fictional town of Cross Corners. Described as an "American Faust" for its similarities to the German tale with an American milieu, the opera tells the story of the farmer Jabez Stone who sells his soul to the devil. When the devil comes to collect his soul he is thwarted by the statesman Daniel Webster whose clever tongue outmaneuvers him.

References

  1. 1 2 H. C. S. (March 20, 1958). "Moore's Opera, 'Gallantry,' in Premiere". The New York Times .
  2. Ross Parmenter (November 19, 1961). "The World of Music" (PDF). The New York Times.
  3. John Patrick Shanley (August 31, 1962). "TV: Soap-Opera Satire on Channel 2; Martha Wright Excels in Work by Moore". The New York Times .
  4. Allen Hughes (July 15, 1967). "Music: Previn Conducts". The New York Times .
  5. "Prop-maker's Design Wins ". The Calgary Herald . February 10, 1978.
  6. "Music Nights Set Tuesdays At Lakehouse". Schenectady Gazette . July 5, 1986.
  7. Bernard Holland (January 31, 1988). "Opera: Bernstein's 'Trouble in Tahiti'". The New York Times.
  8. Leah D. Frank (October 14, 1990). "THEATER REVIEW; An Ambitious Troupe With Talent on Hand". The New York Times.
  9. Bernard Holland (May 13, 1991). "Review/Opera; 5 Ways With Music and Drama That Share the Bond of Brevity". The New York Times.
  10. "Pocket Opera to sing new tune". San Antonio Express . January 16, 2000.
  11. "UCLA Gives Evening of Musical Americana". Los Angeles Times . November 21, 1958.
  12. Daniel Cariaga (May 28, 1974). "Music Review:UCLA Operatic Marathon". Los Angeles Times.
  13. "Classical Beat". Los Angeles Times. December 2, 1994.
  14. "Music News". Los Angeles Times. April 28, 1968.
  15. "Music Notes". The Baltimore Sun . May 23, 1969.
  16. "Happenings..." The Michigan Daily . April 12, 1978.
  17. "A Major Move for Top Director". The Toronto Star . June 11, 1988.
  18. "San Diego's Operatic Voice Is Still Strong". Los Angeles Times. April 14, 1989.
  19. "Operatic Tragedy, Comedy Presented". Oxnard Press-Courier . March 31, 1990.
  20. "Pocket-sized operas pleasingly polished in WLU production". Waterloo Region Record . February 29, 1992.
  21. "UA Opera Theatre". The Arizona Daily Star . November 3, 1995.
  22. "GWU Performance Corrects Operatic Misconceptions". The Washington Post . February 18, 1999.
  23. "UW-SP to hold one-act operas". Stevens Point Journal . April 7, 2003.
  24. "USC Acting Troupe to Play in Holland". Los Angeles Times. June 14, 1968.