Location | 145 Queen Street West Toronto, Ontario, Canada |
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Coordinates | 43°39′02″N79°23′09″W / 43.65056°N 79.38583°W |
Type | Opera house |
Genre(s) | Opera |
Seating type | Reserved seating |
Capacity | Variable, approx. 2000–2300 |
Opened | June 14, 2006 |
Website | |
www |
The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs at the Four Seasons Centre for the Performing Arts, which was purpose-built for opera and ballet and is shared with the National Ballet of Canada. For forty years until April 2006, the COC had performed at the O'Keefe Centre (now known as Meridian Hall).
Nicholas Goldschmidt and Herman Geiger-Torel founded the organization in 1950 as the Royal Conservatory Opera Company. Geiger-Torel became the COC's artistic director in 1956 and its general director in 1960. The company was renamed the Canadian Opera Association in 1960, and the Canadian Opera Company in 1977. Geiger-Torel retired from the general directorship in 1976. Lotfi Mansouri was the COC's general director from 1976 to 1988. In 1983, the COC introduced surtitles (supertitles) to their productions, the first company to use them in an opera house. Productions included Joan Sutherland's first performance of Donizetti's Anna Bolena . [1]
Brian Dickie served as the COC's general director from 1988 to 1993. Dickie named Richard Bradshaw the COC's chief conductor and head of music in 1989. Elaine Calder was the COC's general director from 1994 to 1997. In 1998, Bradshaw was named general director. [2] During his tenure, Bradshaw secured funding for the COC's new permanent home, the Four Seasons Centre for the Performing Arts. [3] Previously, the COC had been performing at the O'Keefe Centre (renamed to the Hummingbird Centre and then the Sony Centre for the Performing Arts).
In 2006, the COC opened its new opera house with an all-new production of Wagner's Der Ring des Nibelungen . Michael Levine was the designer, and there were four directors: Michael Levine ( Das Rheingold ), Atom Egoyan ( Die Walküre ), François Girard ( Siegfried ), and Tim Albery ( Götterdämmerung ).
In 2006, Bradshaw's contract as general director was renewed for another 10 years. Bradshaw died of a sudden heart attack on August 15, 2007. [3] In June 2008, Alexander Neef was named the COC's general director; he formally assumed the position in October 2008. [4] In October 2008, Johannes Debus made his debut with the COC as a conductor in a production of Prokofiev's War and Peace , where he earned critical acclaim. [5] In January 2009, the COC announced Debus's appointment as music director. [6] Sandra Horst, who runs the University of Toronto's Opera Division, [7] has long served as the company's chorus master. [8]
The 2019/2020 COC theatre season was cut short due to the global COVID-19 pandemic, on which the COC ceased all productions after March 2020 due to restrictions on large indoor gatherings. The COC hoped to restart the shortened 2020/2021 theatre season by January 2021, however on October 6, 2020, company management announced that the entire 2020/2021 COC theatre season was cancelled due to the ongoing pandemic. [9]
Neef became director general of the Paris Opera in September 2020 [10] and was replaced by Briton Perryn Leech in March 2021. [11] In June 2024, Perryn Leech left and was replaced as general director by David C. Ferguson, a retired banker and accountant. [12]
Due to the global COVID-19 pandemic, the Canadian Opera Company cancelled all live in-person performances for the 2020/2021 season. [9]
Due to the global COVID-19 pandemic, the COC cancelled several planned performances for the 2021/2022 season, but managed to produce 10 digital productions and two in-person productions in the spring of 2022.
The German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
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This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.
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