|Opera by Gaetano Donizetti|
Giuditta Pasta in the title role
26 December 1830
Teatro Carcano, Milan
Anna Bolena is a tragic opera (tragedia lirica) in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena and Alessandro Pepoli's Anna Bolena, both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII.
It is one of four operas by Donizetti dealing with the Tudor period in English history—in composition order, Il castello di Kenilworth (1829), Anna Bolena (1830), Maria Stuarda (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and Roberto Devereux (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens."
Anna Bolena premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's teacher, Johann Simon Mayr, "address his former pupil as Maestro."The composer had begun "to emerge as one of three most luminous names in the world of Italian opera", alongside Bellini and Rossini.
After its opening performances in Italy in 1830, Anna Bolena was first given in London at the King's Theatre on 8 July 1831. Its first US performance was given in French (as Anne de Boulen) in New Orleans, at the Théâtre d'Orléans on 12 November 1839.The New York premiere of the opera, and the first Italian presentation of the work in the United States, took place at the Astor Opera House on January 7, 1850 with conductor Max Maretzek and Apollonia Bertucca in the title role. It appears to have been presented in Europe, up to 1850, in 25 cities and then again in 1881 in Livorno. After the rise of verismo , it was performed infrequently.
20th century and beyond
Rarely seen in the first half of the 20th century, it was revived more frequently after World War II. On 30 December 1947, the opera was performed at Gran Teatre del Liceu in Barcelona, to mark that theatre's centennial (it had opened in 1847 with Anna Bolena). The cast was Sara Scuderi as Anna, Giulietta Simionato as Jane Seymour and Cesare Siepi as Henry VIII. In April 1957, the opera was revived at La Scala for Maria Callas (one of the twelve performances was recorded) in a lavish production directed by Luchino Visconti, with Giulietta Simionato as Jane Seymour. It proved to be one of Callas' greatest triumphs.
Since its 1850 performance, the opera was not performed again in the United States until it was presented in a concert version by the American Opera Society in October 1957 with Gloria Davy the title role and Simionato as Giovanna Seymour for performances at both Town Hall and Carnegie Hall.On 26 June 1959, the Santa Fe Opera mounted the first fully staged production of the work since 1839. Several famous modern sopranos have lent their voices to the role, including Leyla Gencer, Montserrat Caballé, Marisa Galvany, Renata Scotto, Edita Gruberova and Mariella Devia. In the 1970s, Beverly Sills earned a considerable degree of fame when she appeared in all three of Donizetti's "Tudor" operas at the New York City Opera. (She also made studio recordings of all three operas.) And Anna was one of the last new roles performed by Dame Joan Sutherland, in a concert version in the 1980s.
While not yet part of the "standard repertory", Anna Bolena is increasingly performed today,and there are several recordings.
It was presented by the Dallas Opera in November 2010, which has also staged Maria Stuarda. The Minnesota Opera presented Anna Bolena as part of the "Three Queens" trilogy. The Vienna State Opera gave it in the Spring of 2011, with Anna Netrebko in the title role and Elīna Garanča as Giovanna Seymour. New York's Metropolitan Opera mounted it for the first time in September 2011, opening the company's 2011-2012 season, with Netrebko and with David McVicar directing.Opera Seria UK in Manchester, England, staged Anna Bolena in 2012 as the first in their "Tudor Queens" trilogy, which continues into 2014. And the Welsh National Opera presented the trilogy between September and November 2013, in many different venues in Britain. The Lyric Opera of Chicago also included Anna Bolena in their 2014-2015 season. Sondra Radvanovsky has sung the title role at several opera houses including the Met in 2015.
|Role||Voice type||Premiere Cast, 26 December 1830|
(Conductor: - )
|Anna Bolena (Anne Boleyn)||soprano||Giuditta Pasta|
|Enrico (Henry VIII)||bass||Filippo Galli|
|Giovanna Seymour (Jane Seymour), Anna's lady-in-waiting||mezzo-soprano||Elisa Orlandi|
|Lord Rochefort (George Boleyn), Anna's brother||bass||Lorenzo Biondi|
|Riccardo Percy (Henry Percy, 6th Earl of Northumberland)||tenor||Giovanni Battista Rubini|
|Smeton (Mark Smeaton), musician||contralto||Henriette Laroche|
|Hervey, court official||tenor||Antonio Crippa|
|Courtiers, soldiers, huntsmen|
Scene One: Night. Windsor Castle, Queen's apartments
Courtiers comment that the queen’s star is setting, because the king’s fickle heart burns with another love.
Jane Seymour enters to attend a call by the Queen; Anna enters and notes that people seem sad. The queen admits to Jane that she is troubled. At the queen’s request, her page Smeaton plays the harp and sings in an attempt to cheer the people present. The queen asks him to stop. Unheard by any one else, she says to herself that the ashes of her first love are still burning, and that she is now unhappy in her vain splendor. All leave, except Jane.
Henry VIII enters and tells Jane that soon she will have no rival, that the altar has been prepared for her, and that she will have husband, sceptre, and throne. Each leaves by a different door.
Scene Two: Day. Around Windsor Castle
Lord Rochefort, Anna’s brother, is surprised to meet Lord Richard Percy, who has been called back to England from exile by Henry VIII. Percy asks if it is true that the Queen is unhappy and that the King has changed. Rochefort answers that love is never content.
Hunters enter. Percy is agitated at the prospect of possibly seeing Anna, who was his first love. Henry and Anna enter and express surprise at seeing Percy. Henry does not allow Percy to kiss his hand, but says that Anna has given him assurances of Percy’s innocence but she still has feelings for Percy. Henry VIII tells Hervey, an officer of the king, to spy on every step and every word of Anna and Percy.
Scene Three: Windsor Castle, close to the Queen's apartments
Smeaton takes a locket from his breast containing Anna’s portrait. He has stolen it and has come to return it. He hears a sound and hides behind a screen. Anna and Rochefort enter. Rochefort asks Anna to hear Percy. Then he leaves. Smeaton peeps out from behind the screen, but cannot escape. Percy enters. Percy says that he sees that Anna is unhappy. She tells him that the king now loathes her. Percy says that he still loves her. Anna tells him not to speak to her of love. Before leaving, Percy asks whether he can see Anna again. She says no. He draws his sword to stab himself, and Anna screams. In the mistaken belief that Percy is attacking Anna, Smeaton rushes out from behind the screen. Smeaton and Percy are about to fight. Anna faints, and Rochefort rushes in. Just then, Henry VIII enters and sees the unsheathed swords. Summoning attendants, he says that these persons have betrayed their king. Smeaton says that it is not true, and tears open his tunic to offer his breast to the king for slaying if he is lying. The locket with Anna’s portrait falls at the king’s feet. The king snatches it up. He orders that the offenders be dragged to dungeons. Anna says to herself that her fate is sealed.
Scene One: London. Antechamber of the Queen's apartments
The guards note that even Jane Seymour has stayed away from Anna. Anna enters with a retinue of ladies, who tell her to place her trust in heaven. Hervey enters and says that the Council of Peers has summoned the ladies into its presence. The ladies leave with Hervey. Jane enters and says that Anna can avoid being put to death by admitting guilt. Anna says that she will not buy her life with infamy. She expresses the hope that her successor will wear a crown of thorns. Jane admits that she is to be the successor. Anna tells her to leave, but says that Henry VIII alone is the guilty one. Jane leaves, deeply upset.
Scene Two: Antechamber leading into the hall where the Council of Peers is meeting
Hervey tells courtiers that Anna is lost, because Smeaton has talked and has revealed a crime. Henry VIII enters. Hervey says that Smeaton has fallen into the trap. Henry VIII tells Hervey to continue to let Smeaton believe that he has saved Anna's life. Anna and Percy are brought in, separately. Henry VIII says that Anna has made love to the page Smeaton, and that there are witnesses. He says that both Anna and Percy will die. Percy says that it is written in heaven that he and Anna are married. They are led away by guards.
Jane enters. She says that she does not want to be the cause of Anna's death. Henry VIII says that she will not save Anna by leaving. Hervey enters and says that the Council has dissolved the royal marriage and has condemned Anna and her accomplices to death. Courtiers and Jane ask the king to be merciful. He tells them to leave.
Scene Three: Tower of London
Percy and Rochefort are together in their cell. Hervey enters and says that the king has pardoned them. They ask about Anna. Hearing that she is to be executed, they choose to be executed also. They leave, surrounded by guards.
In Anna's cell, a chorus of ladies comment on her madness and grief. Anna enters, she imagines that it is her wedding day to the king. Then she imagines that she sees Percy, and she asks him to take her back to her childhood home (Donizetti used the theme from the English/American song Home Sweet Home as part of Anna’s Mad Scene to underscore her longing). Percy, Rochefort and Smeaton are brought in. Smeaton throws himself at Anna's feet and says that he accused her in the belief that he was saving her life. In her delirium, Anna asks him why he is not playing his lute. The sound of cannon is heard. Anna comes to her senses. She is told that Jane and Henry VIII are being acclaimed by the populace on their wedding day. Anna says that she does not invoke vengeance on the wicked couple. She faints. Guards enter to lead the prisoners to the block. Smeaton, Percy and Rochefort say that one victim has already been sacrificed.
1988 Dame Joan Sutherland, Samuel Ramey, Jerry Hadley, Susanne Mentzer, Richard Bonynge, Orchestra and Chorus of the Welsh National Opera, CD: London, Cat: 421 096-2
Opera House and Orchestra
|1957|| Maria Callas,|
| Gianandrea Gavazzeni,|
Orchestra and Chorus of La Scala, Milan
(Recorded live on 14 April)
Cat: CDMB 5 66474-2
|1958|| Leyla Gencer,|
Orchestra Sinfonica e Coro della RAI di Milano
Cat: ANDRCD 5114
|Gianandrea Gavazzeni, Glyndebourne Festival,|
London Philharmonic Orchestra,
Glyndebourne Festival Chorus
(Recorded live on 13 June)
Cat: CD 554
|1967|| Teresa Żylis-Gara,|
| Alberto Erede,|
Orchester und Chor des Westdeutschen Rundfunks Cologne
|CD: Opera Depot|
Cat: OD 10388-2
|1968/69|| Elena Souliotis,|
| Silvio Varviso,|
Vienna State Opera Orchestra and Chorus
Cat: 455 069-2
|1972|| Beverly Sills,|
| Julius Rudel,|
London Symphony Orchestra
John Alldis Choir
|CD: DG Westminster Legacy|
Cat: 471 217-2
|1975|| Renata Scotto,|
| Julius Rudel,|
Opera Company of Philadelphia (Recorded "live" on December 16)
|CD: Opera Depot|
|1984||Dame Joan Sutherland,|
| Richard Bonynge,|
Orchestra and Chorus of the
Canadian Opera Company
|1994|| Edita Gruberova,|
Hungarian Radio Chorus and Orchestra
|CD: Nightingale Classics|
Cat: NCO 070565-2
|Fabrizio Maria Carminati,|
Orchestra and Chorus of the
Bergamo Musica Festival Gaetano Donizetti
(Recorded at Teatro Donizetti in October)
|DVD: Dynamic |
|2011|| Anna Netrebko, |
| Evelino Pidò |
Orchestra and Chorus of the
Vienna State Opera
|DVD: Deutsche Grammophon|
DDD 0440 073 4725 6 GH2
Domenico Gaetano Maria Donizetti was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.
La fille du régiment is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse.
Anne of the Thousand Days is a 1969 British period drama film based on the life of Anne Boleyn, directed by Charles Jarrott and produced by Hal B. Wallis. The screenplay by Bridget Boland and John Hale is an adaptation of the 1948 play of the same name by Maxwell Anderson.
Jane Seymour was Queen of England from 1536 to 1537 as the third wife of King Henry VIII. She succeeded Anne Boleyn as queen consort following the latter's execution in May 1536. She died of postnatal complications less than two weeks after the birth of her only child, a son who became King Edward VI. She was the only wife of the King to receive a queen's funeral, and his only consort to be buried beside him in St George's Chapel, Windsor Castle.
Maria Stuarda is a tragic opera, in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play Maria Stuart.
Roberto Devereux is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy Elisabeth d'Angleterre (1829), and based as well on the Historie secrete des amours d'Elisabeth et du comte d'Essex (1787) by Jacques Lescéne des Maisons, although Devereux was the subject of at least two other French plays: Le Comte d'Essex by Thomas Corneille and Le Comte d'Essex by Gauthier de Costes, seigneur de la Calprenède.
Mark Smeaton was a musician at the court of Henry VIII of England, in the household of Queen Anne Boleyn. Smeaton, the Queen's brother George Boleyn, Henry Norris, Francis Weston and William Brereton were executed for alleged treason and adultery with Queen Anne.
Ayşe Leyla Gencer was a Turkish operatic soprano.
La Favorite is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play Le comte de Comminges by Baculard d'Arnaud. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on December 2, 1840 at the Académie Royale de Musique in Paris, France.
Fausta is a melodramma, or opera seria, in two acts by Gaetano Donizetti. The Italian libretto was partly written by Domenico Gilardoni, who died while doing so: the remainder was written by Donizetti. The literary source of the opera's libretto is Crispo, a tragedy improvised by Tommaso Sgricci on 3 November 1827.
L'assedio di Calais is an 1836 melodramma lirico, or opera, in three acts by Gaetano Donizetti, his 49th opera. Salvatore Cammarano wrote the Italian libretto, which has been described as "...a remarkable libretto, the closest Cammarano ever got to real poetry, particularly in his description of the embattled city and the heartfelt pride of its citizens". It was based on Luigi Marchionni's play L'assedio di Calais, which had been presented in Naples around 1825, and secondarily on Luigi Henry's ballet L'assedio di Calais, which had been performed in Naples in 1828 and revived in 1835.
Alina, regina di Golconda is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroique Aline, reine de Golconde, in its turn based on the novel by Stanislas de Boufflers.
Rosmonda d'Inghilterra is a melodramma or opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani originally for Coccia's Rosmunda (1829). It is based on the legend of Rosamund Clifford.
Gabriella di Vergy is an opera seria in two acts by Gaetano Donizetti written in 1826 and revised in 1838, from a libretto by Andrea Leone Tottola, which was based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy. Prior to that, the play was itself inspired by two French medieval legends, Le châtelain de Coucy et la dame de Fayel and Le Roman de la chastelaine de Vergy.
Il castello di Kenilworth is a melodramma serio or tragic opera in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play Amy Robsart (1828) and Eugene Scribe's play Leicester, both of which following from Scott's novel Kenilworth (1821). Daniel Auber composed another opera on the same subject, Leicester, ou Le chateau de Kenilworth in 1823.
Gianni di Parigi is an 1839 melodramma comico in two acts with music by Gaetano Donizetti to a libretto by Felice Romani, which had previously been set by Francesco Morlacchi in 1818 and by Giovanni Antonio Speranza in 1836.
Enrico di Borgogna is an opera eroica or "heroic" opera in two acts by Gaetano Donizetti. Bartolomeo Merelli, wrote the Italian libretto based on Der Graf von Burgund by August von Kotzebue.
Rex is a musical with music by Richard Rodgers, lyrics by Sheldon Harnick and libretto by Sherman Yellen, based on the life of King Henry VIII. The original production starred Nicol Williamson.
The Other Boleyn Girl is a 2003 BBC television film, adapted from Philippa Gregory's novel of the same name. Centring around courtier Mary Boleyn, and her sister Anne Boleyn, second wife of Henry VIII, King of England, and their competition for his affections.
Anne Boleyn, the second wife of King Henry VIII of England, has inspired or been mentioned in numerous artistic and cultural works. The following lists cover various media, enduring works of high art, and recent representations in popular culture, film and fiction. The entries represent portrayals that a reader has a reasonable chance of encountering, rather than a complete catalogue. Anne Boleyn was the second wife of Henry VIII and was the mother of Elizabeth I.