Alina, regina di Golconda (Alina, Queen of Golconda) is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroique Aline, reine de Golconde (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers.
Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theater. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
Domenico Gaetano Maria Donizetti was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.
Italian is a Romance language of the Indo-European language family. Italian, together with Sardinian, is by most measures the closest language to Vulgar Latin of the Romance languages. Italian is an official language in Italy, Switzerland, San Marino and Vatican City. It has an official minority status in western Istria. It formerly had official status in Albania, Malta, Monaco, Montenegro (Kotor) and Greece, and is generally understood in Corsica and Savoie. It also used to be an official language in the former Italian East Africa and Italian North Africa, where it plays a significant role in various sectors. Italian is also spoken by large expatriate communities in the Americas and Australia. In spite of not existing any Italian community in their respective national territories and of not being spoken at any level, Italian is included de jure, but not de facto, between the recognized minority languages of Bosnia-Herzegovina and Romania. Many speakers of Italian are native bilinguals of both standardized Italian and other regional languages.
The opera was commissioned for the opening festivities of the Teatro Carlo Felice, Genoa, where it premiered with success on 12 May 1828. Soon after, a revised version debuted at the Teatro Valle, Rome on 10 October 1829.
The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the Piazza De Ferrari.
Genoa is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, counted 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera.
The Teatro Valle is a theatre and former opera house in Rome, Italy.
|Role||Voice type||Premiere Cast, 12 May 1828|
(Conductor: - )
|Alina, shepherd, then Queen of Golconda||soprano||Annetta Fischer|
|Fiorina||mezzo-soprano||Carolina De Vincenti|
|Seide||tenor||Giovanni Battista Verger|
|Cora, one of the Queen's slaves|
Alina, a humble country girl, has been captured by pirates and taken to the kingdom of Golconda, where the elderly king falls in love with her, marries her, and shortly dies, leaving Alina a widow and queen. Her subjects urge her to choose another husband, and the noble and handsome Seide emerges as leading candidate. Alina, however, cannot forget a previous lover, Ernesto Volmar, a French army officer; despite this, she is just about to declare her choice when three cannon shots sound and a ship from France arrives. The ambassador is Volmar, who is haunted by the memory of the girl snatched away from him.
Alina is rapturous with joy and excitement. Her feelings are little understood, except by her friend Fiorina, another French girl also kidnapped by pirates. Fiorina left behind her a husband, named Belfiore, who she incessantly argued with, and does not know whether or not she longs to meet him again or fears such an encounter. By a curious chance, Volmar's aide-de-camp is this same Belfiore.
Alina decides to test Volmar's love: of course, he does not know that she is the queen. Firstly, she lets Volmar hear her voice while she herself is hidden among her slaves. He is stunned and enchanted, but Alina and Fiorina explain that it is quite common for travellers in a strange land to hear voices resembling those of their fatherland. Belfiore has also heard Fiorina's voice, but his reaction is horror. After this, she nominates Volmar as king, but, just as she hoped, he refuses, staying faithful to the memory of the girl he loved. Meanwhile, Seide has easily discovered Alina's love for Volmar and, driven by jealousy, incites his followers to rebel.
For her final test, Alina reconstructs the garden in Provence in which she and Volmar first met, explaining to him that everything which has happened since has been a dream. At first he is incredulous, but then abandons himself to love. Fiorina decides to put Belfiore through the same test, and tells him that he dreamt of Golconda and all that happened there after a session of heavy drinking. Belfiore recounts his "dream", adding in numerous details of conquests of love.
In the meantime, Seide's revolt has broken out. The two girls are forced to ask the two men for their help, and explain the game that they have played with them. Seide bursts in and confronts Alina. He pleads for her love, but when she refuses hurls her into prison. However, Volmar (who now knows who Alina really is) returns with his Frenchmen to defeat Seide's forces, and restores Alina to the throne. Alina is moved by the love of the people for her, but the opera ends with her singing a passionate love-song to Volmar, (Alina: Eri di notte il sogno, eri il pensier del di).
Opera House and Orchestra
|1987|| Daniela Dessì,|
Orchestra Sinfonica dell'Emilia Romagna "Arturo Toscanini"
and Grupo Giovanile della Cooperativa «Artisti del Coro» del Teatro Regio di Parma
(Audio and video recordings made at performances at the Ravenna Festival, 15–17 July)
|Audio CD: Nuova Era |
DVD: House of Opera
Cat: DVDCC 136
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