Le convenienze ed inconvenienze teatrali, also known as Viva la mamma, is a dramma giocoso, or opera, in two acts by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni, adapted from Antonio Simeone Sografi's plays Le convenienze teatrali (1794) and Le inconvenienze teatrali (1800).
Il campanello or Il campanello di notte is a melodramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville La sonnette de nuit. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade".
Caterina Cornaro ossia La Regina di Cipro is a tragedia lirica, or opera, in a prologue and two acts by Gaetano Donizetti. Giacomo Sacchèro wrote the Italian libretto after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre (1841). It is based on the life of Caterina Cornaro, Queen of Cyprus from 1474 to 1489. It premiered at the Teatro San Carlo, Naples on 12 January 1844.
Emilia di Liverpool is a dramma semiserio, ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. Giuseppe Checcherini wrote the Italian libretto after the anonymous libretto for Vittorio Trento's Emilia di Laverpaut, itself based on Stefano Scatizzi's play of the same name. It premiered on 28 July 1824 at the Teatro Nuovo in Naples.
Il diluvio universale is an azione tragico-sacra, or opera, by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni after Lord Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio (1788).
Maria de Rudenz is a dramma tragico, or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror", La nonne sanglante by Auguste Anicet-Bourgeois and Julien de Mallian, and The Monk by Matthew Gregory Lewis. It premiered at La Fenice in Venice, on 30 January 1838.
Torquato Tasso is a melodramma semiserio, or 'semi-serious' opera, in three acts by Gaetano Donizetti and based on the life of the great poet Torquato Tasso. The Italian libretto was written by Jacopo Ferretti, who used a number of sources for his text, including works by Giovanni Rosini, Goethe, Goldoni, and Lord Byron as well as Tasso's actual poetry. It premiered on 9 September 1833 at the Teatro Valle, Rome.
Gemma di Vergy is an 1834 tragedia lirica in two acts by Gaetano Donizetti from a libretto by Giovanni Emanuele Bidera. It is based on the tragedy Charles VII chez ses grands vassaux(Charles VII and His Chief Vassals) (1831) by Alexandre Dumas père, which was later to become the subject of the opera The Saracen by the Russian composer César Cui.
Il castello di Kenilworth is a melodramma serio or tragic opera in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play Amy Robsart (1828) and Eugène Scribe's play Leicester, both of which following from Sir Walter Scott's novel Kenilworth (1821). Daniel Auber composed another opera on the same subject, Leicester, ou Le chateau de Kenilworth in 1823.
Imelda de' Lambertazzi is a melodramma tragico or tragic opera in two acts by Gaetano Donizetti from a libretto by Andrea Leone Tottola, based on the tragedy Imelda by Gabriele Sperduti. It received its first performance on 5 September 1830 at the Teatro San Carlo, Naples.
Gianni di Calais is a melodramma semiserio, a "semi-serious" opera in three acts by Gaetano Donizetti (1828), from a libretto by Domenico Gilardoni, based on Jean de Paris by Louis-Charles Caigniez.
Gianni di Parigi is an 1839 melodramma comico in two acts with music by Gaetano Donizetti to a libretto by Felice Romani, which had previously been set by Francesco Morlacchi in 1818 and by Giovanni Antonio Speranza in 1836.
La zingara is an opera semiseria in two acts by Gaetano Donizetti, set to a libretto by Andrea Leone Tottola after La petite bohémienne by Louis-Charles Caigniez, which was itself derived from a work of August von Kotzebue.
Alfredo il grande is a melodramma serio or serious opera in two acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto, which may have been derived from Johann Simon Mayr's 1818 opera of the same name. The opera tells the story of the Anglo-Saxon king Alfred the Great.
Sancia di Castiglia is an Italian opera seria in two acts by Gaetano Donizetti to a libretto by Pietro Salatino. It was first performed at the Teatro San Carlo in Naples on 4 November 1832, conducted by Nicola Festa.
Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.
Don Gregorio is an 1826 opera by Gaetano Donizetti from a libretto by Jacopo Ferretti and adapted from his popular 1824 opera buffa L'ajo nell'imbarazzo, which had enjoyed considerable success when presented at the Teatro Valle in Rome on 4 February 1824.
Il giovedì grasso is a farsa in one act by Gaetano Donizetti, from a libretto by Domenico Gilardoni. The literal translation of the title is "Fat Thursday", a reference to Carnival celebration. The libretto was adapted from the French comedies Monsieur de Pourceaugnac by Molière and Le nouveau Pourceaugnac by Charles-Gaspard Delestre-Poirson and Eugène Scribe. The opera uses spoken dialogue rather than recitatives, and the buffo role is given in the Neapolitan language. The work premiered at the Teatro del Fondo in Naples on 26 February 1829.
La lettera anonima is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by Giulio Genoino, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce which, in turn, had been based on Mélite, ou Les fausses lettres by Pierre Corneille in 1630.
Il borgomastro di Saardam is an 1827 melodramma giocoso in two acts by Gaetano Donizetti. The libretto, by Domenico Gilardoni, was based on the 1818 play Le bourgmestre de Sardam, ou Les deux Pierres by Mélesville, Jean-Toussaint Merle and Eugène Cantiran de Boirie. Albert Lortzing's 1837 opera Zar und Zimmermann is ultimately based, via a German translation, on the same French play. The plot concerns a famous episode in the life of Peter the Great, in which he disguised himself under an assumed name as a worker in the shipyards of Saardam, and has certain similarities to Donizetti's earlier 1-act farce Il falegname di Livonia.
