Enrico di Borgogna (Henry of Burgundy) is an opera eroica or "heroic" opera in two acts by Gaetano Donizetti. Bartolomeo Merelli (who later, as Intendant at La Scala, was to commission Verdi's first opera), wrote the Italian libretto based on Der Graf von Burgund by August von Kotzebue.
Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theater. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
Domenico Gaetano Maria Donizetti was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.
Bartolomeo Merelli was an Italian impresario and librettist, best known as the manager of the La Scala Milan opera house between 1829 and 1850, and for his support for the young Giuseppe Verdi.
Enrico di Borgogna was the third opera composed by Donizetti, but the first to be performed. It premiered on 14 November 1818 at the Teatro San Luca in Venice. In spite of difficulties at the premiere, the critic of Nuovo osservatore veneziano noted of Donizetti that "one cannot but recognize a regular handling and expressive quality in his style. For these, the public wanted to salute Signor Donizetti on stage at the end of the opera".
Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave rivers. In 2018, 260,897 people resided in the Comune di Venezia, of whom around 55,000 live in the historical city of Venice. Together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million.
For the first time in 192 years, the opera was presented at the Vadstena Academy in Sweden in July/August 2012.
Vadstena Academy, is a music academy founded in 1964 by opera pedagogue Ingrid Maria Rappe (1915–1994) and based in the small city of Vadstena in Sweden. The academy is a major commissioner of new operas and most of the new operas in Sweden are performed at Vadstena Academy.
Sweden, formal name: the Kingdom of Sweden, is a Scandinavian Nordic country in Northern Europe. It borders Norway to the west and north and Finland to the east, and is connected to Denmark in the southwest by a bridge-tunnel across the Öresund, a strait at the Swedish-Danish border. At 450,295 square kilometres (173,860 sq mi), Sweden is the largest country in Northern Europe, the third-largest country in the European Union and the fifth largest country in Europe by area. Sweden has a total population of 10.2 million of which 2.5 million have a foreign background. It has a low population density of 22 inhabitants per square kilometre (57/sq mi). The highest concentration is in the southern half of the country.
|Role||Voice type||Premiere Cast, 14 November 1818 |
The king has been deceived and murdered by his own brother. The king's bodyguards, Pietro and Brunone, manage to escape with Enrico, the first-born son of the king and the rightful heir to the throne. During Pietro’s escape, his wife is killed before they can get to safety. Brunone stays in the castle, becoming the new king's bodyguard.
Nicola, the young shepherd, and his friends find the old man Pietro weeping before by his wife's grave, as he has done many times. They try to cheer him up, and, after that, carry on with their work, leaving Pietro alone.
Enrico, now a young man, is on his way home from fishing; he is tired of the simple life up in the mountains and is longing for something more exciting. He is also thinking about the girl of his dreams, Elisa, whom he has seen several times in the mountains.
Brunone arrives at Pietro's cabin and tells him that the king is dead and that his weak son Guido has taken his place. He explains that this is the time to strike if they want to see Enrico installed on the throne. When Enrico arrives and learns the truth, they give him his father's sword and he decides to accept his fate.
In the castle the new king Guido and his jester Gilberto are planning Guido's marriage with Elisa, but she has just lost her father and is still mourning; she refuses to marry Guido, but he forces her to accept his proposal, and the wedding plans begin.
The jester Gilberto speaking to Guido says that truth and merit are overrated. Guido asks the jester to tell him what the people think of him becoming their king. Gilberto flatters him, but Guido is not satisfied until he learns that some of the people are complaining.
Elisa enters in the company of Guido's bodyguards who invites her to rejoice in the happiness of marriage. Elisha is unhappy. She hope to see Enrico again. When she is left alone with her lady in waiting, Geltrude, she confesses to her of her love. Guido forces Elizabeth to change her mourning clothes into the wedding attire and appeals to her to give in to his great love for her. She replies that he can force her into marriage but her heart will never change.
The wedding procession has gathered in the square. Enrico and Pietro arrive and are unaware of the wedding. Elisa faints. Pietro and Brunone furiously try to stop Enrico's jealousy from revealing himself as her true love. A heavy storm occurs, and Guido is forced to postpone the wedding.
Brunone and Pietro reveal to the insurgents that Enrico has returned. Enrico has slipped into the castle to see Elisa for the last time. Enrico meets jester Gilberto who at the last moment hides him from Guido. Gilberto promises to show Enrico to Elisa's room.
Elisa enters. Guido is threatening her with death if she did not keep her promise of marriage. The threat is ineffective because she would rather die than marry Guido. Guido gives the order for the wedding and leaves the room. Gilberto shows Enrico to Elisa's room with the warning that women are in the world to create disorder.
Enrico and Elisa meet. At first, he rejects her declaration that she was forced into marriage with Guido. When he learns about her promise to her father, he understands everything and the two reunite. Guido rushes into the room. At the same time Brunone, Pietro and Nicola entered the castle. The truth about Enrico's birth is revealed to Guido and Elisa. Guido orders the confused guards to arrest the four but the guards put down their weapons and Enrico wins.
Guido is terrified. People storms in and want to take revenge on Guido, but Enrico admonishes his people with a message of peace.
Della Jones, is a Welsh mezzo-soprano, particularly well known for her interpretations of works by Handel, Mozart, Rossini, Donizetti, and Britten.
Opera Rara is a British non-profit recording company, founded in the early 1970s by American Patric Schmid and Englishman Don White to promote concerts of rare and/or forgotten operas by bel canto era composers such as Italian composers Gaetano Donizetti, Giovanni Pacini, Saverio Mercadante, and Federico Ricci, as well as French composers of the 1830s forward such as Giacomo Meyerbeer.
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor.
Anna Bolena is a tragic opera in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena and Alessandro Pepoli's Anna Bolena, both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII.
La Favorite is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play Le comte de Comminges by Baculard d'Arnaud. The opera concerns the romantic struggles of the King of Castile, Alfonso XI and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on December 2, 1840 at the Académie Royale de Musique in Paris, France.
Il campanello or Il campanello di notte is a melodramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville La sonnette de nuit. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade".
Caterina Cornaro ossia La Regina di Cipro is a tragedia lirica, or opera, in a prologue and two acts by Gaetano Donizetti. Giacomo Sacchèro wrote the Italian libretto after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre (1841). It is based on the life of Caterina Cornaro, Queen of Cyprus from 1474 to 1489. It premiered at the Teatro San Carlo, Naples on 12 January 1844.
Rosmonda d'Inghilterra is a melodramma or opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani originally for Coccia's Rosmunda (1829). It is based on the legend of Rosamund Clifford.
Maria de Rudenz is a dramma tragico, or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror", La nonne sanglante by Auguste Anicet-Bourgeois and Julien de Mallian, and The Monk by Matthew Gregory Lewis. It premiered at the Teatro La Fenice in Venice, on 30 January 1838.
Marino Faliero is a tragedia lirica, or tragic opera, in three acts by Gaetano Donizetti. Giovanni Emanuele Bidera wrote the Italian libretto, with revisions by Agostino Ruffini, after Casimir Delavigne's play. It is inspired by Lord Byron's drama Marino Faliero (1820) and based on the life of Marino Faliero (c.1285-1355), the Venetian Doge.
Maria Padilla is a melodramma, or opera, in three acts by Gaetano Donizetti. Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is loosely based on the historical figure María de Padilla, the mistress of Pedro the Cruel, King of Castile.
Parisina is an opera, in three acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Byron's 1816 poem Parisina.
Il castello di Kenilworth is a melodramma serio or tragic opera in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play Amy Robsart (1828) and Eugene Scribe's play Leicester, both of which following from Scott's novel Kenilworth (1821). Daniel Auber composed another opera on the same subject, Leicester, ou Le chateau de Kenilworth in 1823.
Gianni di Parigi is an 1839 melodramma comico in two acts with music by Gaetano Donizetti to a libretto by Felice Romani, which had previously been set by Francesco Morlacchi in 1818 and by Giovanni Antonio Speranza in 1836.
Sancia di Castiglia is an Italian opera seria in two acts by Gaetano Donizetti to a libretto by Pietro Salatino. It was first performed at the Teatro San Carlo in Naples, on 4 November 1832 conducted by Nicola Festa.
Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.
L'ange de Nisida is an opera semiseria in four acts by Italian composer Gaetano Donizetti, from a libretto by Alphonse Royer and Gustave Vaëz.
Una follia is a farsa in one act by composer Gaetano Donizetti. The work premiered on 15 December 1818 at the Teatro San Luca in Venice. The opera uses the same Italian-language libretto by Bartolomeo Merelli after August von Kotzebue's Der Graf von Burgund that Donizetti used for his Enrico di Borgogna a month earlier, but with different music. It was given one performance and "never performed again, and its score has never been found."
Il furioso all'isola di San Domingo(The Madman on the Island of San Domingo) is a "romantic melodramma" in two acts by the composer Gaetano Donizetti. Jacopo Ferretti, who since 1821 had written five libretti for Donizetti and two for Rossini, had proposed the unusual subject and he was contracted to write the Italian libretto based on a five-act play of the same title by an unknown author in 1820, which "had been given in the same theatre [...] and which Donizetti had immediately loved". However, as has been noted by Charles Osborne, the "ultimate derivation of both play and libretto is an episode in part 1 of Don Quixote by Miguel de Cervantes's published in 1605" which is the story of Cardenio and Lucinda.
La romanziera e l'uomo nero is an 1831 one-act farsa with music by Gaetano Donizetti and an Italian libretto by Domenico Gilardoni, possibly based on the 1819 play La donna dei romanzi by Augusto Bon. Other suggested sources include L'homme noir (1820) by Eugene Scribe and Jean-Henri Dupin and Le coiffeur et le perruquier (1824) by Scribe, Édouard-Joseph-Ennemond Mazères and Charles Nombret Saint-Laurent.
Il paria is an opera in two acts by Gaetano Donizetti from a libretto by Domenico Gilardoni, based on Le Paria by Casimir Delavigne and Michele Carafa's Il paria with a libretto by Gaetano Rossi.
Fanny Eckerlin (1802–1842) was an Italian mezzo-soprano who also sang contralto roles. During her career she was highly regarded, drawing favorable comparisons to Benedetta Rosmunda Pisaroni, but today she is remembered, if at all, for her association with the early career of Gaetano Donizetti, including creating the title role in his first publicly-performed opera, Enrico di Borgogna.
William Ashbrook was an American musicologist, writer, journalist, and academic. He was perhaps best noted as a historian, researcher and popularizer of the works of Italian opera composer Gaetano Donizetti.
Amanda Juliet Holden is a British musician, librettist and translator.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.
Stanley John Sadie was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of The New Grove Dictionary of Music and Musicians.
The New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes.