Don Gregorio is an 1826 opera by Gaetano Donizetti from a libretto by Jacopo Ferretti and adapted from his popular 1824 opera buffa L'ajo nell'imbarazzo (The Tutor Embarrassed), which had enjoyed considerable success when presented at the Teatro Valle in Rome on 4 February 1824.
When Francesco Tortoli was interested in producing it in Naples, it was determined that L'ajo nell'imbarazzo was unsuitable as it stood. Donizetti then signed a contract with Tortoli for 300 ducats to adapt it into a new opera, Don Gregorio, and to compose one further opera. For the adaptation, Donizetti composed some additional music, revised the recitatives into spoken dialogue, and translated the role of Don Gregorio into the Neapolitan dialect. The opera premiered at the Teatro Nuovo on 11 June 1826.
Having been given under its original title, Donizetti revisions became Don Gregorio, and with that name, it premiered at the Teatro Nuovo. That same year, it also was given at La Scala and many Italian theatres. On 28 July 1846 it was first given in London,but "seems to have disappeared from view until it turned up again in Italy in the twentieth century". However, under one or other of its names, the opera was presented as late as 1866 in Milan and 1879 in Venice.
20th century and beyond
Don Gregorio was presented at the Teatro Donizetti in the composer's home town of Bergamo in 1959 and an Italian TV production was broadcast in 1964.It was not until 1980 that it appeared in New York.
A successful staging of L'ajo nell'imbarazzo by the Wexford Festival in 1973 led to that opera appearing in four additional European cities between 1975 and 1990, and in 2006, Wexford staged Don Gregorio, based on the new critical editionby Maria Chiara Bertieri.
Don Gregorio was then revived in Bergamo, Fano and Catania, with Paolo Bordogna in the title role and directed for the stage by Roberto Recchia. A new video recording was made from live performances given by the Teatro Donizetti in November 2007.
|Role||Voice type||Premiere Cast,|
11 June 1826
|Don Giulio Antiquati||baritone|
Marquis Giulio demands that his sons, Enrico and Pippetto, grow up in complete ignorance of all matters of the flesh. Yet Enrico has secretly married Gilda, and they even have a son. Exasperated by the life he's forced to lead, the youth begs the elderly tutor Gregorio for help, and has him meet his wife. When, however, the Marquis arrives, Gilda remains trapped in Gregorio's room. She worries, for she must nurse her child: Gregorio is forced to fetch the baby and bring it to her, hidden under his cloak. Leonarda, an old servant in the household, informs the Marquis of her suspicions; he discovers Gilda, but is convinced she must be the tutor's lover. In the tempestuous scene that follows, involving all the characters, the truth finally comes out. The Marquis realizes his error, and decides to entrust his younger son, Pippetto, to Enrico, so that he might help him learn "the ways of the world."
Don Giulio Antiquati,
Opera House and Orchestra,
Chorus and Orchestra of the Bergamo Gaetano Donizetti Music Festival.
|DVD: Dynamic |
Domenico Gaetano Maria Donizetti was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.
Il campanello or Il campanello di notte is a melodramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville La sonnette de nuit. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade".
L'ajo nell'imbarazzo is a melodramma giocoso, or opera, in two acts by Gaetano Donizetti. The Italian libretto was written by Jacopo Ferretti, after the 1807 play by Giovanni Giraud. At its premiere at the Teatro Valle, Rome on 4 February 1824, it "was greeted with wild enthusiasm [and] it was with this opera that [...] Donizetti had his first really lasting success" During revisions planned for the 1826 production in Naples, Donizetti renamed the opera Don Gregorio, and it is under that name that most later productions were staged.
Alahor in Granata is an opera in two acts by Gaetano Donizetti to an anonymous Italian libretto after Jean-Pierre Claris de Florian's text Gonzalve de Cordoue, ou Granade reconquise (1793). However, it seems that the original basis of the libretto goes back to one by Felice Romani written for Meyerbeer in 1821, which in turn can be traced back through another iteration to begin with the de Florian version.
Rosmonda d'Inghilterra is a melodramma or opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani originally for Coccia's Rosmunda (1829). It is based on the legend of Rosamund Clifford.
Emilia di Liverpool is a dramma semiserio, ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. Giuseppe Checcherini wrote the Italian libretto after the anonymous libretto for Vittorio Trento's Emilia di Laverpaut, itself based on Stefano Scatizzi's play of the same name. It premiered on 28 July 1824 at the Teatro Nuovo in Naples.
Maria de Rudenz is a dramma tragico, or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror", La nonne sanglante by Auguste Anicet-Bourgeois and Julien de Mallian, and The Monk by Matthew Gregory Lewis. It premiered at the Teatro La Fenice in Venice, on 30 January 1838.
Marino Faliero is a tragedia lirica, or tragic opera, in three acts by Gaetano Donizetti. Giovanni Emanuele Bidera wrote the Italian libretto, with revisions by Agostino Ruffini, after Casimir Delavigne's play. It is inspired by Lord Byron's drama Marino Faliero (1820) and based on the life of Marino Faliero (c.1285-1355), the Venetian Doge.
Torquato Tasso is a melodramma semiserio, or 'semi-serious' opera, in three acts by Gaetano Donizetti and based on the life of the great poet Torquato Tasso. The Italian libretto was written by Jacopo Ferretti, who used a number of sources for his text, including works by Giovanni Rosini, Goethe, Goldoni, and Lord Byron as well as Tasso's actual poetry. It premiered on 9 September 1833 at the Teatro Valle, Rome.
Gabriella di Vergy is an opera seria in two acts by Gaetano Donizetti written in 1826 and revised in 1838, from a libretto by Andrea Leone Tottola, which was based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy. Prior to that, the play was itself inspired by two French medieval legends, Le châtelain de Coucy et la dame de Fayel and Le Roman de la chastelaine de Vergy.
Il castello di Kenilworth is a melodramma serio or tragic opera in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play Amy Robsart (1828) and Eugene Scribe's play Leicester, both of which following from Scott's novel Kenilworth (1821). Daniel Auber composed another opera on the same subject, Leicester, ou Le chateau de Kenilworth in 1823.
Gianni di Parigi is an 1839 melodramma comico in two acts with music by Gaetano Donizetti to a libretto by Felice Romani, which had previously been set by Francesco Morlacchi in 1818 and by Giovanni Antonio Speranza in 1836.
La zingara is an opera semiseria in two acts by Gaetano Donizetti, set to a libretto by Andrea Leone Tottola after La petite bohémienne by Louis-Charles Caigniez, which was itself derived from a work of August von Kotzebue.
Sancia di Castiglia is an Italian opera seria in two acts by Gaetano Donizetti to a libretto by Pietro Salatino. It was first performed at the Teatro San Carlo in Naples, on 4 November 1832 conducted by Nicola Festa.
Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.
Il giovedì grasso is a farsa in one act by Gaetano Donizetti, from a libretto by Domenico Gilardoni. The literal translation of the title is "Fat Thursday", a reference to Carnival celebration. The libretto was adapted from the French comedies Monsieur de Pourceaugnac by Molière and Le nouveau Pourceaugnac by Charles-Gaspard Delestre-Poirson and Eugène Scribe. The opera uses spoken dialogue rather than recitatives, and the buffo role is given in the Neapolitan language. The work premiered at the Teatro del Fondo in Naples on 26 February 1829.
Una follia is a farsa in one act by composer Gaetano Donizetti. The work premiered on 15 December 1818 at the Teatro San Luca in Venice. The opera uses the same Italian-language libretto by Bartolomeo Merelli after August von Kotzebue's Der Graf von Burgund that Donizetti used for his Enrico di Borgogna a month earlier, but with different music. It was given one performance and "never performed again, and its score has never been found."
La lettera anonima is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by Giulio Genoino, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce which, in turn, had been based on Mélite, ou Les fausses lettres by Pierre Corneille in 1630.
Domenico Gilardoni (1798–1831) was an Italian opera librettist, most well known for his collaborations with the composers Vincenzo Bellini and Gaetano Donizetti.
Francesco Tortoli was an Italian scenographer, active in Naples from 1808 at the city's principal theatres—Teatro San Carlo, Teatro del Fondo and Teatro dei Fiorentini. He was the creator of sets for numerous productions including those for the world premieres of Rossini's La gazzetta, Otello, Armida, Mosè in Egitto, and La donna del lago. Tortoli was born in Florence and died in Naples of cholera at the age of 35.