La lettera anonima | |
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Farsa by Gaetano Donizetti | |
![]() Donizetti as a young man | |
Librettist | Giulio Genoino |
Language | Italian |
Based on | Mélite, ou Les fausses lettres by Pierre Corneille |
Premiere |
La lettera anonima (The anonymous letter) is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by Giulio Genoino, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce [1] which, in turn, had been based on Mélite, ou Les fausses lettres by Pierre Corneille in 1630.
With a letter of recommendation from his teacher Johann Simon Mayr, Donizetti was in Naples and, on 12 May 1822, came to an agreement to write the opera with the impresario Domenico Barbaja, for whom he had already produced La zingara (The Gypsy Girl). Six weeks later he presented the new farce to the public, the premiere taking place on 29 June 1822.
Overall, the opera appears to have been well received and given twenty performances, although according to Donizetti, "it was half-ruined by a novice singer (Cecconi)". [1] However, as has been noted, "the score contains an attractive speciality number for the dancing master, Flageolet, and an extended quartet, 'Stelle che intesti', the one number of the work to be praised by critics after the premiere" [2] because it avoided "those caballetas and that symmetrical repetition of motifs which obliges all the performers to repeat the same musical phrases no matter what the different emotions may agitate them". [3]
Role | Voice type | Premiere cast, [1] 29 June 1822 [2] (Conductor: – ) |
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Countess Rosina | soprano | Flora Fabbri |
Captain Filinto, her lover | tenor | Giovanni Battista |
Melita, Rosina's tenant | soprano | Teresa Cecconi |
Lauretta, Rosina's maid | soprano | Raffaela de Bernardis |
Don Macario, Rosina's Uncle | baritone | De Franchi |
Giliberto, Don Macario's Housekeeper | bass | Giovanni Pace |
Flagiolet, A Dancing Teacher | baritone | Calvarola |
Chorus: Servants and Room-attendants |
Countess Rosina and Captain Filinto are going to get married. An anonymous letter claiming that the Captain is already married to another arrives on the wedding day. This letter is finally found to be false, and the preparations for the wedding party continue.
Year | Cast: Countess Rosina, Filinto, Melita, Lauretta, Don Macario | Conductor, Opera House and Orchestra | Label [4] |
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1972 | Benedetta Pecchioli, Pietro Bottazzo, Rosa Laghezza, Carla Virgili, Rolando Panerai | Franco Caracciolo, Orchestra Scarlatti di Napoli and the Amici della Polifonia Chorus | CD: On Stage Cat: 4702 |
Le convenienze ed inconvenienze teatrali, also known as Viva la mamma, is a dramma giocoso, or opera, in two acts by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni, adapted from Antonio Simeone Sografi's plays Le convenienze teatrali (1794) and Le inconvenienze teatrali (1800).
Il campanello or Il campanello di notte is a melodramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville La sonnette de nuit. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade".
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Caterina Cornaro ossia La Regina di Cipro is a tragedia lirica, or opera, in a prologue and two acts by Gaetano Donizetti. Giacomo Sacchèro wrote the Italian libretto after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre (1841). It is based on the life of Caterina Cornaro, Queen of Cyprus from 1474 to 1489. It premiered at the Teatro San Carlo, Naples on 12 January 1844.
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Il diluvio universale is an azione tragico-sacra, or opera, by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni after Lord Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio (1788).
Zoraida di Granata is a melodramma eroico, in two acts by Gaetano Donizetti. The Italian libretto had been partly prepared by Bartolomeo Merelli, based on the French play, Gonzalve de Cordoue ou Grenade Reconquise by Jean-Pierre Claris de Florian (1791), and on a libretto by Luigi Romanelli to an opera by Nicolini called Abenamet e Zoraide.
Maria de Rudenz is a dramma tragico, or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror", La nonne sanglante by Auguste Anicet-Bourgeois and Julien de Mallian, and The Monk by Matthew Gregory Lewis. It premiered at La Fenice in Venice, on 30 January 1838.
Maria Padilla is a melodramma, or opera, in three acts by Gaetano Donizetti. Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is loosely based on the historical figure María de Padilla, the mistress of Pedro the Cruel, King of Castile.
Torquato Tasso is a melodramma semiserio, or 'semi-serious' opera, in three acts by Gaetano Donizetti and based on the life of the great poet Torquato Tasso. The Italian libretto was written by Jacopo Ferretti, who used a number of sources for his text, including works by Giovanni Rosini, Goethe, Goldoni, and Lord Byron as well as Tasso's actual poetry. It premiered on 9 September 1833 at the Teatro Valle, Rome.
Gemma di Vergy is an 1834 tragedia lirica in two acts by Gaetano Donizetti from a libretto by Giovanni Emanuele Bidera. It is based on the tragedy Charles VII chez ses grands vassaux(Charles VII and His Chief Vassals) (1831) by Alexandre Dumas père, which was later to become the subject of the opera The Saracen by the Russian composer César Cui.
Imelda de' Lambertazzi is a melodramma tragico or tragic opera in two acts by Gaetano Donizetti from a libretto by Andrea Leone Tottola, based on the tragedy Imelda by Gabriele Sperduti. It received its first performance on 5 September 1830 at the Teatro San Carlo, Naples.
Gianni di Calais is a melodramma semiserio, a "semi-serious" opera in three acts by Gaetano Donizetti (1828), from a libretto by Domenico Gilardoni, based on Jean de Paris by Louis-Charles Caigniez.
La zingara is an opera semiseria in two acts by Gaetano Donizetti, set to a libretto by Andrea Leone Tottola after La petite bohémienne by Louis-Charles Caigniez, which was itself derived from a work of August von Kotzebue.
Alfredo il grande is a melodramma serio or serious opera in two acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto, which may have been derived from Johann Simon Mayr's 1818 opera of the same name. The opera tells the story of the Anglo-Saxon king Alfred the Great.
Sancia di Castiglia is an Italian opera seria in two acts by Gaetano Donizetti to a libretto by Pietro Salatino. It was first performed at the Teatro San Carlo in Naples on 4 November 1832, conducted by Nicola Festa.
Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.
Il giovedì grasso is a farsa in one act by Gaetano Donizetti, from a libretto by Domenico Gilardoni. The literal translation of the title is "Fat Thursday", a reference to Carnival celebration. The libretto was adapted from the French comedies Monsieur de Pourceaugnac by Molière and Le nouveau Pourceaugnac by Charles-Gaspard Delestre-Poirson and Eugène Scribe. The opera uses spoken dialogue rather than recitatives, and the buffo role is given in the Neapolitan language. The work premiered at the Teatro del Fondo in Naples on 26 February 1829.
Una follia is a farsa in one act by composer Gaetano Donizetti. The work premiered on 15 December 1818 at the Teatro San Luca in Venice. The opera uses the same Italian-language libretto by Bartolomeo Merelli after August von Kotzebue's Der Graf von Burgund that Donizetti used for his Enrico di Borgogna a month earlier, but with different music. It was given one performance and "never performed again, and its score has never been found."
I pazzi per progetto is a farsa in one act by Gaetano Donizetti to a libretto by Domenico Gilardoni. The first performance took place at the Teatro di San Carlo on 6 February 1830 and was followed by its second presentation on 7 February at the Teatro del Fondo.
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