Mariella Devia | |
---|---|
Born | Chiusavecchia, Italy | April 12, 1948
Alma mater | Milan Conservatory Santa Cecilia Conservatory |
Occupation | Operatic soprano |
Years active | 1973 - present |
Mariella Devia (born 12 April 1948) is an Italian operatic soprano. After beginning her career as a lyric coloratura soprano, in the finale part of it she also enjoyed considerable success with some of the most dramatic roles in the bel canto repertoire.
Born in Chiusavecchia, Devia began her studies at the Milan Conservatory with Iolanda Magnoni, but she later followed her teacher to the Santa Cecilia Conservatory in Rome where she graduated. [1] She made her stage debut at the Teatro Comunale in Treviso in the title role of Lucia di Lammermoor in 1973 [2] and quickly sang throughout Italy, making her debut at La Scala in Milan in 1987, as Giulietta in I Capuleti e i Montecchi . [3]
On the international scene, she appeared at the Metropolitan Opera from 1979 to 1994 as Lucia, Gilda, Nannetta, Despina and Konstanze, [4] and at Carnegie Hall as Lakmé, in 1979, and later as Teresa in Benvenuto Cellini , Giulietta, Elvira in I puritani and Adelia . [2] She made her debut at the Paris Opera (I puritani - Salle Favart) [5] and the Aix-en-Provence Festival (as Konstanze) [6] in 1987, and at the Royal Opera House in London in 1988 (again as Konstanze). [7]
She was a regular at the Pesaro Festival and at the Festival della Valle d'Itria in Martina Franca, where she collaborated in the resurrection of long neglected operas by Rossini, Donizetti, Bellini and other bel canto composers. She is also admired for her Mozart performances in Die Entführung aus dem Serail , The Magic Flute , Così fan tutte , Le nozze di Figaro , Don Giovanni and Idomeneo . [2]
In 2013, the day after her 65th birthday, she sang for the first time the role of Norma at the Teatro Comunale di Bologna with great success. [8] From then on she included the role of Norma in her usual repertoire along with the "Three Donizetti Queens", Maria Stuarda, Anna Bolena and Elisabetta from Roberto Devereux , which she had debuted between 2006 and 2011, [9] and with Lucrezia Borgia , first performed in 2001. [10]
On 5 June 2014, after a 15-year absence from the United States, she returned for a performance of Roberto Devereux at New York's Carnegie Hall with the Opera Orchestra of New York to great audience and critical acclaim. [11]
Devia bid farewell to the opera stage in May 2018 with three performances of Norma at the Teatro La Fenice in Venice, [12] where she was also awarded the 'Premio Una vita nella musica 2018', so joining "such prestigious figures as Daniel Barenboim, Ruggero Raimondi, Gianandrea Gavazzeni, Karl Böhm, Carlo Maria Giulini, Yehudi Menuhin, Mstislav Rostropovich, and Carlo Bergonzi, among others to have received the prestigious award". Thenceforth she has only dedicated her career to singing concerts and teaching. [13]
Roberto Devereux is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy Elisabeth d'Angleterre (1829), and based as well on the Historie secrète des amours d'Elisabeth et du comte d'Essex (1787) by Jacques Lescène des Maisons. Devereux was the subject of at least two other French plays, both titled Le Comte d'Essex: one by Thomas Corneille and one by Gauthier de Costes, seigneur de la Calprenède.
Ayşe Leyla Gencer was a Turkish operatic soprano.
Lucia Aliberti is a Italian operatic soprano singer. She performed the bel canto roles of Bellini, Rossini, Donizetti, Verdi, Puccini, Vivaldi, Mercadante and so on.
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills.
Giuseppe Sabbatini is a lyric tenor, conductor, and double-bassist.
Daniela Dessì was an Italian operatic soprano.
Il castello di Kenilworth is a melodramma serio or tragic opera in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play Amy Robsart (1828) and Eugène Scribe's play Leicester, both of which following from Sir Walter Scott's novel Kenilworth (1821). Daniel Auber composed another opera on the same subject, Leicester, ou Le chateau de Kenilworth in 1823.
Susanne Marsee is an American mezzo-soprano of note, particularly acclaimed as a singing-actress.
The Opera Orchestra of New York specializes in the performance of opera in concert form. It is particularly known for its work in presenting rarely performed repertory. Among the numerous American premieres it has presented are Puccini's Edgar, Boito's Nerone, and Smetana's Libuše.
Giuseppina Ronzi de Begnis was an Italian soprano opera singer famous for the roles written for her by the prominent composers of the 1820s and 1830s. Her father, Gaspare, was a prominent ballet dancer and choreographer, and her mother, Antonia, a ballerina. Her brothers Stanislao and Pollione were opera singers. As a singer, she made her debut in Naples at the Teatro dei Fiorentini in 1814 in Giovanni Cordella's L'Avaro, followed by important engagements in Bologna in 1816, also appearing in Genoa, Florence; in 1817 as Giulia La Vestale, and in Bergamo. She married Italian bass Giuseppe de Begnis (1793–1849) when she was only 16. The marriage lasted only a few years and the two separated in 1825.
Denia Mazzola - Gavazzeni is an Italian operatic soprano. In 1991 she married Gianandrea Gavazzeni (1909–1996) a famous conductor, 44 years older. She had the peak of her career between the years 1982 and 2015 when she decide to dedicate herself to teaching.She recorded in 2017 the Antonio Smareglia opera La Falena. She is still singing (2021) in events and recitals organized by her foundation.
Géraldine Chauvet is a French operatic mezzo-soprano.
Maria Spezia-Aldighieri (1828–1907) was an Italian operatic soprano who had an active international career from 1849 up into the 1870s. She excelled in the coloratura soprano repertoire and was particularly admired for her portrayals in the operas of Giuseppe Verdi. Her performance of Violetta in Verdi's La traviata at the Teatro San Benedetto in Venice in 1854 is credited with popularizing the opera after it had initially flopped at its premiere in 1853. She was married to baritone Gottardo Aldighieri and is the great grandmother of singer George Aaron.
Carmela Remigio is an Italian operatic soprano.
Angela Meade is an American operatic soprano.
Joanna Woś is a Polish operatic coloratura soprano.
Darina Takova is a Bulgarian soprano and teacher.
Ștefan Pop is a Romanian operatic tenor. He is considered among today's leading lyric tenors and he is best known for bel canto repertoire. He has won several prizes including, in 2010, Plácido Domingo's Operalia competition and the Seoul International Music Competition.
Jolanta Omilian, real name: Jolanta Omiljanowicz-Quattrini, is a Polish opera singer, singing mainly belcanto and dramatic soprano parts.
Silvia Tro Santafé is a Spanish lyric-coloratura mezzo-soprano. In her early career she was best known for her interpretations of Handel and became notable for her performances of Rossini, Bellini, Donizetti, and in recent years Verdi.
Notes
Sources