Home! Sweet Home!

Last updated
"Home, Sweet Home"
Home Sweet Home - Project Gutenberg eText 21566.png
Cover of the sheet music for a version published in 1914.
Song
LanguageEnglish
Composer(s) Henry Bishop
Lyricist(s) John Howard Payne

Lyrics

The song's lyrics are:[ citation needed ]

Mid pleasures and palaces though we may roam
Be it ever so humble, there's no place like home
A charm from the skies seems to hallow us there
Which seek thro' the world, is ne'er met elsewhere
Home! Home!
Sweet, sweet home!
There's no place like home
There's no place like home!

An exile from home splendor dazzles in vain
Oh give me my lowly thatched cottage again
The birds singing gaily that came at my call
And gave me the peace of mind dearer than all
Home, home, sweet, sweet home
There's no place like home, there's no place like home!

History

When the song was published separately,[ year needed ] it quickly sold 100,000 copies. The publishers[ who? ] made a considerable profit from it, net £2,100 in the first year, and the producer of the opera did well. Only Payne did not really profit by its success. "While his money lasted, he was a prince of bohemians", but had little business sense. [1] In 1852 Henry Bishop "relaunched" the song as a parlour ballad, and it became very popular in the United States throughout the American Civil War and after. The song's American premiere took place at the Winter Tivoli Theatre in Philadelphia on October 29, 1823, and was sung by "Mrs. Williams."

As early as 1827, this song was quoted by Swedish composer Franz Berwald in his Konzertstück for Bassoon and Orchestra (middle section, marked Andante). Gaetano Donizetti used the theme in his opera Anna Bolena (1830) Act 2, Scene 3 as part of Anna's Mad Scene to underscore her longing for her childhood home. It is also used with Sir Henry Wood's Fantasia on British Sea Songs and in Alexandre Guilmant's Fantasy for organ Op. 43, the Fantaisie sur deux mélodies anglaises, both of which also use "Rule, Britannia!". In 1857 composer/pianist Sigismond Thalberg wrote a series of variations for piano (op. 72) on the theme of "Home! Sweet Home!".

The song was reputedly banned from being played in Union Army camps during the American Civil War for being too redolent of hearth and home and so likely to incite desertion. [2]

The song was a favorite of Nellie Melba and was later included in every encore. [3]

In 1926 a "Music Stair" railing (see image) at Chatham Manor in Fredericksburg, Virginia was designed by Washington, D.C. based architect Oliver H. Clarke for the homeowners, the Devores. The ornamental iron railing features the first few bars of the score to “Home, Sweet Home.” [4]

Home Sweet Home door knocker HSH door knocker 20180916 074522.jpg
Home Sweet Home door knocker

The Village of East Hampton acquired his grandfathers seventeenth-century house, known as "Home Sweet Home," and the windmill behind it, converting the homestead into a living museum in the landmarked East Hampton Village District.

The song is known in Japan as "Hanyū no Yado" ("埴生の宿") ("My Humble Cottage"). It has been used in such movies as The Burmese Harp [5] and Grave of the Fireflies . It is also used at Senri-Chūō Station on the Kita-Osaka Kyūkō Railway.

Bishop's tune, though, is perhaps most commonly recognized in the score from MGM's The Wizard of Oz . The melody is played in a counterpart to "Over the Rainbow" in the final scene as Dorothy (played by Judy Garland), after she had returned from the Land of Oz, tells her family, "there's no place like home". [6]

In the 1939 film First Love , the song is performed by Deanna Durbin.

In the 1946 20th Century Fox film Anna and the King of Siam , as well as in Rodgers and Hammerstein's 1951 musical, The King and I (and its 1956 film adaptation), Anna Leonowens teaches her students to sing "Home! Sweet Home" as part of her psychological campaign to induce the King to build her a house of her own.

The 1955 Disney animated film Lady and the Tramp features a dog-howling rendition of the song.

Notable recordings

Popular recordings were made by John Yorke AtLee (1891), Harry Macdonough (1902), Richard Jose (1906), Alma Gluck (1912), Alice Nielsen (1915) and Elsie Baker (1915). [7]

Later recordings were made by Deanna Durbin (recorded July 7, 1939 for Decca Records, catalog No. 2758B), [8] Vera Lynn (1941) and by Bing Crosby (recorded July 30, 1945 with Victor Young and His Orchestra). [9] The Crosby version was included in his album Auld Lang Syne (1948).

Katherine Jenkins included the song in her album Home Sweet Home (2014).

Related Research Articles

<i>Going My Way</i> 1944 film by Leo McCarey

Going My Way is a 1944 American musical comedy drama film directed by Leo McCarey and starring Bing Crosby and Barry Fitzgerald. Written by Frank Butler and Frank Cavett, based on a story by McCarey, the film is about a new young priest taking over a parish from an established old veteran. Crosby sings five songs with other songs performed onscreen by Metropolitan Opera's star mezzo-soprano Risë Stevens and the Robert Mitchell Boys Choir. Going My Way was followed the next year by a sequel, The Bells of St. Mary's.

<span class="mw-page-title-main">Auld Lang Syne</span> Robert Burns poem set to traditional melody

"Auld Lang Syne" is a popular Scottish song, particularly in the English-speaking world. Traditionally, it is sung to bid farewell to the old year at the stroke of midnight on New Year's Eve/Hogmanay. By extension, it is also often heard at funerals, graduations, and as a farewell or ending to other occasions; for instance, many branches of the Scouting movement use it to close jamborees and other functions.

<span class="mw-page-title-main">Deanna Durbin</span> Canadian singer and actress (1921–2013)

Edna Mae Durbin, known professionally as Deanna Durbin, was a Canadian-born actress and singer, who moved to the U.S. with her family in infancy. She appeared in musical films in the 1930s and 1940s. With the technical skill and vocal range of a legitimate lyric soprano, she performed many styles from popular standards to operatic arias.

<span class="mw-page-title-main">Danny Boy</span> 1913 song by Frederic Weatherly

"Danny Boy" is a song with lyrics written by English lawyer Frederic Weatherly in 1910, and set to the traditional Irish melody of "Londonderry Air" in 1913.

"Bali Ha'i", also spelled "Bali Hai", is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. The name refers to a mystical island, visible on the horizon but not reachable, and was originally inspired by the sight of Ambae island from neighboring Espiritu Santo in Vanuatu, where author James Michener was stationed in World War II.

"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."

<span class="mw-page-title-main">Henry Bishop (composer)</span> English composer (1787–1856)

Sir Henry Rowley Bishop was an English composer from the early Romantic era. He is most famous for the songs "Home! Sweet Home!" and "Lo! Hear the Gentle Lark." He was the composer or arranger of some 120 dramatic works, including 80 operas, light operas, cantatas, and ballets. Bishop was Knighted in 1842. Bishop worked for all the major theatres of London in his era – including the Royal Opera House at Covent Garden, the Theatre Royal, Drury Lane, Vauxhall Gardens and the Haymarket Theatre, and was Professor of Music at the universities of Edinburgh and Oxford. His second wife was the noted soprano Anna Bishop, who scandalised British society by leaving him and conducting an open liaison with the harpist Nicolas-Charles Bochsa until the latter's death in Sydney.

"Amapola" is a 1920 song by Spanish American composer José María Lacalle García, who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts.

<i>Waikiki Wedding</i> 1937 film by Frank Tuttle

Waikiki Wedding is a 1937 American musical film directed by Frank Tuttle and starring Bing Crosby, Bob Burns, Martha Raye, and Shirley Ross. Crosby plays the part of Tony Marvin, a PR man charged with extolling the virtues of the Territory of Hawaii. The female lead, played by Shirley Ross is a local beauty queen who makes unhelpful comments about the islands. Bob Burns, along with Martha Raye, are the "comic relief". Amongst the supporting cast was a young Anthony Quinn. It was made by Paramount Pictures as a rival to the Fred Astaire and Ginger Rogers films then being made by RKO Pictures.

<span class="mw-page-title-main">You Made Me Love You (I Didn't Want to Do It)</span> 1913 song recorded by Al Jolson

"You Made Me Love You (I Didn't Want to Do It)" is a popular song from 1913 composed by James V. Monaco with lyrics by Joseph McCarthy. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913), and used in the 1973 revival of the musical Irene.

<i>Dixie</i> (film) 1943 film by A. Edward Sutherland

Dixie is a 1943 American biographical film of songwriter Daniel Decatur Emmett directed by A. Edward Sutherland and starring Bing Crosby and Dorothy Lamour. Filming in Technicolor, Dixie was only a moderate success and received mixed reviews. Contrary to rumor, it has not been withdrawn from circulation due to racial issues but is simply one of hundreds of vintage Paramount Pictures from the 1930s and 1940s now owned by Universal and not actively marketed; it was broadcast several times in the late 1980s on the American Movie Classics channel. The film produced one of Crosby's most popular songs, "Sunday, Monday, or Always".

<span class="mw-page-title-main">Mighty Lak' a Rose</span> 1901 American "dialect song"

"Mighty Lak' a Rose" is a 1901 song with lyrics by Frank Lebby Stanton and music by Ethelbert Nevin. The lyrics are written in an approximation of an African American accent as a "dialect song", and the title thus means "mighty like a rose". It is sung by a black woman called "Mammy" to a newborn blue-eyed white boy in her care. It was common at the time for white families to hire trusted black women to care for their children.

<span class="mw-page-title-main">Cielito Lindo</span> Mexican folk song by Quirino Mendoza y Cortés

"Cielito Lindo" is a Mexican folk song or copla popularized in 1882 by Mexican author Quirino Mendoza y Cortés. It is roughly translated as "Lovely Sweet One". Although the word cielo means "sky" or "heaven", it is also a term of endearment comparable to "sweetheart" or "honey". Cielito, the diminutive, can be translated as "sweetie"; lindo means "cute", "lovely" or "pretty". The song is commonly known by words from the refrain, "Canta y no llores", or simply as the "Ay, Ay, Ay, Ay song".

"Waves of the Danube" is a waltz composed by Iosif Ivanovici in 1880, and is one of the most famous Romanian tunes in the world. The song has many variations throughout the piece, reminiscent of the music of Johann Strauss. Through the Viennese style variations, there is still a distinct Slavic style. In the United States, it is frequently referred to as "The Anniversary Song", a title given by Al Jolson when he and Saul Chaplin released an adaptation of the song in 1946.

<i>Ill Be Yours</i> 1947 film by William A. Seiter

I'll Be Yours is a 1947 American musical comedy film directed by William A. Seiter and starring Deanna Durbin. Based on the play A jó tündér by Ferenc Molnár, the film is about a small-town girl who tells a fib to a wealthy businessman, which then creates complications. The play had earlier been adapted for the 1935 film The Good Fairy by Preston Sturges.

<i>Wir warten aufs Christkind...</i> 1998 studio album by Die Roten Rosen

Wir warten auf's Christkind... or Wir warten auf's Christkind is a Christmas album by the German punk band Die Toten Hosen, released under the alias Die Roten Rosen.

The Woods Are Full of Cuckoos is a 1937 Merrie Melodies cartoon directed by Frank Tashlin. The short was released on December 4, 1937.

"Spring Will Be a Little Late This Year" is the title of a 1943 traditional pop composition by Frank Loesser, written for and introduced in the 1944 movie Christmas Holiday, the song was largely overlooked for some ten years before being rediscovered in the mid-1950s to become a pop and jazz standard much recorded by vocalists and instrumentalists.

<i>Ive Got to Sing a Torch Song</i> 1933 American film

I've Got to Sing a Torch Song is a 1933 Warner Bros. Merrie Melodies animated short film, directed by Tom Palmer. The short was released on September 23, 1933. It premiered with I Loved a Woman in theaters.

<i>Paris Honeymoon</i> 1939 film by Frank Tuttle

Paris Honeymoon is a 1939 American musical film directed by Frank Tuttle and written by Frank Butler and Don Hartman. The film stars Bing Crosby, Franciska Gaal, Akim Tamiroff, Shirley Ross, Edward Everett Horton and Ben Blue. Filming took place in Hollywood from May 23 to July 1938 and the film was released on January 27, 1939, by Paramount Pictures.

References

  1. Charles H. Sylvester, "John Howard Payne and 'Home, Sweet Home' ", Journeys Through Bookland, Vol. 6, p. 221 (published 1922), The Project Gutenberg eBook
  2. Patrick Browne (2 January 2011). "Auld Lang Syne Banned". Archived from the original on 2015-09-03. Retrieved 2012-01-24.
  3. "London". The Evening News . No. 9021. New South Wales, Australia. 4 May 1896. p. 7. Retrieved 18 December 2023 via National Library of Australia.
  4. "Cultural Landscape Report for Chatham Manor" (PDF). Cultural Landscape Report for Chatham Manor. Olmsted Center for Landscape Preservation National Park Service. 2019. p. 380.
  5. Tony Rayns (16 March 2007). "The Burmese Harp: Unknown Soldiers". The Criterion Collection . Retrieved 2010-07-10.
  6. Schechter, Danny (2008-05-27). "In the Shadow of the Wizard of Oz: "Home Sweet Home"". Huffington Post. Retrieved 2017-08-18.
  7. Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954 . Wisconsin, USA: Record Research Inc. p.  510. ISBN   0-89820-083-0.
  8. "The Online Discographical Project". 78discography.com. Retrieved September 10, 2017.
  9. "A Bing Crosby Discography". BING magazine. International Club Crosby. Retrieved September 10, 2017.