Carter Mull (born 1977 in Atlanta, Georgia) is an American artist working in Los Angeles. Mull took his BFA in Painting from Rhode Island School of Design in 2000 and MFA from California Institute of the Arts in 2006. Fluency across mediums, collaboration, and material production engender the work of Carter Mull. Reflecting critically on the decentralization of mass communication by establishing speculative archives within his own prodigious output, Mull performs multiple roles within culture at large engaging both the production and the circulation of images. From painter and photographer, to collector and curator, to designer and publisher, Mull's practice treats the boundaries around segments of culture like parts of a montage, to be at times delineated, and at other times joined in an illicit union. Working from a deep history of artists who deal with the image on theoretical terms, his artistic language takes into account the social drive and dimension of the contemporary subject. Sensitive to the relationship between time and subjectivity, his project speaks to the basic units by which we trade personal desires and emotional responses.
His work is in the collections of the Walker Art Center, [1] the UCLA Hammer Museum, the Orange County Museum of Art, the Whitney Museum of American Art, The Museum of Modern Art, the Whitney Museum of American Art, the UCLA Hammer Museum, [2] The Getty Research Institute and the Museum of Contemporary Art, Los Angeles. His practice has been discussed in publications and periodicals, including Artforum, [3] Art on Paper, Art In America, The Los Angeles Times and The New Yorker. [4]
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically overlooked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
Catherine Sue Opie is an American fine-art photographer and educator. She lives and works in Los Angeles, as a professor of photography at University of California at Los Angeles.
Glenn Ligon is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. Based in New York City, Ligon's work often draws on 20th century literature and speech of 20th century cultural figures such as James Baldwin, Zora Neale Hurston, Gertrude Stein, Jean Genet, and Richard Pryor. He is noted as one of the originators of the term Post-Blackness.
Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is most known for her collage style that consists of black-and-white photographs, overlaid with declarative captions, stated in white-on-red Futura Bold Oblique or Helvetica Ultra Condensed text. The phrases in her works often include pronouns such as "you", "your", "I", "we", and "they", addressing cultural constructions of power, identity, consumerism, and sexuality. Kruger's artistic mediums include photography, sculpture, graphic design, architecture, as well as video and audio installations.
Betye Irene Saar is an African American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her art work that critiques American racism toward Blacks.
Ed Moses was an American artist based in Los Angeles and a central figure of postwar West Coast art.
Millie Wilson is an artist and teacher who lives and works in Austin, Texas. Wilson was a member of the faculty in the Program in Art at The California Institute of the Arts from 1985 to 2014.
Paul Sietsema is a Los Angeles-based American artist who works primarily in film, painting and drawing. His work addresses the production, consumption, and proliferation of cultural objects, reflecting his interest in the possibility of an artwork to mediate information or meaning in a way that engages with the aesthetics of a specific time period. In the words of Sarah Robayo Sheridan, “Paul Sietsema compounds organic and artificial detritus in all his artwork, scavenging in history’s wake to identify specific tools of cultural production and foraging for concepts of art promulgated in the words of artists and attitudes of critics. He mines film as a vestige, the medium of the mechanical age, pressing and squeezing its very obsolescence through a contemporary sieve. In so doing, the artist hovers in the switchover between a bodily inscription in the image and a fundamental reconstitution of sight and representation in the matrix of the virtual. Where body stops and image starts is a divide collapsing through a series of innovations and accidents that go back as far as the people of Pompeii trapped in an emulsion that marked their death, but which paradoxically carried forward their image into eternity.”
Anne Collier is an American visual artist working with appropriated photographic images. Describing Collier's work in Frieze art magazine, writer Brian Dillon said, "Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance."
Glenn Akira Kaino is an American conceptual artist based in Los Angeles.
Karl Haendel, is an American artist who lives and works in Los Angeles, California. Haendel is represented by Vielmetter Los Angeles, Mitchell-Innes & Nash, New York and Wentrup Gallery, Berlin.
Frances Stark is an interdisciplinary artist and writer, whose work centers on the use and meaning of language, and the translation of this process into the creative act. She often works with carbon paper to hand-trace letters, words, and sentences from classic works by Emily Dickinson, Goethe, Henry Miller, Samuel Beckett, and others to explore the voices and interior states of writers. She uses these hand-traced words, often in repetition, as visual motifs in drawings and mixed media works that reference a subject, mood, or another discipline such as music, architecture, or philosophy.
Dorit Cypis is a Canadian-American artist, mediator and educator based in Los Angeles. Her work has collectively explored themes of identity, history and social relations through installation art, photography, performance and social practice. After graduating from California Institute for the Arts (CalArts), she attracted attention in the 1980s and 1990s for her investigations of the female body, presented in immersive installation-performances at the Whitney Museum, International Center of Photography, San Francisco Museum of Modern Art (SFMOMA), and Musée d'art contemporain de Montréal. Counter to much feminist work of the time, Cypis focused on interiority and personal mythologies rather than exterior political realms, and according to art historian Elizabeth Armstrong, made a significant contribution to discourse about the representation of women and female sexuality.
Karin Higa was a curator and specialist in Asian American art.
Martine Syms is an American artist residing in Los Angeles, specializing in various mediums including publishing, video, installation, and performance. Her artistic endeavors revolve around themes of identity, particularly the representation of the self, with a focus on subjects like feminism and black culture. Syms frequently employs humor and social commentary as vehicles for exploration within her work. In 2007, she introduced the term "conceptual entrepreneur" to describe her artistic approach.
Drew Heitzler is an American artist best known for his film and video work. Heitzler lives and works in Venice, California.
Tam Van Tran is a visual artist born in Vietnam who lives and works in Los Angeles, California. His primary materials for paintings and sculptures include clay and paper, and extend to chlorophyll, glass, algae, staples, crushed eggshells, Wite-out eraser liquid, beet juice, gelatin, and other diverse ingredients which lend texture and intricacy to his organically-molded abstractions.
Miranda Lichtenstein is an American artist focusing on photography and video.
Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.
Larry Johnson is an American artist living and working in Los Angeles.