Hermann Zapf was a German type designer and calligrapher who lived in Darmstadt, Germany. He was married to the calligrapher and typeface designer Gudrun Zapf-von Hesse. Typefaces he designed include Palatino, Optima, and Zapfino. He is considered one of the greatest type designers of all time.
Frederic William Goudy was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. He was one of the most prolific of American type designers and his self-named type continues to be one of the most popular in America.
Morris Fuller Benton was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937.
The Kelmscott Press, founded by William Morris and Emery Walker, published 53 books in 66 volumes between 1891 and 1898. Each book was designed and ornamented by Morris and printed by hand in limited editions of around 300. Many books were illustrated by Edward Burne-Jones. Kelmscott Press books sought to replicate the style of 15th-century printing and were part of the Gothic revival movement. Kelmscott Press started the contemporary fine press movement, which focuses on the craft and design of bookmaking, often using hand presses. While their most famous books are richly decorated, most Kelmscott Press books did not have elaborate decoration, but were published simply.
Kris Holmes is an American typeface designer, calligrapher, type design educator and animator. She, with Charles Bigelow, is the co-creator of the Lucida and Wingdings font families, among many other typeface designs. She is President of Bigelow & Holmes Inc., a typeface design studio.
Charles A. Bigelow is an American type historian, professor, and designer. Bigelow grew up in the Detroit suburbs and attended the Cranbrook School in Bloomfield Hills. He received a MacArthur Fellowship in 1982, the Frederic W. Goudy Award in 1987, Sloan Science and Film screenwriting awards in 2001 and 2002, and other honors. Along with Kris Holmes, he is the co-creator of Lucida and Wingdings font families. He is a principal of the Bigelow and Holmes studio.
P22 Type Foundry is a digital type foundry and letterpress printing studio based in Rochester, New York. The company was created in 1994 in Buffalo, New York by co-founders Richard Kegler and Carima El-Behairy. The company is best known for its type designs, which have appeared in films and on commercial products. The P22 Type Foundry retail font collection specializes in historical letterforms inspired by art, history, and science that otherwise have never been available previously in digital form. P22 works with museums and foundations to ensure the development of accurate historical typefaces, and with private clients to create custom bespoke fonts.
Melbert Brinckerhoff Cary Jr. (1892–1941) was a graphic artist who imported numerous typefaces from Europe. He married Mary Flagler Cary, an heiress of one of the founders of Standard Oil. Mr Cary founded the Press of the Woolly Whale, a private press dedicated to producing fine editions of works Cary believed to be of interest and overlooked—a rejection of the private press tradition of producing only new editions of classic works. In his own words:
Our intention [is] to publish only those text which appeal strongly to us, excluding those accepted classics, so completely accepted that they are never opened. Our interest lies only with those who read their books, cherishing them because of the enjoyment gained from using them.
Daniel Berkeley Updike was an American printer and historian of typography. In 1880 he joined the publishers Houghton, Mifflin & Company, of Boston as an errand boy. He worked for the firm's Riverside Press and trained as a printer but soon moved to typographic design. In 1896 he founded the Merrymount Press.
Bruce Rogers was an American typographer and type designer, acclaimed by some as among the greatest book designers of the twentieth century. Rogers was known for his "allusive" typography, rejecting modernism, seldom using asymmetrical arrangements, rarely using sans serif type faces, often favoring faces such as Bell, Caslon, his own Montaigne, a Jensonian precursor to his masterpiece of type design Centaur. His books can fetch high sums at auction.
Gudrun Zapf von Hesse was a German book-binder, calligrapher and typographer.
Linn Boyd Benton was an American typeface designer and inventor of technology for producing metal type.
Will Ransom was an American graphic designer, letterer, typeface designer, and the foremost bibliographer of private presses.
The Frederic W. Goudy Award & Lecture were established in 1969 by funds donated to Rochester Institute of Technology (RIT) by the Mary Flagler Cary Charitable Trust in memory of her late husband, Melbert B. Cary, Jr., a typographer, type importer, fine printer, book collector, and president of AIGA. The award was named after illustrious American type designer Frederic W. Goudy, a friend and business associate of Melbert Cary.
The Golden Type is a serif typeface designed by artist William Morris for his fine book printing project, the Kelmscott Press, in 1890. It is an "old-style" serif face, based on type designed by engraver and printer Nicolas Jenson in Venice around 1470. It is named for the Golden Legend, which was intended to be the first book printed using it. The original design has neither an italic nor a bold weight, as neither of these existed in Jenson's time.
Edna Rudolph Beilenson (1909–1981) was an American typographer, fine press printer, typesetter, book designer, cook book author, publisher, and co-proprietor of the Peter Pauper Press from 1931 until his death in 1962, and afterward its sole proprietor and president until her death in 1981.
The Rochester Institute of Technology Press is a university press affiliated with Rochester Institute of Technology, in Rochester, New York. The press—which is currently a member of the Association of University Presses—publishes between 8-12 titles annually and is operated by the RIT Libraries.
Robert Roy Kelly was a design educator who established multiple design programs in the formative years of graphic design education at art schools and universities. Known as a collector and scholar of wood type, Mr. Kelly authored American Wood Type, 1828–1900 (1969). His comprehensive wood type collection now resides at the University of Texas.
Ismar David was a calligrapher, graphic designer, and type designer.
Stephen O. Saxe was an American graphic designer and historian of printing.
