Casey Rae

Last updated

Casey Rae (born May 23, 1974) is an author, musician, and former music business executive, as well as a music policy and media professor.

Contents

Career

Rae is the former Director of Music Licensing for SiriusXM, the North American satellite radio service. He previously held the post of Chief Executive Officer for the Future of Music Coalition, a national nonprofit education, research and advocacy organization for musicians. He is an adjunct professor in Georgetown University's Communications Culture and Technology graduate program, [1] and emeritus faculty and course author at Berklee College of Music. Rae has written several scholarly articles on matters relating to intellectual property and new digital business models, [2] and has testified before Congress on copyright. [3]

Rae has contributed music criticism to Dusted, Pitchfork and Signal to Noise, among other outlets. His first book, William S. Burroughs and the Cult of Rock 'n' Roll was published by University of Texas Press in 2019 and has been translated into seven languages. A second nonfiction work, Dead Dharma: The Grateful Dead and the American Pursuit of Enlightenment will be published by Oxford University Press. He is also the author of Music Copyright: An Essential Guide for the Digital Age, published by Roman and Littlefield.

Biography

Rae was born in the Northeast US and played in various bands in the 1990s, and worked at a small record shop, before taking a post as the Music Editor for Seven Days Newspaper in Burlington, Vermont. He subsequently relocated to Washington, DC area, and currently lives in Washington state.

Related Research Articles

<span class="mw-page-title-main">Copyright</span> Legal concept regulating rights of a creative work

A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States and fair dealings doctrine in the United Kingdom.

<span class="mw-page-title-main">Criticism of copyright</span> Dissenting views of copyright law

Criticism of copyright, or anti-copyright sentiment, is a dissenting view of the current state of copyright law or copyright as a concept. Critics often discuss philosophical, economical, or social rationales of such laws and the laws' implementations, the benefits of which they claim do not justify the policy's costs to society. They advocate for changing the current system, though different groups have different ideas of what that change should be. Some call for remission of the policies to a previous state—copyright once covered few categories of things and had shorter term limits—or they may seek to expand concepts like fair use that allow permissionless copying. Others seek the abolition of copyright itself.

A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works publicly in locations such as shopping and dining venues. Legal consumer purchase of works, such as buying CDs from a music store, confer private performance rights. PROs usually only collect royalties when use of a work is incidental to an organisation's purpose. Royalties for works essential to an organisation's purpose, such as theaters and radio, are usually negotiated directly with the rights holder. The interest of the organisations varies: many have the sole focus of musical works, while others may also encompass works and authors for audiovisual, drama, literature, or the visual arts.

<span class="mw-page-title-main">Walsh School of Foreign Service</span> School of international affairs at Georgetown University

The Edmund A. Walsh School of Foreign Service (SFS) is the school of international relations at Georgetown University in Washington, D.C. It grants degrees at both undergraduate and graduate levels.

<span class="mw-page-title-main">Georgetown University Law Center</span> Private law school in Washington, D.C., US

The Georgetown University Law Center is the law school of Georgetown University, a private research university in Washington, D.C., United States. It was established in 1870 and is the largest law school in the United States by enrollment, with over 2,000 students. It frequently receives the most full-time applications of any law school in the United States. Georgetown is considered part of the T14, an unofficial designation in the legal community of the best 14 law schools in the United States.

<span class="mw-page-title-main">Alex Alben</span> American technology executive and academic

Alex Alben, American technology executive, author and law professor, served as the first Chief Privacy Officer of Washington State from April 2015 to May 2019. His career spans work for innovative Internet media companies with influential positions in industry groups seeking to create new laws for digital distribution of content. Previously, he was a candidate for the United States House of Representatives in 2004, a campaign which drew national attention because of the high tech district and the media personalities involved in the race, as noted by media coverage in The New York Times, "In a House Campaign With Personality, One Candidate Has the Microphone," June 12, 2004. He ran as a Democrat in the Eighth Congressional District of Washington. Alben is the author of "Analog Days—How Technology Rewrote Our Future," and consults to public sector organizations, high tech and energy companies on privacy and security related matters. He is a Lecturer at the UCLA School of Law, teaching courses on Privacy, Cybersecurity and Internet Law. Artificial Intelligence, Antitrust and speech regulation on social media platforms are the focus of his current research and writing. He is the co-director of THEAIFORUM.ORG and co-founder of Theo Ai, an artificial intelligence company serving the legal field.

<span class="mw-page-title-main">Orphan work</span> Copyright-protected work for which rightsholders are positively indeterminate

An orphan work is a copyright-protected work for which rightsholders are positively indeterminate or uncontactable. Sometimes the names of the originators or rightsholders are known, yet it is impossible to contact them because additional details cannot be found. A work can become orphaned through rightsholders being unaware of their holding, or by their demise and establishing inheritance has proved impracticable. In other cases, comprehensively diligent research fails to determine any authors, creators or originators for a work. Since 1989, the amount of orphan works in the United States has increased dramatically since some works are published anonymously, assignments of rights are not required to be disclosed publicly, and registration is optional. As a result, many works' statuses with respect to who holds which rights remain unknown to the public even when those rights are being actively exploited by authors or other rightsholders.

<span class="mw-page-title-main">Free-culture movement</span> Social movement promoting the freedom to distribute and modify the creative works of others

The free-culture movement is a social movement that promotes the freedom to distribute and modify the creative works of others in the form of free content or open content. They encourage creators to create such content by using permissive and share-alike licensing, like that used on Wikipedia.

Music licensing is the licensed use of copyrighted music. Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. A purchaser has limited rights to use the work without a separate agreement.

The Adelphi Charter on Creativity, Innovation and Intellectual Property is the result of a project commissioned by the Royal Society for the encouragement of Arts, Manufactures & Commerce, London, England, and is intended as a positive statement of what good intellectual property policy is. The Charter was issued in 2004.

SoundExchange is an American non-profit collective rights management organization spun off from the RIAA in 2003. It is the sole organization designated by the U.S. Congress to collect and distribute digital performance royalties for sound recordings.

Will Page is a British economist, author, podcaster and DJ. He is the former Chief Economist at streaming music service Spotify, a Fellow of the Royal Society of the Arts, and a Visiting Fellow at the London School of Economics and the Edinburgh Futures Institute.

<span class="mw-page-title-main">Copyright Term Extension Act</span> United States copyright law

The Sonny Bono Copyright Term Extension Act – also known as the Copyright Term Extension Act, Sonny Bono Act, or (derisively) the Mickey Mouse Protection Act – extended copyright terms in the United States in 1998. It is one of several acts extending the terms of copyright.

<span class="mw-page-title-main">Public domain</span> Works outside the scope of copyright law

The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Because no one holds the exclusive rights, anyone can legally use or reference those works without permission.

<span class="mw-page-title-main">Copyright Act of 1976</span> United States law

The Copyright Act of 1976 is a United States copyright law and remains the primary basis of copyright law in the United States, as amended by several later enacted copyright provisions. The Act spells out the basic rights of copyright holders, codified the doctrine of "fair use", and for most new copyrights adopted a unitary term based on the date of the author's death rather than the prior scheme of fixed initial and renewal terms. It became Public Law number 94-553 on October 19, 1976, and went into effect on January 1, 1978.

<span class="mw-page-title-main">Copyright infringement</span> Illegal usage of copyrighted works

Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to produce derivative works. The copyright holder is usually the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.

<span class="mw-page-title-main">Ralph Oman</span> American lawyer (born 1940)

Ralph Oman is an American lawyer and former Register of Copyrights. He is currently the Pravel, Hewitt, Kimball and Kreiger Professorial Lecturer in Intellectual Property and Patent Law at The George Washington University Law School.

<span class="mw-page-title-main">International Law Institute</span> Non-profit educational institution in Washington, DC

The International Law Institute, also known as the ILI, was founded as part of Georgetown University in 1955. The ILI provides training and technical assistance for the legal, economic and financial problems of developing countries and emerging economies. Since 1983, the ILI has been an independent, non-profit educational institution serving government officials, legal and business professionals and scholars from its headquarters in Washington, D.C. To date, the ILI and its global affiliates have trained over 39,400 officials, managers, and practitioners- from 186 countries- since it held its first seminar in 1971.

Future of Music Coalition (FMC) is a U.S. 501(c)(3) national non-profit organization specializing in education, research and advocacy for musicians with a focus on issues at the intersection of music technology, policy and law.

Larry Downes is an Internet industry analyst and author on business strategies and information technology. Downes is best known for his first book, Unleashing the Killer App: Digital Strategies for Market Dominance, which focuses on the potential of products and services for dramatically changing business. Unleashing the Killer App was a New York Times bestseller, sold over 200,000 copies, and was named by the Wall Street Journal one of the five most important books on business and the Internet ever published.

References

  1. "Remixing the Future of Music CCT 636". Georgetown University.
  2. Rae, Casey (2012). "Better Mousetraps: Licensing, Access, and Innovation in the New Music Marketplace". University of Maryland Journal of Business & Technology Law. 7 (1): 35. Retrieved October 1, 2013.
  3. Rae, Casey. "Testimony In the "Moral Rights, Termination Rights, Resale Royalty and Copyright Term " Hearing". US House Judiciary Committee. Archived from the original on July 14, 2014. Retrieved July 14, 2014.