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Castle Hedingham Pottery was an art pottery studio run by Edward Bingham at Castle Hedingham in Essex, England.
Bingham produced his Castle Hedingham Ware from about 1864 until 1901. It was made in a style reminiscent of medieval and Tudor wares. Bingham produced some large items, with 'Essex' jugs up to three feet high being typical. .
Edward Bingham (1829–1914) [1] was the son of a Lambeth potter who had set up in Gestingthorpe, Essex making mostly functional ware. The family moved to Castle Hedingham in 1837. Bingham assisted his father in his business, while experimenting with more artistic wares. He received commissions from some influential people, including Sir A.W. Franks, but the initiative was not commercially successful, and in 1859 he opened a school. After five or six years he returned to potting full-time, and by 1864 had five or six boys as assistants. [2] In 1894, he showed his work at the Art and Industries Exhibition at the Albert Hall. [2]
Bingham passed the business on to his son in 1899. It was sold two years later to Hexter, Humpherson & Co., of Newton Abbot, and operated under the name of the " Essex Art Pottery" until its closure in 1905. [2] Bingham continued to make pots there for a while, and then in a temporary workshop for a few months, before joining the rest of his family in the United States in 1906. [1]
The pottery is somewhat similar to Elton Ware pottery made by Sir Edmund Elton of Clevedon Court in Somerset at about the same time. However, Elton was more adventurous with his materials and experimented with slip as well as specialist glazes including a striking development of the crackle glaze. Castle Hedingham pottery was less refined in its finish.
Bolesławiec is a historic town situated on the Bóbr River in the Lower Silesian Voivodeship, in western Poland. It is the administrative seat of Bolesławiec County, and of Gmina Bolesławiec. The population was estimated at 38,852 inhabitants in 2019. Founded in the 13th century, the town is known for its long-standing pottery-making tradition and heritage Old Town.
Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were created as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Thomas Whieldon was a significant English potter who played a leading role in the development of Staffordshire pottery.
Castle Hedingham is a village in northern Essex, England, located four miles west of Halstead and 3 miles southeast of Great Yeldham in the Colne Valley on the ancient road from Colchester, Essex, to Cambridge.
English delftware is tin-glazed pottery made in the British Isles between about 1550 and the late 18th century. The main centres of production were London, Bristol and Liverpool with smaller centres at Wincanton, Glasgow and Dublin. English tin-glazed pottery was called "galleyware" or "galliware" and its makers "gallypotters" until the early 18th century; it was given the name delftware after the tin-glazed pottery from the Netherlands,
Langley Mill Pottery was located in Langley Mill, Derbyshire on the Derbyshire – Nottinghamshire border. From its establishment in 1865 to its final closure in 1982, the pottery went through five distinct periods of ownership, producing a wide range of stoneware ranging from salt glazed ink bottles, utilitarian items and tableware to high quality and original art pottery.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
The Rockingham Pottery was a 19th-century manufacturer of porcelain of international repute, supplying fine wares and ornamental pieces to royalty and the aristocracy in Britain and overseas, as well as manufacturing porcelain and earthenware items for ordinary use.
Hagi ware is a type of Japanese pottery traditionally originated from the town of Hagi, Yamaguchi, in the former Nagato Province.
Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Victorian majolica properly refers to two types of majolica made in the second half of the 19th century in Europe and America.
Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide which is white, shiny and opaque ; usually this provides a background for brightly painted decoration. It has been important in Islamic and European pottery, but very little used in East Asia. The pottery body is usually made of red or buff-colored earthenware and the white glaze imitated Chinese porcelain. The decoration on tin-glazed pottery is usually applied to the unfired glaze surface by brush with metallic oxides, commonly cobalt oxide, copper oxide, iron oxide, manganese dioxide and antimony oxide. The makers of Italian tin-glazed pottery from the late Renaissance blended oxides to produce detailed and realistic polychrome paintings.
Sir Edmund Harry Elton, 8th Baronet was an English inventor and studio potter noted for his production of Elton Ware at the Clevedon Elton Sunflower Pottery.
Ceramics in Mexico date back thousands of years before the Pre-Columbian period, when ceramic arts and pottery crafts developed with the first advanced civilizations and cultures of Mesoamerica. With one exception, pre-Hispanic wares were not glazed, but rather burnished and painted with colored fine clay slips. The potter's wheel was unknown as well; pieces were shaped by molding, coiling and other methods,
Charles John Noke, was an English pottery designer and artist who primarily worked for Royal Doulton.
The Turner family of potters was active in Staffordshire, England 1756-1829. Their manufactures have been compared favourably with, and sometimes confused with, those of Josiah Wedgwood and Sons. Josiah Wedgwood was both a friend and a commercial rival of John Turner the elder, the first notable potter in the family.
William Greatbatch was a noted potter at Fenton, Staffordshire, from the mid-eighteenth to the beginning of the nineteenth centuries. Fenton was one of the six towns of the Staffordshire Potteries, which were joined in the early 20th century to become the city of Stoke-on-Trent in Staffordshire, England.
Sandy ware, also known as Early Medieval Sandy ware, is a type of pottery found in Great Britain from the sixth through the fourteenth centuries. The pottery fabric is tempered with enough quartz sand mixed in with the clay for it to be visible in the fabric of the pot. Sandy ware was commonly used in Southeast England and the East Midlands.
Border ware is a type of post-medieval British pottery commonly used in London during the sixteenth and seventeenth centuries. The lead-glazed, sandy earthenware was produced from kilns along the border between Hampshire and Surrey. There are two classes of Border ware, fine whitewares and fine redwares.