Catacoustic Consort

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The Catacoustic Consort is an early music chamber ensemble based in Cincinnati, Ohio. It was founded in 2001 by Annalisa Pappano. It specializes in historically informed performances of Baroque and Renaissance music.

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History

Since its founding in 2001, the Catacoustic Consort has offered a concert season each year. Annalisa Pappano, the artistic director, performs on viola da gamba, pardessus de viole, and lirone. The organization frequently collaborates with outside performers including Michael Leopold, theorbo, Joanna Blendulf, viola da gamba, David Walker, theorbo, Elizabeth Motter, baroque harp, Daniel Swenberg, theorbo, and Youngmi Kim, soprano. [1] In 2003 Catacoustic won the Grand prize in the Naxos/Early Music America recording competition for their performance of a selection of 17th century Italian laments, featuring Monteverdi's Lamento d'Arianna. This performance was released on the Naxos label as a CD entitled The Italian Dramatic Lament in 2005. [2]

The Catacoustic Consort has toured extensively. It has performed for the San Francisco Early Music Society, [3] at the Madison Early Music Festival, [4] and at Western Michigan University's International Congress on Medieval Studies. [5] It has also played at Early Music in Columbus' concert series, and performed in Villa de Leyva, Colombia.

Discography

Related Research Articles

Viol Bowed, fretted and stringed instrument

The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid to late 15th century and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a 6-course plucked instrument tuned like a lute that looked like but was quite distinct from the 4-course guitar.

Lirone

The lirone is the bass member of the lira family of instruments that was popular in the late 16th and early 17th centuries. It is a bowed string instrument with between 9 and 16 gut strings and a fretted neck. When played, it is held between the legs in the manner of a cello or viol.

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References

  1. "Sacred seasonal music options". The Cincinnati Enquirer . 18 November 2012. Retrieved 15 December 2012.
  2. Powell, Mark (Winter 2003–2004). Dunham, Benjamin (ed.). "Truffles, Chocolate, and Champagne: A Recipe for Success". Early Music America. Maria Coldwell. 9 (4): 9–12. ISSN   1083-3633.
  3. "Catacoustic Consort & Wildcat Viols". San Francisco Early Music Society. 17 August 2011. Retrieved 14 December 2012.
  4. "Where We Have Been: Past Festival Themes and Performers". Madison Early Music Festival. Archived from the original on 9 December 2012. Retrieved 14 December 2012.
  5. "Annual congress brings thousands to Kalamazoo". WMU News. 29 April 2009. Retrieved 14 December 2012.