Catawba Valley Pottery

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Alkaline glazed 4 gallon jar. Catawba Valley. C.1875 Early jar.jpg
Alkaline glazed 4 gallon jar. Catawba Valley. C.1875

Catawba Valley Pottery describes alkaline glazed stoneware made in the Catawba River Valley of Western North Carolina from the early 19th century, as well as certain contemporary pottery made in the region utilizing traditional methods and forms.

Contents

The earliest Catawba Valley pottery was earthenware made by the Catawba people. [1]

At the turn of the 20th century the food industry began to rely increasingly on glass and canned food storage along with refrigeration. These innovations brought about a severe decline of the utilitarian pottery industry nationwide, including the pottery community in Catawba Valley. [ citation needed ] Potters who chose to continue the craft had to rely on tourism and an interest in handmade crafts fostered by the American Arts and Crafts movement.[ citation needed ] Innovations included decorative techniques such as "swirl ware" ; pottery made by combining two or more different colors of clay.[ citation needed ]

Glazing and firing methods

From the earliest known product, stoneware made in the Catawba Valley has been alkaline glazed. Alkaline glazes are made by combining hardwood ash or crushed glass with clay and water. Alkaline glazed stoneware takes on a brown or green color once fired in the kiln. Catawba Valley potters chose alkaline glazes over salt glaze, the predominant stoneware glaze used in America at the time. Potters enjoyed an abundance of wood ash from burning their kilns while salt deposits were not very plentiful in the Carolinas. [ citation needed ] Furthermore, salt was especially expensive during and after the Civil War. [ citation needed ]

The alkaline glazed ware was initially fired in what are known as "groundhog kilns". These kilns were a unique southern U.S. variation of climbing kilns built into hillsides, such as the Asian anagama. Semi-subterranean in construction, the groundhog kiln featured a door leading into a long, low passage of brick or rock construction, with a stack or chimney poking out of the ground uphill. Ware was loaded in the low passageway or "ware-bed" and the fire was built in a sunken firebox located just inside the door. The design allowed the stack to draw heated air, flames and ash through the pottery grouped inside and created the draft needed to generate the intense heat required to create stoneware. This type of firing or " burning " worked particularly well with large pieces of pottery. Variations of these kilns, usually referred to as "tunnel kilns", are used by modern potters in Catawba Valley and other pottery regions in the American southeast. [ citation needed ]

Modern Potters from the Region

Burlon Craig Swirl Ware. Catawba Valley. C.2000 Craig swirl.jpg
Burlon Craig Swirl Ware. Catawba Valley. C.2000
Charles Lisk Face Jug. Catawba Valley. 2004 Lisk facejug.jpg
Charles Lisk Face Jug. Catawba Valley. 2004

An early recorded pottery in the Catawba Valley was operated by Daniel Seagle (ca.1805-1867) of Lincoln County. [ citation needed ] After Seagle's death the pottery was operated by his son and various apprentices into the 1890s.

Other notable potteries of the 19th and early 20th centuries included those operated by the Hartzogs, the Hilton family and brothers Harvey Ford Reinhardt and Enoch William Alexander Reinhardt.[ citation needed ]

Burlon B. Craig (ca. 1914-2002) was born in Lincoln County, North Carolina and learned to make pottery as a teenager. When Craig returned from service in the Navy following World War II he purchased the Reinhardt farm and pottery complex in Vale, North Carolina. The pottery operation included a groundhog kiln and fully equipped shop. His pottery was featured in several publications and in 1981 examples of his work were added to the Smithsonian Institution collection. In 1984 he received the National Endowment for the Arts' National Heritage Fellowship. Craig continued to live and work in Vale until his death in 2002.

In 1981 Charles Lisk and his family moved to Vale and developed a friendship with his neighbor Burlon Craig who shared with him the techniques of the Catawba Valley pottery tradition. Lisk built his own groundhog kiln and began making alkaline glazed stoneware. He makes a variety of wares including the traditional swirl pottery and face jugs.

The Reinhardt-Craig House, Kiln and Pottery Shop was listed on the National Register of Historic Places in 2008. [2]

See also

Related Research Articles

Pottery Craft of making objects from clay

Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard, durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a potter is also called a pottery. The definition of pottery used by the American Society for Testing and Materials (ASTM), is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and figures of the same material are called "terracottas". Clay as a part of the materials used is required by some definitions of pottery, but this is dubious.

Earthenware Nonvitreous pottery

Earthenware is glazed or unglazed nonvitreous pottery that has normally been fired below 1,200 °C (2,190 °F). Basic earthenware, often called terracotta, absorbs liquids such as water. However, earthenware can be made impervious to liquids by coating it with a ceramic glaze, which the great majority of modern domestic earthenware has. The main other important types of pottery are porcelain, bone china, and stoneware, all fired at high enough temperatures to vitrify.

Stoneware Term for pottery or other ceramics fired at a relatively high temperature

Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is nonporous ; it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain, and has often been used for high-quality as well as utilitarian wares.

Japanese pottery and porcelain

Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were created as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.

Salt glaze pottery

Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown, blue, or purple.

<i>Anagama</i> kiln

The anagamakiln is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the noborigama kiln.

Bizen ware Type of Japanese pottery

Bizen ware is a type of Japanese pottery traditionally from Bizen province, presently a part of Okayama prefecture.

Shino ware Type of Japanese pottery

Shino ware is Japanese pottery, usually stoneware, originally from Mino Province, in present-day Gifu Prefecture, Japan. It emerged in the 16th century, but the use of shino glaze is now widespread, both in Japan and abroad. It is identified by thick white glazes, red scorch marks, and a texture of small holes. Some experts believe it should not treated as distinct from Oribe ware but described as "white Oribe", with the pottery usually called just Oribe described as "green Oribe" instead.

Shigaraki ware

Shigaraki ware (信楽焼) is a type of stoneware pottery made in Shigaraki area, Japan. The kiln is one of the Six Ancient Kilns in Japan. Although figures representing the tanuki are a popular product included as Shigaraki ware, the kiln and local pottery tradition has a long history.

Ash glaze Ceramic glazes made from wood-ash

Ash glazes are ceramic glazes made from the ash of various kinds of wood or straw. They have historically been important in East Asia, especially Chinese pottery, Korean pottery, and Japanese pottery. Many traditionalist East Asian potteries still use ash glazing, and it has seen a large revival in studio pottery in the West and East. Some potters like to achieve random effects by setting up the kiln so that ash created during firing falls onto the pots; this is called "natural" or "naturally occurring" ash glaze. Otherwise the ash is mixed with water, and often clay, and applied as a paste.

Ceramic glaze

Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a ceramic body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted.

This is a list of pottery and ceramic terms.

American stoneware

American Stoneware is a type of stoneware pottery popular in 19th century North America. The predominant houseware of the era, it was usually covered in a salt glaze and often decorated using cobalt oxide to produce bright blue decoration.

Jerry Dolyn Brown American potter and folk artist

Jerry Dolyn Brown was an American folk artist and traditional stoneware pottery maker who lived and worked in Hamilton, Alabama. He was a 1992 recipient of a National Heritage Fellowship from the National Endowment for the Arts and a 2003 recipient of the Alabama Folk Heritage Award. His numerous showings included the 1984 Smithsonian Festival of American Folklife with his uncle, potter Gerald Stewart.

Seto ware

Seto ware is a type of Japanese pottery, stoneware, and ceramics produced in and around the city of Seto in Aichi Prefecture, Japan. The Japanese term for it, setomono, is also used as a generic term for all pottery. Seto was the location of one of the Six Ancient Kilns of Japan.

Iga ware Style of Japanese pottery

Iga ware is a style of Japanese pottery traditionally produced in Iga, Mie, former Iga Province, central Japan.

Reinhardt-Craig House, Kiln and Pottery Shop United States historic place

Reinhardt-Craig House, Kiln and Pottery Shop is a historic home, kiln, and pottery shop located near Vale, Lincoln County, North Carolina. The house, kiln and pottery shop, were built by Harvey Reinhardt between 1933 and 1936. The house is a one-story, rectangular frame building, two bays wide by three bays deep. It has a front gable roof and a shed-roofed, full-width, front porch. The kiln is a traditional, wood-fired, alkaline glaze groundhog cross-draft kiln that includes a firebox, arch, and chimney, all made of brick. It measures 24 feet, 11 inches long by 11 feet, 6 inches wide. The one-story shop is a frame structure with a side-gabled tin roof and wood clapboard siding. Also on the property is a contributing pugmill built in 1949. The pottery was a producer of traditional Catawba Valley Pottery and associated with Burlon Craig.

George William Newman Fulton (1834–1894) was a noted potter who worked in Allegheny County, Virginia and in Fincastle, Virginia.

Dick Lehman is a U.S. ceramics artist based in Indiana. Dozens of articles and photos featuring his techniques and insights have appeared in periodicals and books on ceramic art since 1985, including 34 articles in U.S.-published Ceramics Monthly, the largest circulating magazine in the field, plus articles in 11 other international periodicals.

Quillan Lanier Meaders was an American potter best known for his face jugs for which he was regarded as a master of the form.

References

  1. "Catawba Pottery | Catawba Indian Nation". catawbaindian.net. Archived from the original on 2018-02-23. Retrieved 2018-02-23.
  2. "National Register Information System". National Register of Historic Places . National Park Service. July 9, 2010.