Catherine Whitney | |
---|---|
Background information | |
Born | Chicago, Illinois, U.S. |
Genres | Jazz |
Occupation(s) | Singer, lyricist |
Instrument(s) | Vocals |
Years active | 1990s–present |
Website | www |
Catherine Jane Whitney (born in Chicago, Illinois) is an American jazz singer, composer, and lyricist. She was a lyricist for trumpeter Freddie Hubbard. [1]
Whitney learned about music as a child, since her mother, Dorothy Brady, made a living as a vocalist and bandleader in Chicago in the 1950s and '60s. Her stepfather was George E. Lescher, a pianist who played with the Spike Jones Band during World War II and was a longtime Chicago resident. In later years, he led the George Lescher Ballroom Orchestra. [2]
Whitney began her professional jazz singing career in the early 1990s under the mentoring of Von Freeman, a tenor saxophonist in Chicago. [3] Jerry Brown and Gloria Cooper have recorded her work and three songs (in collaboration with Curtis Fuller, Rodgers Grant, and Milton Sealey). [4] In October 2010, New York jazz vocalist Suzanne Pittson recorded a rendition of Freddie Hubbard's song "Our Own" (based on "Gibraltar"), which contained lyrics by Whitney. [5] She has collaborated with Johnny Griffin, Houston Person, Clifford Jordan, Stanley Turrentine, Ray Brown, and Pete Cosey. She is also a Broadcast Music Incorporated (BMI) affiliated writer. [6]
She has worked with many Chicago musicians, including Von Freeman, [7] John Young, Jodie Christian, John Bany, Richie Cole, Robert Shy, Tommy Muellner, Rusty Jones, Jose Valdes, Arnold Gitard, and Johnie Faren.
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Benny Golson is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
Cedar Anthony Walton Jr. was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D".
Clifford Osbourne Jarvis was an American hard bop and free jazz drummer, who in the 1980s moved to London, England, where he spent the remainder of his career.
John Gilmore was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s, and led The Sun Ra Arkestra from Sun Ra's death in 1993 until his own death in 1995.
Jazz at Lincoln Center is part of Lincoln Center in New York City. The organization was founded in 1987 and opened at Time Warner Center in October 2004. Wynton Marsalis is the artistic director and the leader of the Jazz at Lincoln Center Orchestra.
Droppin' Things is a 1990 live album by the American jazz singer Betty Carter.
Feed the Fire is a 1994 live album by the American jazz singer Betty Carter. The album was recorded at London's Royal Festival Hall during Carter's European tour. It was Carter's first live album since 1990's Droppin' Things, and her only album recorded outside of the United States.
Earle Lavon "Von" Freeman Sr. was an American hard bop jazz tenor saxophonist.
Ronald Mathews was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey's Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University's International Center for the Arts on September 15, 2008.
Reginald R. Robinson is an American jazz and ragtime pianist. In 2004, he received a MacArthur Genius Grant.
Gloria Shayne Baker was an American composer and songwriter best known for composing the "Do You Hear What I Hear?" Christmas carol in 1962 with her then husband, Noël Regney.
Edgar Eugene Summerlin was an American jazz saxophonist, composer, and educator known for pioneering Liturgical jazz, avant-garde jazz, and free jazz.
Ugetsu: Art Blakey's Jazz Messengers at Birdland is a live jazz album by Art Blakey and the Jazz Messengers released on Riverside Records in October 1963. The album was recorded at Birdland in New York City.
Standard Time, Vol. 2: Intimacy Calling is an album by jazz trumpeter Wynton Marsalis that was released in 1990. The album reached peak positions of number 112 on the Billboard 200 and number 1 on the Billboard Top Jazz Albums chart.
"Pensativa" is a bossa nova jazz standard by American pianist/composer/arranger Clare Fischer, first recorded in 1962 by a quintet under the joint leadership of Fischer and saxophonist Bud Shank, and released that year as part of an album entitled Bossa Nova Jazz Samba, comprising music in this style, as per its title, all of it arranged by Fischer, and, with the exception of Erroll Garner's "Misty", composed by him as well. In retrospect, this would prove to be just the first of countless forays by Fischer into various areas of Latin music. This particular song was one of the first, and almost certainly the most famous, of all the foreign-born - i.e. non-Brazilian - bossa novas. Its form, though extended (64 mm.), is standard A-A-B-A, with each section consisting of 16 measures instead of eight.
Gettin' to It is the debut studio album of American jazz bassist Christian McBride. The album was released in 1995 by Verve.
Roger A. Graham was an American lyricist, composer, singer, and music publisher who flourished from 1906 to 1920 — a period that included World War I, the golden age of Tin Pan Alley, the dawn of the Jazz Age (circa 1914), and the silent film era. Graham was a proponent of vaudeville and burlesque songs. But as a lyricist and publisher, Graham is most remembered for having been an exponent of blues songs.
"Joy Spring" is a 1954 jazz composition by Clifford Brown that became his signature work. The title was his pet name for his wife Larue.
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