The Scottish Colourists were a group of four painters, three from Edinburgh, whose Post-Impressionist work, though not universally recognised initially, came to have a formative influence on contemporary Scottish art and culture. The four artists, Francis Cadell, John Duncan Fergusson, Leslie Hunter and Samuel Peploe, were prolific painters spanning the turn of the twentieth century until the beginnings of World War II. While now banded as one group with a collective achievement and a common sense of British identity, it is a misnomer to believe their artwork or their painterly careers were heterogeneous.
Dame Elizabeth Violet Blackadder, Mrs Houston, was a Scottish painter and printmaker. She was the first woman to be elected to both the Royal Scottish Academy and the Royal Academy of Arts.
Alison Watt OBE FRSE RSA is a British painter who first came to national attention while still at college when she won the 1987 Portrait Award at the National Portrait Gallery in London.
The Bay Area Figurative Movement was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s.
Joan Kathleen Harding Eardley was a British artist noted for her portraiture of street children in Glasgow and for her landscapes of the fishing village of Catterline and surroundings on the North-East coast of Scotland. One of Scotland's most enduringly popular artists, her career was cut short by breast cancer. Her artistic career had three distinct phases. The first was from 1940 when she enrolled at the Glasgow School of Art through to 1949 when she had a successful exhibition of paintings created while travelling in Italy. From 1950 to 1957, Eardley's work focused on the city of Glasgow and in particular the slum area of Townhead. In the late 1950s, while still living in Glasgow, she spent much time in Catterline before moving there permanently in 1961. During the last years of her life, seascapes and landscapes painted in and around Catterline dominated her output.
Julie Umerle is an American-born abstract painter who lives and works in London.
Joyce W. Cairns is a Scottish painter and printmaker based in Broughty Ferry, Scotland. In 2018, she was elected president of the Royal Scottish Academy (RSA).
James Cumming (1922–1991) was a Scottish painter and lecturer influential in The Edinburgh School in the postwar period.
Mary Margaret Cameron was a Scottish artist, renowned for her depictions of everyday Spanish life. She exhibited 54 works at the Royal Scottish Academy between 1886 and 1919.
Art in modern Scotland includes all aspects of the visual arts in the country since the beginning of the twentieth century. In the early twentieth century, the art scene was dominated by the work of the members of the Glasgow School known as the Four, led by Charles Rennie Mackintosh, who gained an international reputation for their combination of Celtic revival, Art and Crafts and Art Nouveau. They were followed by the Scottish Colourists and the Edinburgh School. There was a growing interest in forms of Modernism, with William Johnstone helping to develop the concept of a Scottish Renaissance. In the post-war period, major artists, including John Bellany and Alexander Moffat, pursued a strand of "Scottish realism". Moffat's influence can be seen in the work of the "new Glasgow Boys" from the late twentieth century. In the twenty-first century Scotland has continued to produce influential artists such as Douglas Gordon and Susan Philipsz.
Portrait painting in Scotland includes all forms of painted portraiture in Scotland, from its beginnings in the early sixteenth century until the present day. The origins of the tradition of portrait painting in Scotland are in the Renaissance, particularly through contacts with the Netherlands. The first portrait of a named person that survives is that of Archbishop William Elphinstone, probably painted by a Scottish artist using Flemish techniques around 1505. Around the same period Scottish monarchs turned to the recording of royal likenesses in panel portraits, painted in oils on wood. The tradition of royal portrait painting in Scotland was probably disrupted by the minorities and regencies it underwent for much of the sixteenth century. It began to flourish after the Reformation, with paintings of royal figures and nobles by Netherlands artists Hans Eworth, Arnold Bronckorst and Adrian Vanson. A specific type of Scottish picture from this era was the "vendetta portrait", designed to keep alive the memory of an atrocity. The Union of Crowns in 1603 removed a major source of artistic patronage in Scotland as James VI and his court moved to London. The result has been seen as a shift "from crown to castle", as the nobility and local lairds became the major sources of patronage.
Barbara Davis Rae CBE RA FRSE is a Scottish painter and printmaker. She is a member of the Royal Scottish Academy and the Royal Academy of Arts.
Victoria Elizabeth Crowe is a Scottish artist known for her portrait and landscape paintings. She has works in several collections including the National Galleries of Scotland, the National Portrait Gallery, London, and the Royal Scottish Academy.
Kate Downie is a United States-born Scottish artist who works in painting, printmaking and drawing. She is known for her landscape painting, and her works are held by Glasgow's main public galleries.
Samuel Robin Spark was a Scottish artist. He was the son of Sidney Oswald Spark and writer Muriel Spark.
Dorothy Johnstone (1892–1980) was a Scottish painter and watercolourist.
Alexander Moffat OBE RSA known as Sandy Moffat, is a Scottish painter, author and teacher.
Caroline McNairn was a Scottish figurative painter.
Carol Mary Rhodes was a Scottish artist known for paintings and drawings of landscapes and marked by human intervention. Rhodes was born in Edinburgh, but spent her infancy and youth in Serampore, India. She moved to the UK in her mid teens and studied fine art at the Glasgow School of Art. Graduating in 1982 she became politically active around issues of disarmament, feminism and social justice. Her focus returned to painting around 1990, and she developed her distinctive idiom of aerial-view, ‘man-made’ landscapes around 1994. These began to be exhibited in the United Kingdom and internationally, and entered many public collections. Rhodes’s work, and her part-time lecturing at Glasgow School of Art, was influential for younger generations of artists. In 2013 she was diagnosed with motor neurone disease.
Rachel Jones is a British visual artist. She has exhibited work in the UK at galleries and institutions including Thaddaeus Ropac, The Sunday Painter and the Royal Scottish Academy, and has been artist-in-residence at the Chinati Foundation (2019) and Masterworks Museum of Bermuda Art in (2016). Her work is in collections of The Tate, Arts Council England, Hepworth Wakefield, the Museum of Fine Arts, Houston, and the Institute of Contemporary Art, Miami.
