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In opera, verismo, from vero, meaning 'true') was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. Verismo as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the verismo literary movement sought to portray the world with greater realism. In so doing, Italian verismo authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature.
Giovanni Carmelo Verga di Fontanabianca was an Italian realist (verista) writer, best known for his depictions of life in his native Sicily, especially the short story and later play Cavalleria rusticana and the novel I Malavoglia.
Vizzini is a town and comune in the Metropolitan City of Catania, on the island of Sicily, southern Italy. It is located 60 kilometres (37 mi) from Catania in the Hyblaean Mountains, on the most northwesterly slopes of Monte Lauro.
I Malavoglia is the best known novel by Giovanni Verga. It was first printed in 1881.
Waltraud Meier is a German dramatic soprano and mezzo-soprano singer. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus, Fricka, and Sieglinde, but has also had success in the French and Italian repertoire appearing as Eboli, Amneris, Carmen, and Santuzza. She resides in Munich.
Gemma Bellincioni was an Italian dramatic soprano and one of the best-known opera singers of the late 19th century. She had a particular affinity with the verismo repertoire and was renowned more for her charismatic acting than for the quality of her voice.
Roberto Stagno was a prominent Italian opera tenor. He became an important interpreter of verismo music when it burst on to the operatic scene during the 1890s; but he also possessed an agile bel canto technique which he employed in operas dating from earlier periods. In 1890, he created the pivotal verismo role of Turiddu.
Lina Bruna Rasa was an Italian operatic soprano. She was particularly noted for her performances in the verismo repertoire and was a favourite of Pietro Mascagni who considered her the ideal Santuzza. Bruna Rasa created the roles of Atte in Mascagni's Nerone, Cecilia Sagredo in Franco Vittadini's La Sagredo and Saint Clare in Licinio Refice's 1926 oratorio, Trittico Francescano. She also sang the role of Tsaritsa Militrisa in the Italian premiere of Nikolai Rimsky-Korsakov's The Tale of Tsar Saltan.
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.
Gaetano Bardini was an Italian tenor. Bardini gave numerous recitals and was a success in the Czech Republic, releasing his recording of his performances with the Prague Smetana, Brno State Opera, and Prague Chamber orchestras, with conductors Jan Štych and Ino Savini. He was born in Riparbella and died in Cecina at the age of 91.
Mala Pasqua! is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana. The libretto is based on Giovanni Verga's play, Cavalleria rusticana which Verga had adapted from his short story of the same name. Mala Pasqua! premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera Cavalleria rusticana which was also based on Verga's play. Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others. The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same. Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!". Following its Rome premiere, Mala Pasqua! had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera. After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily.
Verismo was an Italian literary movement which peaked between approximately 1875 and the early 1900s. Giovanni Verga and Luigi Capuana were its main exponents and the authors of a verismo manifesto. Capuana published the novel Giacinta, generally regarded as the "manifesto" of Italian verismo. Unlike French naturalism, which was based on positivistic ideals, Verga and Capuana rejected claims of the scientific nature and social usefulness of the movement.
Reno Andreini was an Italian operatic tenor who had an active international career from 1902 to 1924. A specialist in the Italian repertoire, he was frequently heard in the bel canto operas of Bellini, Donizetti, and Rossini, and in the verismo operas of Leoncavallo, Mascagni, and Puccini. He was notably the first singer to make a complete recording of the role of Rodolfo in Puccini's La boheme in 1917. He also recorded duets from La traviata with Maria Galvany and one duet from Massenet's Manon with Riccardo Tegani with the Gramophone Company.
Cavalleria Rusticana is a 1959 Australian television play, an adaptation of the opera by Pietro Mascagni. It was directed by Alan Burke.
Alessio di Giovanni was an Italian poet, novelist, and playwright. Much of his work is in Sicilian.
Cunziria is an 18th-century village in Vizzini, Sicily.
Lorenzo Muscoso is an Italian director, author and journalist.
"La Lupa" is a short story by Sicilian writer Giovanni Verga, first published in 1880.
Dragana Radakovic is an operatic soprano, conductor and academic. With a flexible voice, she is able to sing bel canto as well as dramatic soprano roles. She has appeared at major opera houses in title and leading roles, including Bellini's Norma, Verdi's Aida, and Puccini's Turandot.
Cavalleria rusticana is an 1890 opera by Pietro Mascagni. The title may also refer to:
