Émile Édouard Charles Antoine Zola was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse…! Zola was nominated for the first and second Nobel prizes in literature in 1901 and 1902.
In opera, verismo, from vero, meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
Germinal is the thirteenth novel in Émile Zola's twenty-volume series Les Rougon-Macquart. Often considered Zola's masterpiece and one of the most significant novels in the French tradition, the novel – an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s – has been published and translated in over one hundred countries. It has also inspired five film adaptations and two television productions.
Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled Histoire naturelle et sociale d'une famille sous le Second Empire, it follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement.
Giovanni Carmelo Verga di Fontanabianca was an Italian realist (verista) writer.
Luigi Capuana was an Italian author and journalist and one of the most important members of the verist movement. He was a contemporary of Giovanni Verga, both having been born in the province of Catania within a year of each other. He was also one of the first Italian authors influenced by the works of Émile Zola, French author and creator of naturalism. Capuana also wrote poetry in Sicilian, of which an example appears below.
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict every day and banal activities and experiences.
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.
Mala Pasqua! is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana. The libretto is based on Giovanni Verga's play, Cavalleria rusticana which Verga had adapted from his short story of the same name. Mala Pasqua! premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera Cavalleria rusticana which was also based on Verga's play. Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others. The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same. Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!". Following its Rome premiere, Mala Pasqua! had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera. After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily.
The Lady of the Wheel (La Ruotaia) is a 2012 historical fiction novel by Sicilian American author Angelo F. Coniglio. The book follows the life of a girl who was abandoned as an infant, with the major themes of the book including poverty, exploitation and family values. Coniglio's work has been compared to the verismo (realism) of Sicilian author Giovanni Verga.
Carusu is the Sicilian word for "boy" and is derived from the Latin carus which means "dear". In the mid-1800s through the early 1900s in Sicily, carusu was used to denote a "mine-boy", a labourer in a sulfur, salt or potash mine who worked next to a picuneri or pick-man, and carried raw ore from deep in the mine to the surface. As with other mining industries, the use of carusi declined as mines switched to other, more efficient methods of transporting minerals to the surface, and the use of children is said to have ended by the 1920s or 1930s, but teenagers were still employed to carry ore to the surface until the 1950s.
Verismo was an Italian literary movement which peaked between approximately 1875 and the early 1900s. Giovanni Verga and Luigi Capuana were its main exponents and the authors of a verismo manifesto. Capuana published the novel Giacinta, generally regarded as the "manifesto" of Italian verismo. Unlike French naturalism, which was based on positivistic ideals, Verga and Capuana rejected claims of the scientific nature and social usefulness of the movement.
Germinal is a 1963 French language French-Italian-Hungarian film directed by Yves Allégret. It is an adaptation of the 1885 novel Germinal by Emile Zola.
The Compagnie des mines d'Anzin was a large French mining company in the coal basin of Nord-Pas-de-Calais in northern France. It was established in 1756 and operated for almost 200 years.
Alessio di Giovanni was an Italian poet, novelist, and playwright. Much of his work is in Sicilian.
Lorenzo Muscoso is an Italian director, author and journalist.
Jeli the Shepherd is a short story written by Italian author Giovanni Verga as a part of his collection The Life of the Fields.
American verismo describes an artistic style of American literature, music, or painting influenced and inspired by artistic ideas that began in 19th-century Italian culture, movements that used motifs from everyday life and working class persons from both urban and rural situations. American composers, writers, painters, and poets have used this genre to create works that contain socio-political as well as purely aesthetic statements.
Au pays noir is a 1905 French silent short film directed by Ferdinand Zecca and Lucien Nonguet, and distributed in english-speaking countries under the titles In the Mining District, Down in the Coal Mines and Tragedy in a Coal Mine. The film is based on Emile Zola's novel Germinal.
"Cavalleria rusticana" is a short story by the Sicilian Giovanni Verga, published in a collection entitled Novelle rusticane in 1883 and presented in dramatic form as a one-act tragedy at Turin in 1884. Pietro Mascagni made this prose play the basis of the verse-libretto of his one-act opera, Cavalleria rusticana (1890).
