Cave Girls is a 1984 New York No Wave underground film by Kiki Smith (co-directed with Ellen Cooper) [1] created on Super 8 between 1981 and 1984. [2] [3] that makes use of Stan Brakhage-like montage cutting.
Cave Girls, as an independent film, emerged out of a loose New York City female collective that included Kiki Smith, Ellen Cooper, Cara Brownell, Bush Tetras, Ilona Granet, Marnie Greenholz, Julie Harrison, Becky Howland, Virge Piersol, Judy Ross, Bebe Smith, Teri Slotkin, Y Pants and Sophie VDT. All women appear in the film and in photographic stills. [4]
Cara Brownell and Julie Harrison produced a video broadcast of Cave Girls for Colab's artists’ TV series on Manhattan Cable called Potato Wolf. Cave Girls was also shown at the Edinburgh Film Festival.
Partially inspired by the Raquel Welch performance in the 1966 film One Million Years B.C. , in the Cave Girls film, young women speak about the idea of cave girls as a defense mechanism against street harassment by men and fantasize about a matriarchal society free of all men. Kiki Smith refers to Cave Girls as an unfinished ersatz documentary, like the 1964 A Hard Day’s Night movie, that starred the Beatles. [2] Conceived as a spoof on the apocalyptic, there are sections of Cave Girls where the women artists talk about how the film is going and how the film concerns the survival of young women and the survival of the very film they are making.
Part of Cave Girls includes Bush Tetras music playing over long passages of out of focus, foggy, visually noisy, action.
Part of the film was shot in a downtown loft, in the countryside in New Jersey, and at the bombed out looking backyard of ABC No Rio. [5]
No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Julie Ann Brown is an American actress, comedian, screen/television writer, singer-songwriter, and television director. Brown is known for her work in the 1980s, where she often played a quintessential valley girl character. Much of her comedy has revolved around the mocking of famous people.
Laura Mackenzie Phillips is an American actress. Her best-known roles include Carol Morrison in the film American Graffiti, Julie Mora Cooper Horvath on the sitcom One Day at a Time, and Molly Phillips on Disney Channel’s supernatural series So Weird.
Bush Tetras are an American post-punk No Wave band from New York City, formed in 1979. They are best known for the 1980 song "Too Many Creeps", which exemplified the band's sound of "jagged rhythms, slicing guitars, and sniping vocals". Although they did not achieve mainstream success, the Bush Tetras were influential and popular in the Manhattan club scene and college radio in the early 1980s. New York's post-punk revival of the 2000s was accompanied by a resurgence of interest in the genre, with the Tetras' influence heard in many of that scene's bands.
Kiki Smith is a German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism, and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.
Lady Pink, born Sandra Fabara (1964), is an Ecuadorian-American graffiti and mural artist.
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines.
Eloise at the Plaza is a 2003 American made-for-television comedy film based on the Eloise series of children's books drawn and written by Kay Thompson and Hilary Knight. It stars young Sofia Vassilieva as Eloise, an irrepressible six-year-old girl who lives in the penthouse at the top of the Plaza Hotel in New York City.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Tier 3 was an influential but short-lived 300-capacity no wave art nightclub in New York. Founded by Hilary Jaeger in 1979, Tier 3 was a major venue in the city's underground music and counterculture post-punk art scene, along with the Mudd Club. Live performances showcased punk rock, no wave, ska, noise music, free jazz, new wave and experimental music. The club was located at 225 West Broadway in the TriBeCa neighborhood of lower Manhattan.
Marnie Jaffe (née Greenholz) is an American singer/bassist. She was an early member of New York City noise-rock band Live Skull, and performed on its albums Bringing Home the Bait (1985), Cloud One (1986), Don't Get Any on You (1987) and Dusted (1987), and EPs Live Skull (1984), Pusherman (1986) and Snuffer (1988). She left the group in 1988.
The 19th Youth in Film Awards ceremony, presented by the Youth in Film Association, honored outstanding youth performers under the age of 21 in the fields of film, television and theatre for the 1996-1997 season, and took place on March 14, 1998, in Hollywood, California.
Scott B and Beth B were among the best-known New York No Wave underground film makers of the late 1970s and early 1980s.
Pat Place is an American artist, photographer, and musician noted for her work as a founding member and guitarist of no wave bands James Chance and the Contortions and Bush Tetras.
The Real Estate Show was a squatted exhibition by New York artists' group Colab, on the subject of landlord speculation in real estate held on New Year's Day in a vacant city-owned building at 123 Delancey Street in the Lower East Side of Manhattan, New York City.
Christy Rupp is an American artist and activist.
Aline Mare is an American visual artist, performing artist and filmmaker who creates photo-based, hand-finished, multimedia works combine alternative processes and digital technology, remixing nature-based imagery to create surreal compositions that hover between creation and decay.
Velvet is a 1984 American action/drama TV film for the ABC Network directed by Richard Lang, starring Leah Ayres, Shari Belafonte, Mary-Margaret Humes and Sheree J. Wilson. The film was inspired by the American TV series Charlie’s Angels. The screenplay was written by Ned Wynn. The film portrays a team of unlikely female secret agents as they disguise themselves as aerobics instructors to close in on a group of criminals.
Ilona Granet is a contemporary American artist. Granet is known for her works, which stem from her experience as a sign painter. As a feminist, she has collaborated with local communities and the New York City Department of Transportation for her most renowned works, which addressed women's safety in the streets. Her work is included in the collections of the Whitney Museum of American Art and the Pennsylvania Academy of the Fine Arts. She also appeared in the 1984 Super 8 film Cave Girls, starring Kiki Smith and Ellen Cooper.
The Times Square Show was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. The Times Square Show was largely inspired by the more radical Colab show The Real Estate Show, but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.