Cecilia McDowall

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Cecilia McDowall (born 1951 in London, England) is a British composer, particularly known for her choral compositions. [1]

Contents

Life and career

McDowall attended Grey Coat Hospital School and read music at the University of Edinburgh, continuing her studies at Trinity College of Music, London and later completing an MMus in composition. She studied with Joseph Horovitz, Robert Saxton and Adam Gorb. She has won many awards and has been short-listed seven times for the British Composer Awards. [2] In 2014 she won the British Composer Award for her choral piece Night Flight. [3]

In 2010, Oxford University Press signed McDowall as an 'Oxford' composer. Since 2015, she has been Visiting Composer in Dulwich College, London. [4] In 2015, she served on the panel for a Women Composers Competition of The Arcadian Singers of Oxford. [5]

Music

McDowall's music has been commissioned and performed by both professional and amateur choirs. A commission from the Portsmouth Festival Choir, [6] The Shipping Forecast, gained her national media attention in June 2011. [7] The work reflects the mystery and force of the sea, drawing together the poetry of Seán Street, the psalm 'They that go down to the sea in ships', and the words of the Shipping Forecast itself.

Her choral works often take their inspiration from extra-musical influences. [8] The large scale Da Vinci Requiem was written to coincide with the 500th anniversary of Leonardo da Vinci's death. It was premiered by the Wimbledon Choral Society and the Philharmonia Orchestra at the Royal Festival Hall on 7 May 2019. The five-movement cantata Everyday Wonders: The Girl from Aleppo (2018), was based on Nujeen Mustafa's biography, retold by Kevin Crossley-Holland. Night Flight was composed in 2013 to commemorate the pioneering flight of American aviator Harriet Quimby across the English Channel. Its first performance was given by the Choir of Clare College, Cambridge at the Fringe in the Fen Festival on 6 July 2013. Another cantata, 70 Degrees Below Zero, was commissioned by the Scott Polar Research Institute and the City of London Sinfonia as part of the Scott 100 Festival of Events in 2012, and premiered at Symphony Hall, Birmingham on 3 February 2012. [9]

Other choral pieces include When time is broke (Three Shakespeare Songs), written for the BBC Singers in 2016, Adoro te devote for the Westminster Cathedral Choir in 2015, and another large scale work, the Stabat Mater, for St Albans Choral Society in 2004. [10] Also from that year, the Three Latin Motets were commissioned by the City of Canterbury Chamber Choir in 2004, and have since been recorded by the American choir Phoenix Chorale.

Although choral music dominates her output, McDowall has also composed four stage works (including the chamber opera Airbourne, 2014), orchestral music (such as Great Hills for solo violin, 2 flutes and strings, 2007, and Dance the Dark Streets, a concerto grosso with piano obbligato, 2005), and a considerable body of chamber and instrumental music (including Dream City for flute, clarinet, harp and string quartet, 2002 [11] and the String Quartet No 1, subtitled the case of the unanswered wire, from 2004. [12] The impressionistic Y Deryn Pur ('The Gentle Dove') was written for the 2007 Presteigne Festival and scored for oboe, violin, viola and cello. [13]

Selected recordings

Notable recordings of McDowall's music include:

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References

  1. "Biography". Ceciliamcdowall.co.uk. Retrieved 22 August 2020.
  2. "The Ivors Academy | Champions of Music Creators". The Ivors Academy. Retrieved 22 August 2020.
  3. Gramophone, 3 December 2014
  4. "Visiting Composer - Cecilia McDowall - Dulwich College". Dulwich.org.uk. Archived from the original on 1 February 2018. Retrieved 1 February 2018.
  5. "Women Composers Competition – The Arcadian Singers of Oxford". NewMusicScotland.co.uk. 20 March 2015. Retrieved 5 January 2017.
  6. Portsmouth Festival Choir Archived 29 October 2011 at the Wayback Machine , UK.
  7. "Music inspired by Shipping Forecast". BBC News . UK: BBC. 15 June 2011. Retrieved 5 January 2017.
  8. Conway, Paul, Notes to Hyperion CD A68251 (2021)
  9. Notes to Signum Classics CD 749 (2023)
  10. Barlow, Jill. 'Cecilia McDowall's Stabat Mater and Night Trumpeter', in Tempo, Vol. 59, No. 232 (April 2005), pp. 84-85
  11. Conway, Paul. 'Review', in Tempo, Vol. 60, No. 237 (July 2006), pp. 66-67
  12. Conway, Paul. "Presteigne Festival 2004" in Tempo', 'Vol. 59, No. 231 (Jan., 2005), pp. 44-45
  13. Robert Matthew-Walker. Notes to British Chamber Music, SOMM CD 0653 (2022)