Established | 1980 |
---|---|
Location | Seattle, Washington |
Type | Non-profit art institution |
Website | http://cocaseattle.org/ |
The Center on Contemporary Art (CoCA) is a non-profit arts organization located in Seattle, Washington. CoCA was founded in 1980 by a group of artists, art patrons, and arts activists. Since its inaugural exhibition (James Turrell's "Four Light Installations", 1982, at the Lippy Building in Pioneer Square), [1] CoCA has provided continuous programming that presents work by both established and emerging artists. CoCA originally existed without a permanent gallery space, [2] [3] and the organization has since inhabited numerous locations in Seattle. Its most recent location, as of September 2016, is the Tashiro Kaplan Building in historic Pioneer Square. Today, CoCA serves the community through exhibitions, artist residencies, publications, and discussions.
Members, staff, donors and volunteers work to exhibit international, national and local artists in a gallery setting, create events and host annual programs.
CoCA is a tax-exempt non-profit run by a working Board of Directors. [4]
CoCA launched their Archives Project [5] in 2013 as a way to preserve, catalog and share the printed materials, slides, video and other materials gathered over the organization's history.
Annual programs have included the Northwest Annual, [6] the 24-Hour Painting Marathon and Auction, [7] and the Annual Members' Show. The Northwest Annual was originally under the Seattle Art Museum until CoCA took over the program from 1989 through 2014. The group exhibition showcased current work by local artists of various mediums selected by a juror. Past Northwest Annual jurors include visual artists Leon Golub and Nancy Spero in 1989, [8] painter and sculptor Kerry James Marshall in 1999, [9] and Canadian visual artist Ken Lum in 2004. [10] At the 24-Hour Painting Marathon & Auction, originally titled "They Shoot Painters, Don't They?", CoCA invites artists to create work in one day, then auctions the artworks. CoCA also founded and produced Heaven & Earth, a group show of outdoor, temporary installations in Carkeek Park inaugurated in 2009 until the exhibit went independent in 2015. [11]
The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
Jeff Jahn is a curator, art critic, artist, historian, blogger and composer based in Portland, Oregon, United States. He coined the phrase declaring Portland "the capital of conscience for the United States," in a Portland Tribune op-ed piece, which was then reiterated in The Wall Street Journal.
Seattle Erotic Art Festival was founded in 2002 by the Center for Sex Positive Culture. It is now the flagship program of the nonprofit Foundation for Sex Positive Culture.
Kenneth Robert Lum, OC is a dual Canadian and American academic, painter, photographer, sculptor, and writer. Working in a number of media including painting, sculpture and photography, his art ranges from conceptual in orientation to representational in character and is generally concerned with issues of identity in relation to the categories of language, portraiture and spatial politics.
Ann Hamilton is a visual artist who emerged in the early 1980s known for her large-scale multimedia installations. After receiving her BFA in textile design from the University of Kansas in 1979, she lived in Banff, Alberta, and Montreal, Quebec, Canada before deciding to pursue an MFA in sculpture at Yale in 1983. From 1985 to 1991, she taught on the faculty of the University of California at Santa Barbara. Since 2001, Hamilton has served on the faculty of the Department of Art at the Ohio State University. She was appointed a Distinguished University Professor in 2011.
The Bellevue Arts Museum is a museum of contemporary visual art, craft, and design located in Bellevue, Washington, part of the greater Seattle metropolitan area. A nonprofit organization established in 1975, the Bellevue Arts Museum (BAM) provides rotating arts exhibitions to the public. Since 2001, the museum has been located across from Bellevue Square in a three-story building designed by architect Steven Holl.
Zoe Scofield is a choreographer and dancer best known for her work with Juniper Shuey as co-directors of zoe|juniper, a Seattle-based dance and visual art company. Her work is characterized by multi-media, cross-genre works utilizing stage performance, video installation, photography and complex technical elements.
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Gregory Euclide is an American contemporary artist and teacher who lives and works outside of Minneapolis, Minnesota. Born in Cedarburg, Wisconsin, and raised there before moving to Minnesota, his rich natural surroundings fostered an interest in and connection to the environment that lasts to this day.
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Kristan Kennedy is an American artist, curator, educator and arts administrator. Kennedy is co-artistic director and curator of visual art at the Portland Institute for Contemporary Art (PICA). She is based in Portland, Oregon and has exhibited internationally, working with various media including sculpture and painting.
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The National Association of Artists' Organizations (NAAO) was, from 1982 through the early 2000s, a Washington, D.C.-based arts service organization which, at its height, had a constituency of over 700 artists' organizations, arts institutions, artists and arts professionals representing a cross-section of diverse aesthetics, geographic, economic, ethnic and gender-based communities especially inclusive of the creators of emerging and experimental work in the interdisciplinary, literary, media, performing and visual arts. At the apex of its activities, in the late 1980s and early 1990s, NAAO served as a catalyst and co-plaintiff on the Supreme Court case, National Endowment for the Arts v. Finley having spawned the National Campaign for Freedom of Expression. NAAO's dormancy in the early years of the 21st century led to the formation of Common Field.