The Villanovan culture, regarded as the earliest phase of the Etruscan civilization, was the earliest Iron Age culture of Italy. It directly followed the Bronze Age Proto-Villanovan culture which branched off from the Urnfield culture of Central Europe. The name derives from the locality of Villanova, a fraction of the municipality of Castenaso in the Metropolitan City of Bologna where, between 1853 and 1855, Giovanni Gozzadini found the remains of a necropolis, bringing to light 193 tombs, of which there were 179 cremations and 14 inhumations.
The Bolognese School of painting, also known as the School of Bologna, flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
Elisabetta Sirani was an Italian Baroque painter and printmaker who died in unexplained circumstances at the age of 27. She was one of the first women artists in early modern Bologna, who established an academy for other women artists.
The Certosa di Pavia is a monastery and complex in Lombardy, Northern Italy, situated near a small town of the same name in the Province of Pavia, 8 km (5.0 mi) north of Pavia. Built in 1396–1495, it was once located on the border of a large hunting park belonging to the Visconti family of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy.
The Basilica of San Domenico is one of the major churches in Bologna, Italy. The remains of Saint Dominic, founder of the Order of Preachers (Dominicans), are buried inside the exquisite shrine Arca di San Domenico, made by Nicola Pisano and his workshop, Arnolfo di Cambio and with later additions by Niccolò dell'Arca and the young Michelangelo.
Certosa is an Italian word meaning Carthusian monastery, or charterhouse. It may refer to:
Bartolomeo Cesi was an Italian painter and draftsman of the Bolognese School. He made easel paintings as well as frescoes. He is known mainly for his religious paintings but he also painted portraits and mythological scenes.
Lucio Massari was an Italian painter of the School of Bologna. He can be described as painting during both Mannerist and early-Baroque periods.
Giovanni Girolamo Bonesi (1653–1725) was an Italian painter of the Baroque period.
Pietro Fancelli was an Italian painter and set-designer.
San Procolo is an early Gothic-style, Roman Catholic church and former monastery-hospital located on Via Massimo D'Azeglio #52 in central Bologna, region of Emilia Romagna, Italy.
Filippo Pedrini was an Italian painter.
Domenico Pedrini was an Italian painter. Fiercely provincial in his geographic activity, Pedrini's works were mainly completed in and around Bologna, and yet his atavistic style strayed far afield into Bologna's strong Baroque ancestry.
Bartolomeo Valiani was an Italian painter.
San Giuseppe Sposo is a medieval Roman Catholic church and convent, now respectively parish church and museum, near Porta Saragozza in Bologna, Italy.
Matteo Borboni or Borbone was an Italian painter, known for fresco depiction of quadratura during the Baroque period, active mainly in his native Bologna.
Giuseppe Guizzardi was an Italian painter during the Neoclassical period.
Ferrara Charterhouse, of which the present Church of San Cristoforo alla Certosa was previously the monastic church, is a former charterhouse or Carthusian monastery built in Renaissance style, located on Piazza Borso 50 in Ferrara, Region of Emilia-Romagna, Italy. The monastery was suppressed in the time of Napoleon, but the church was reconsecrated in 1813 and remains in use. The site also accommodates a large municipal cemetery, which was established in 1813.
The Certosa di Pontignano, also known as the Certosa di San Pietro, is a Carthusian monastery and church in the neighborhood of Pontignano, within the town limits of Castelnuovo Berardenga, a few kilometers north of the city of Siena, in the region of Tuscany, Italy. The monastic complex, after the expulsion of the monks in 1810, passed through various hands, until it was acquired in 1959 by the University of Siena, and used for academic meetings, conventions, and also hotel and restaurant for events such as weddings and celebrations.
Aldo Oviglio was an Italian lawyer and politician, who served as the first minister of justice in the Mussolini government between October 1922 and January 1925.
