Cesare da Conegliano (mid-16th century) was an Italian painter, known from a single work in Santi Apostoli, Venice. [1] [2]
He was a contemporary of Titian. It is unclear how this painter was related to either Pordenone or his contemporary fellow townsman Francesco Beccaruzzi, who was a pupil of Pordenone. [3] The relationship to this painter to Cima Da Conegliano, or his son Carlo, or the painter Ciro Da Conegliano is unclear.
Pordenone is a city and comune (municipality) in the Italian region of Friuli-Venezia Giulia, the capital of the Regional decentralization entity of Pordenone.
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones.
Melozzo da Forlì was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school.
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis, an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock".
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
Giovanni Santi was an Italian painter and decorator, father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was court painter to the Duke of Urbino and painted several altarpieces. He died in Urbino.
Prata di Pordenone is a comune (municipality) in the Regional decentralization entity of Pordenone, in the Italian region of Friuli-Venezia Giulia, located about 100 kilometres (62 mi) northwest of Trieste and about 8 kilometres (5 mi) southwest of Pordenone.
The Palazzo Colonna is a palatial block of buildings in central Rome, Italy, at the base of the Quirinal Hill, and adjacent to the church of Santi Apostoli. It is built in part over the ruins of an old Roman serapeum, and it has belonged to the prominent Colonna family for over twenty generations.
Francesco Beccaruzzi was an Italian painter of the Renaissance era, active near his hometown of Conegliano and in the neighborhood of Treviso. He was influenced by both Il Pordenone and later Titian. He painted Saint Francis receiving stigmata (1545) from Conegliano, but now in the Gallerie dell'Accademia in Venice.
Events from the year 1516 in art.
Giuseppe Nicola Nasini was an Italian painter of the Baroque period, active in Rome and Tuscany.
Giovanni Odazzi was an Italian painter and etcher of the Baroque period, active mainly in Rome.
The decade of the 1490s in art involved some significant events.
San Giovanni in Bragora is a church in Venice, Italy, located in the sestiere of Castello.
Girolamo da Santacroce was a 16th-century Italian painter of the Renaissance period, active mainly in Venice and the Venetian mainland.
The Chiesa dei Santi Apostoli di Cristo, commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family, including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.
Santi is used as:
Santi Dodici Apostoli, commonly known simply as Santi Apostoli, is a 6th-century Roman Catholic parish and titular church and minor basilica in Rome, Italy, dedicated originally to St. James and St. Philip, whose remains are kept here, and later to all Apostles. Today, the basilica is under the care of the Conventual Franciscans, whose headquarters in Rome is in the adjacent building. It is the Station church for Friday, the first week of Lent.
Ciro da Conegliano was an Italian painter, pupil of Paolo Veronese, and active in Verona.
The Martyrdom of Saint Peter Martyr is an oil-on-panel painting created c. 1526–1528 by the Italian Renaissance painter Palma Vecchio, now in the Museo d'arte sacra San Martino in Alzano Lombardo.