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Religion | |
Affiliation | Roman Catholic |
Status | Active |
Location | |
Municipality | Venice |
Country | Italy |
Geographic coordinates | 45°26′25.81″N12°20′11.87″E / 45.4405028°N 12.3366306°E |
Architecture | |
Type | Church |
Style | Gothic-Renaissance |
The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ), commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family (Venetian : Corner), including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.
In the 7th century Venice was not yet a city, but a collection of small communities scattered throughout the lagoon. St Magnus (Italian : San Magno), the Bishop of Oderzo, came to the lagoon and founded eight churches. [1] According to a legend recounted by the historian Flaminio Cornaro, St Magnus had a vision of the Twelve Apostles who commanded him to build a church on a site where he saw twelve cranes. This location, eventually to be in the sestiere of Cannaregio, became the site of the church of San Apostoli. [2] The church stands on the Campo dei Santi Apostoli at the beginning of the Strada Nuova (New Road).
During the 1490s the Cappella Cornaro, built as a burial place for the wealthy Venetian Cornaro family, was added to the church. [3] It is considered one of the most important Early Renaissance chapels in Venice. [note 1] It is unknown exactly who designed the chapel, although it is most often attributed to the architect Mauro Codussi. [4] [note 2] At the same time a porch was added to the front of the church and a sacristy was built. These alterations were also overseen by Codussi.[ citation needed ]
In the middle of the 16th century the church briefly housed the Catecumeni, a Venetian fraternity for those wishing to convert to Christianity, before they established a permanent home at San Gregorio in 1571. [5] Shortly after this, in 1575, the church was completely rebuilt. [1] Only parts of the earlier structure were retained, including some frescos and the Cornaro Chapel.[ citation needed ]
During the early 18th century, Andrea Tirali added detailing, including the onion dome, to the campanile which itself had been a late 17th-century addition. [3]
The church retains its 16th century layout: a single nave supported by two rows of columns. One chapel has the funeral monument of Count Giuseppe Mangilli, designed by Luigi Trezza with bust by Angelo Pizzi. The main altarpiece is a Custodian Angel by Bernardo Strozzi. [6]
The chapel is the burial place of several members of the Cornaro family, including Giorgio Cornaro and his sister Catherine Cornaro the Queen of Cyprus [7] (since removed to the church of San Salvadore [8] elsewhere in Venice), The charitable organisation Save Venice funded the restoration of the chapel, including the relief carvings. [9] The main altar of this chapel was the Last Communion of St Lucy (1747–48) by Tiepolo.
The church contains a number of paintings, including:
The Patriarchal Cathedral Basilica of Saint Mark, commonly known as St Mark's Basilica, is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
The Island of San Michele is an island in the Venetian Lagoon, Veneto, northern Italy. It is associated with the sestiere of Cannaregio, from which it lies a short distance northeast.
Cannaregio is the northernmost of the six historic sestieri of Venice. It is the second largest sestiere by land area and the largest by population, with 13,169 people as of 2007.
The Grand Canal is the largest channel in Venice, Italy, forming one of the major water-traffic corridors in the city.
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a Catholic minor basilica and Dominican conventual church in the Castello sestiere of Venice, Italy.
Sebastiano Ricci was an Italian Baroque painter of the late Baroque period in Venetian painting. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
The Ca' da Mosto is a 13th-century Venetian-Byzantine style palace, the oldest on the Grand Canal, located between the Rio dei Santi Apostoli and the Palazzo Bollani Erizzo, in the sestiere of Cannaregio in Venice, Italy. Today, it is home to the Venice Venice Hotel.
The Madonna dell'Orto is a church in Venice, Italy, in the sestiere of Cannaregio. This was the home parish of Tintoretto and holds a number of his works as well as his tomb.
The Church of St Job is a 15th-century Roman Catholic church located overlooking the campo of the same name, known as Sant'Agiopo in Venetian dialect, on the south bank of the Cannaregio canal near Ponte dei Tre Archi in the sestiere of Cannaregio of Venice, northern Italy,
The office of Procurator of Saint Mark was one of the few lifetime appointments in the government of the Venetian Republic and was considered second only to that of the doge in prestige. It was routinely occupied by nobles belonging to the most influential families and typically represented the climax of a distinguished political career, although it was often an intermediate position prior to election as doge.
The Basilica di San Pietro di Castello, commonly called San Pietro di Castello, is a Roman Catholic minor basilica of the Patriarch of Venice located in the Castello sestiere of the Italian city of Venice. The present building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the "state church" of San Marco and inconveniently located. During its history, the church has undergone a number of alterations and additions by some of Venice's most prominent architects. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to rebuild the facade and interior of St Pietro, but Diedo's death delayed the project.
Santa Maria di Nazareth is a Roman Catholic Carmelite church in Venice, northern Italy. It is also called Church of the Scalzi being the seat in the city of the Discalced Carmelites religious order. Located in the sestiere of Cannaregio, near Venezia Santa Lucia railway station, it was built in the mid-17th century to the designs of Baldassarre Longhena and completed in the last decades of that century.
Palazzo dei Camerlenghi is a Renaissance palazzo in Venice, northern Italy, located in the sestiere (quarter) of San Polo. It faces the Canal Grande, adjacent to the Rialto Bridge.
Gerolamo Mengozzi Colonna was an Italian painter, mostly of frescoed quadratura.
San Vidal is a former church, and now an event and concert hall located at one end of the Campo Santo Stefano in the Sestiere of San Marco, where it leads into the campiello San Vidal, and from there to the Ponte dell'Accademia that spans the Grand Canal and connects to the Sestiere of Dorsoduro, Venice, Italy.
San Lio is a church located on the campo of the same name in the sestiere of Castello.
San Cassiano is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
Italian