The Chiesa di San Salvatore (of the Holy Savior) is a church in Venice, northern Italy. Known in Venetian as San Salvador, is located on the Campo San Salvador, along the Merceria, the main shopping street of Venice. The church was first consecrated in 1177 by Pope Alexander III shortly after his reconciliation with Emperor Frederick Barbarossa at nearby San Marco. The present church, however, was begun in around 1508 by Giorgio Spavento and continued after his death the following year by Tullio Lombardo, Vincenzo Scamozzi and possibly Jacopo Sansovino. They built a large hall church, formed from three Greek crosses placed end to end. Each has a dome with a lantern to let light into the cavernous interior. The facade was added in 1663 by Giuseppe Sardi.
Adjoining the church is the former monastery, now the offices of the telephone company, which still contain Sansovino's magnificent cloisters.
San Salvador is the parish church of a parish in the Vicariate of San Marco-Castello. Other churches in the parish are San Bartolomeo and San Zulian.
San Salvador is a small, but still-active religious, cultural and social centre.[1]
Below the left column on the facade there is a cannonball embedded in the base of the column. It derived from a bombardment in 1849 by Austrian forces in the port of Marghera, of the independent republic which had been proclaimed by Daniele Manin.
Jacopo d'Antonio Sansovino was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his Vita of Sansovino separately.
The Chiesa di San Giuliano, commonly called San Zulian in the Venetian dialect, is a church on the Merceria, the main shopping street of Venice, in the parish of San Salvador, Venice, Italy.
The Basilica di Santa Maria Gloriosa dei Frari, commonly abbreviated to the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. It is the largest church in the city and it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a Catholic minor basilica and Dominican conventual church in the Castello sestiere of Venice, Italy.
Alessandro Vittoria was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style" and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy, producing works such as Annunciation.
The Annunciation is a painting by the Italian Renaissance master Titian, executed between 1559 and 1564. It remains in the church of San Salvador in Venice, for which it was commissioned.
Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
The Madonna dell'Orto is a church in Venice, Italy, in the sestiere of Cannaregio. This was the home parish of Tintoretto and holds a number of his works as well as his tomb.
San Martino is a Renaissance Roman Catholic church in the sestiere of Castello of Venice, northern Italy.
The House of Venier was a prominent family in the Republic of Venice who entered the Venetian nobility in the 14th century.
The Chiesa di San Sebastiano is a 16th-century Roman Catholic church located in the Dorsoduro sestiere of the Italian city of Venice. The church houses a cycle of paintings by the artist Paolo Veronese, as well as paintings by Tintoretto and Titian. The church is a member of the Chorus Association of Venetian churches. It stands on the Campo di San Sebastiano by the Rio di San Basilio, close to the Giudecca Canal. It is one of the five votive churches in Venice, each one built after the passing of a plague through the city. Following construction, the church was dedicated to a saint associated with the disease; in this case St. Sebastian.
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The canvas was completed during Titian's fifth decade of painting, and is one of the works marking a shift toward his extensive exploration of tragedy and human suffering.
The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The Palazzo Priuli Stazio is a Baroque architecture palace located near San Giacomo dell'Orio in the sestiere of Santa Croce in Venice, Italy.
Santo Stefano is a Paleo-Christian, Roman Catholic basilica church in central Verona, region of Veneto, Italy.
The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy.
San Geminiano was a Roman Catholic church located in Piazza San Marco in Venice, Italy, dedicated to Saint Geminianus. It is believed to have been founded by the Byzantines in the 6th century AD and it was destroyed and rebuilt several times over subsequent centuries. The last reconstruction began in 1505 to designs of the architect Cristoforo da Legname, and it was completed by Jacopo Sansovino in 1557. This church was a significant example of Venetian Renaissance architecture, and it was well-known for being ornate and richly decorated. The building was demolished in 1807 in order to make way for the Napoleonic wing of the Procuratie, and many of the artworks it contained were distributed among other churches and museums.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
Inside
Polychrome marble mosaic
Altarpiece and main altar
