Chain writing, also known as relay writing or estafet writing, [1] is a type of collaborative writing in which a group of authors collectively write a piece of literature by each writing separate, subsequent sections of a larger story or critical work. The term was coined in 2015 by Madeira and Montanero in a thesis dissertation.
Chain writing typically starts with a prompt. This prompt can be an idea, an image, a piece of dialogue, or from a similar starting point. [2] The process of chain writing is flexible and largely depends on the authors' ambitions when starting the project.
Authors must decide what the parameters for the chain writing are ahead of time. As writers write in fragments of text, they can choose to write in sentences, paragraphs, or, as in larger works of literature, chapters. Writers in the chain writing process may also choose to set their parameters as a time or page limit if they prefer to. [1]
Then, once the parameters are set, the actual process of writing begins. The first designated author of the piece writes their segment of text, establishing a style and creating an introduction to the piece. Once they are done with their section of the piece, they pass the piece off to the next writer. The next writer will then read through the writing from the first writer and write their section based on what was previously set. Afterwards, they will pass it to the next person in the line of progression, who will then write a section based on both the previous segments. This process will continue to repeat itself, person after person, possibly going full circle back to the first author depending on the amount of writers participating and the length of the literature as a whole. [1]
There are a few ways the chain writing can come to a close. Often, the process will end once the piece has gone through a full cycle of authors, though sometimes authors may decide to set a specific amount of passes that they want to go through before drawing the writing to a conclusion. Ultimately, it depends on the writers in the process and how they want to go about it.[ citation needed ]
In some forms of chain writing, such as the exquisite corpse, writers are only given a portion of what was last read rather than getting to read through all the prior writing. This allows for an even more sporadic style of writing.[ citation needed ]
Among students who are beginning writers or are writing in a new language, such as English Language Learners in the United States' education system, the chain writing process has been used in the teaching of language fluency and the writing process. [3] Within the classroom, educators are typically the ones to provide the parameters of the chain writing activity. [2]
Usually when a chain writing project is assigned in the classroom setting, educators place students in small groups to allow for a more peer-driven style of learning. Whereas writing is typically a task done independently, chain writing allows for collaboration to be introduced to the process. [3] It has been shown that the group-oriented setting allows for students to think more critically about the narrative structure and pay more attention to the writing process. Students get more involved when they are working on the collaborative project in class than they do when working on individual writing. [4] By getting the chance to work on a piece with other peers, students gain a better understanding of various writing aspects, whether it be in the writing style or the syntax of their sentences. [3]
Because of this, chain writing works best when placing more advanced writers with writers who are still learning. This way, students are able to copy the mechanics from students who are more experienced with writing and apply it to their own ideas. [1] It allows students to learn through example while also allowing the students to equally contribute to one project. Typically, this is taught using writing of description where students are given an object and asked to describe it. The chain method allows for students to look at what was already written about it by their peers and challenges students to build onto that description with something new but still relevant. [5] Students are still asked to use their creativity in writing while working collaboratively in a group setting. [1]
Usually, chain writing activities in the classroom settings are followed by a discussion afterwards where students can share their experience with the process. [1]
One limitation that comes about from the chain writing process as a class activity is time constraint. Since students only get so much time inside the classroom in a day, students don't typically get a lot of time to think through their writing and properly polish it before having to pass it to the next person which may be demanding for slower writers. [1]
Also referred to as chain stories, chain novels are novels which follow the chain writing process. These novels are passed from author to author, each contributing some writing to the story based only on what had been written up until that point. Nobody knows what exactly will happen next except for the next writer in line. As no author in the line knows exactly where the story will go, chain novels tend to lead to unexpected places even to the authors that took part in the process of writing it.[ citation needed ]
Examples of chain novels include The Floating Admiral (1931) which is a detective novel written by 13 separate authors, including Agatha Christie, Dorothy L. Sayers, and Anthony Berkeley. Another example would include the novel, Wicked and Deadly, a children's fiction book written by Paul Jennings and Morris Gleitzman, who took turns writing chapters.[ citation needed ]
Peer review is the evaluation of work by one or more people with similar competencies as the producers of the work. It functions as a form of self-regulation by qualified members of a profession within the relevant field. Peer review methods are used to maintain quality standards, improve performance, and provide credibility. In academia, scholarly peer review is often used to determine an academic paper's suitability for publication. Peer review can be categorized by the type of activity and by the field or profession in which the activity occurs, e.g., medical peer review. It can also be used as a teaching tool to help students improve writing assignments.
Collaborative writing is a procedure in which two or more persons work together on a text of some kind. Success in collaborative writing involves a division of labor that apportions particular tasks to those with particular strengths: drafting, providing feedback, editing, sourcing, (reorganizing), optimizing for tone or house style, etc. Collaborative writing is characteristic of professional as well as educational settings, utilizing the expertise of those involved in the collaboration process.
Free writing is traditionally regarded as a prewriting technique practiced in academic environments, in which a person writes continuously for a set period of time with limited concern for rhetoric, conventions, and mechanics, sometimes working from a specific prompt provided by a teacher. While free writing often produces raw, or even unusable material, it can help writers overcome writing blocks and build confidence by allowing them to practice text-production phases of the writing process without the fear of censure. Some writers even use the technique to collect initial thoughts and ideas on a topic, often as a preliminary to formal writing.
National Novel Writing Month, often shortened to NaNoWriMo, is a U.S.-based nonprofit organization that promotes creative writing around the world. Its flagship program is an annual, international creative writing event in which participants attempt to write a 50,000-word manuscript during the month of November. Well-known authors write "pep-talks" in order to motivate participants during the month. The website provides participants, called "Wrimos", with tips for writer's block, information on where local participants are meeting, and an online community of support. Focusing on the length of a work rather than the quality, writers are encouraged to finish their first draft quickly so it can be edited later at their discretion. The project started in July 1999 with 21 participants. In 2022, 413,295 people participated in the organization's programs.
Writer's block is a non-medical condition, primarily associated with writing, in which an author is either unable to produce new work or experiences a creative slowdown.
Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various traditions of poetry and poetics. Due to the looseness of the definition, it is possible for writing such as feature stories to be considered creative writing, even though it falls under journalism, because the content of features is specifically focused on narrative and character development. Both fictional and non-fictional works fall into this category, including such forms as novels, biographies, short stories, and poems. In the academic setting, creative writing is typically separated into fiction and poetry classes, with a focus on writing in an original style, as opposed to imitating pre-existing genres such as crime or horror. Writing for the screen and stage—screenwriting and playwriting—are often taught separately, but fit under the creative writing category as well.
"The Death of the Author" is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the essay emphasizes the primacy of each individual reader's interpretation of the work over any "definitive" meaning intended by the author, a process in which subtle or unnoticed characteristics may be drawn out for new insight. The essay's first English-language publication was in the American journal Aspen, no. 5–6 in 1967; the French debut was in the magazine Manteia, no. 5 (1968). The essay later appeared in an anthology of Barthes' essays, Image-Music-Text (1977), a book that also included his "From Work to Text".
Collaborative fiction is a form of writing by a group of authors who share creative control of a story.
Fiction writing is the composition of non-factual prose texts. Fictional writing often is produced as a story meant to entertain or convey an author's point of view. The result of this may be a short story, novel, novella, screenplay, or drama, which are all types of fictional writing styles. Different types of authors practice fictional writing, including novelists, playwrights, short story writers, radio dramatists and screenwriters.
A writing process is a set of mental and physical steps that someone takes to create any type of text. Almost always, these activities require inscription equipment, either digital or physical: chisels, pencils, brushes, chalk, dyes, keyboards, touchscreens, etc.; each of these tools has unique affordances that influence writers' workflows. Writing processes are very individualized and task-specific; they frequently incorporate activities such as talking, drawing, reading, browsing, and other activities that are not typically associated with writing.
Peter Elbow is a professor of English Emeritus at the University of Massachusetts Amherst, where he also directed the Writing Program from 1996 until 2000. He writes about theory, practice, and pedagogy, and has authored several books and papers. He is one of the pioneers of freewriting.
A literature circle is equivalent for young people of an adult book club, but with greater structure, expectation and rigor. The aim is to encourage thoughtful discussion and a love of reading in young people. The intent of literature circles is "to allow students to practice and develop the skills and strategies of good readers".
Reciprocal teaching is a powerful instructional method designed to foster reading comprehension through collaborative dialogue between educators and students. Rooted in the work of Annemarie Palincsar, this approach aims to empower students with specific reading strategies, such as Questioning, Clarifying, Summarizing, and Predicting, to actively construct meaning from text.
Feminist theory in composition studies examines how gender, language, and cultural studies affect the teaching and practice of writing. It challenges the traditional assumptions and methods of composition studies and proposes alternative approaches that are informed by feminist perspectives. Feminist theory in composition studies covers a range of topics, such as the history and development of women's writing, the role of gender in rhetorical situations, the representation and identity of writers, and the pedagogical implications of feminist theory for writing instruction. Feminist theory in composition studies also explores how writing can be used as a tool for empowerment, resistance, and social change. Feminist theory in composition studies emerged in the late 1960s and early 1970s as a response to the male-dominated field of composition and rhetoric. It has been influenced by various feminist movements and disciplines, such as second-wave feminism, poststructuralism, psychoanalysis, critical race theory, and queer theory. Feminist theory in composition studies has contributed to the revision of traditional rhetorical concepts, the recognition of diverse voices and genres, the promotion of collaborative and ethical communication, and the integration of personal and political issues in writing.
Reflective writing is an analytical practice in which the writer describes a real or imaginary scene, event, interaction, passing thought, or memory and adds a personal reflection on its meaning. Many reflective writers keep in mind questions such as "What did I notice?", "How has this changed me?" or "What might I have done differently?" when reflecting.
Prewriting is the first stage of the writing process, typically followed by drafting, revision, editing and publishing. Prewriting can consist of a combination of outlining, diagramming, storyboarding, and clustering.
Peer feedback is a practice where feedback is given by one student to another. Peer feedback provides students opportunities to learn from each other. After students finish a writing assignment but before the assignment is handed in to the instructor for a grade, the students have to work together to check each other's work and give comments to the peer partner. Comments from peers are called as peer feedback. Peer feedback can be in the form of corrections, opinions, suggestions, or ideas to each other. Ideally, peer feedback is a two-way process in which one cooperates with the other.
Text annotation is the practice and the result of adding a note or gloss to a text, which may include highlights or underlining, comments, footnotes, tags, and links. Text annotations can include notes written for a reader's private purposes, as well as shared annotations written for the purposes of collaborative writing and editing, commentary, or social reading and sharing. In some fields, text annotation is comparable to metadata insofar as it is added post hoc and provides information about a text without fundamentally altering that original text. Text annotations are sometimes referred to as marginalia, though some reserve this term specifically for hand-written notes made in the margins of books or manuscripts. Annotations have been found to be useful and help to develop knowledge of English literature.
Revision is a process in writing of rearranging, adding, or removing paragraphs, sentences, or words. Writers may revise their writing after a draft is complete or during the composing process. Revision involves many of the strategies known generally as editing but also can entail larger conceptual shifts of purpose and audience as well as content. Within the writing process, revision comes once one has written a draft to work with, so that one can re-see and improve it, iteratively. Working at both deeper and more surface levels a writer can increase the power of the text.
Writing workshops are group sessions where writers gather to share, critique and improve their work. Various models of writing workshops have been developed over time to suit different educational settings and writing goals. Workshop attendance might be restricted to a select group or open to the public.