Telefoni Bianchi films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
We Are All Murderers is a 1952 French-Italian crime drama film written and directed by André Cayatte and starring Marcel Mouloudji, Raymond Pellegrin and Claude Laydu. It was shot at the Boulogne Studios in Paris. The film's sets were designed by the art director Jacques Colombier. It tells the story of René, a young man from the slums, trained by the French Resistance in World War II to kill Germans. He continues to kill long after the war has ended, as it is all he knows.It was entered into the 1952 Cannes Film Festival and won the Special Jury Prize.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Alarm Bells is a 1949 Italian drama film directed by Luigi Zampa and starring Gina Lollobrigida, Yvonne Sanson and Eduardo De Filippo.
The Captain's Daughter is a 1947 Italian historical adventure film directed by Mario Camerini and starring Irasema Dilián, Amedeo Nazzari and Vittorio Gassman. It was one of a number of ambitious historical epics made in the wake of the successful 1946 film The Black Eagle. The film's sets were designed by the art director Piero Filippone. It was entered into the 1947 Cannes Film Festival. It is based on the 1836 novel of the same name by Alexander Pushkin, which is set in Russia during the reign of Catherine II. It takes place during the Cossack Rebellion.
Nobody's Children is a 1951 French-Italian melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Françoise Rosay. It is one of a series of melodramas co-starring Nazzari and Sanson, which were very popular at the box office. The owner of a marble quarry falls in love with the daughter with one of his employees, and they have a baby together. However his mother attempts to sabotage the relationship with tragic consequences.
In Olden Days is a 1952 Italian comedy drama anthology film directed by Alessandro Blasetti and featuring an ensemble cast that included Gina Lollobrigida, Amedeo Nazzari, Vittorio De Sica, Elisa Cegani, Barbara Florian, Aldo Fabrizi, Andrea Checchi and Alba Arnova. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Dario Cecchi and Veniero Colasanti. It is also known as Times Gone By and Infidelity.
Who is Without Sin is a 1952 Italian melodrama film by Raffaello Matarazzo and starring Yvonne Sanson, Amedeo Nazzari and Françoise Rosay. It is an adaptation of the novel Geneviève by Alphonse de Lamartine. It was part of a series of romantic melodramas that Nazzari and Sanson appeared in during the 1950s.
The Shortest Day is a 1963 Italian comedy film. It is a parody of the war movie The Longest Day and stars the popular duo Franco and Ciccio in the leading roles. Dozens of other well-known actors, from both European and American cinema, agreed to appear in the movie in cameo roles for free to avert the bankruptcy of the production company, Titanus.
L'angelo bianco is a 1955 Italian melodrama film directed by Raffaello Matarazzo. It is the sequel to Nobody's Children (1951). According to the author Louis Bayman, this couple of films "sealed director Raffaello Matarazzo's reputation as king of the Italian melodramatists".
Luciano Serra, Pilot is a 1938 Italian war drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Germana Paolieri and Roberto Villa.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
World of Miracles is a 1959 Italian melodrama film directed by Luigi Capuano.
The Bandit of Tacca Del Lupo is a 1952 Italian historical drama film directed by Pietro Germi.
Melancholic Autumn is a 1958 Italian-Spanish melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Mercedes Monterrey. It was part of a popular series of romantic dramas pairing Nazzari and Sanson. The film's sets were designed by the art director Sigfrido Burmann.
Torment is a 1950 Italian melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Annibale Betrone. The film's sets were designed by Ottavio Scotti. It was part of a group of popular melodramas featuring Nazzari and Sanson that were released in the post-war years.
Torna! is a 1953 Italian melodrama film that was directed by Raffaello Matarazzo and starring Amedeo Nazzari and Yvonne Sanson.
The Intruder is a 1956 Italian melodrama film written and directed by Raffaello Matarazzo and starring Amedeo Nazzari and Lea Padovani. It is loosely based on the stage drama La moglie del dottore by Silvio Zambaldi.
Double Cross is a 1951 Italian crime-melodrama film directed by Riccardo Freda and starring Amedeo Nazzari, Vittorio Gassman and Gianna Maria Canale.
Harlem is a 1943 Italian sports crime film directed by Carmine Gallone and starring Massimo Girotti, Amedeo Nazzari and Vivi Gioi. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Guido Fiorini. The former world heavyweight champion Primo Carnera appears in a small role. It is also known by the alternative title of Knock Out.
