The White Angel (1955 film)

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The White Angel
L'angelo bianco poster.jpg
Directed by Raffaello Matarazzo
Written by Aldo De Benedetti
Giovanna Soria
Piero Pierotti
Raffaello Matarazzo
Produced by Goffredo Lombardo Raffaello Matarazzo
Starring Amedeo Nazzari
Yvonne Sanson
Cinematography Tonino Delli Colli
Edited by Mario Serandrei
Music by Michele Cozzoli
Production
companies
Titanus
Labor Films
Release date
  • 18 April 1955 (1955-04-18)
Running time
100 minutes
CountryItaly
LanguageItalian

L'angelo bianco (internationally released as The White Angel) is a 1955 Italian melodrama film directed by Raffaello Matarazzo. It is the sequel to Nobody's Children (1951). [1] According to the author Louis Bayman, this couple of films "sealed director Raffaello Matarazzo's reputation as king of the Italian melodramatists". [2]

Contents

The film's sets were designed by the art director Ottavio Scotti. The screenplay was written by Aldo De Benedetti, and the story was written by Giovanna Soria and Piero Pierotti.

Plot summary

The story continues from where Nobody's Children left off. Guido Carani (Amedeo Nazzari) has been separated from his beloved Lina Marcolin (Yvonne Sanson), who has been forced to assume the false identity of Luisa Fanti. After serving time in prison for a crime he didn't commit, Guido is released and desperately searches for Lina, unaware of her new identity.

Meanwhile, Lina has become a nurse working in a hospital, earning the nickname "The White Angel" for her compassionate care of patients. She has dedicated her life to helping others while hiding her true identity and past. Despite her new life, she never stops thinking about Guido and their lost love.

The film follows parallel storylines as both characters struggle with their separation. Guido faces numerous obstacles in his search, encountering people who either cannot or will not help him find Lina. His determination is tested as he navigates a world that seems determined to keep them apart.

When Guido finally discovers Lina's whereabouts and her work at the hospital, their reunion is bittersweet. Though their love remains strong, they must confront the reality of how their lives have changed and the sacrifices they have both made.

The climax involves a dramatic confrontation where the truth about their past finally comes to light, leading to a resolution that tests the audience's emotions and provides the cathartic ending typical of Matarazzo's melodramatic style.

Cast

References

  1. Roberto Chiti; Roberto Poppi; Enrico Lancia (1991). Dizionario del cinema italiano: I film. Gremese, 1991. ISBN   8876055487.
  2. Louis Bayman (2011). Directory of World Cinema: Italy. Intellect Books, 2011. ISBN   978-1841504001.