Charles "Charlie" Gary Vernon is the bass trombonist for the Chicago Symphony Orchestra and serves as professor of trombone at DePaul University in Chicago, Illinois.
A native of Asheville, North Carolina, Vernon attended Brevard College and Georgia State University, where he studied with William "Bill" Hill and Gail Wilson. His principal teachers outside of university were bass trombonist Edward Kleinhammer and tubist Arnold Jacobs, both former members of the Chicago Symphony Orchestra. Vernon accredits much of his success to Kleinhammer and Jacobs in his book, The Singing Trombone.
Vernon joined the CSO in 1986, coming from the Philadelphia Orchestra, where he had served since 1981. Prior to that, Vernon held identical posts with the Baltimore Symphony from 1971 to 1980 and the San Francisco Symphony from 1980 to 1981. Vernon is also a former faculty member of The Catholic University of America, Temple University, New School of Philadelphia, the Philadelphia College of Performing Arts (now University of the Arts (Philadelphia)), and the Curtis Institute of Music.
Vernon is a clinician for the Selmer Instrument Company and a frequent guest artist for the International Trombone Association, as well as the recipient of the 2021 ITA award. He has made numerous appearances as a soloist throughout the world. In April 1991, with the CSO under Daniel Barenboim, he gave the world premiere of Ellen Taaffe Zwilich's Concerto for Bass Trombone, which was commissioned by the CSO for its centennial. In 2006, Vernon and the CSO premiered "Chick 'a' Bone Checkout" a new concerto for alto, tenor and bass trombone and orchestra, written by trombonist and composer Christian Lindberg.
As a part-time athlete, Vernon is an avid swimmer and is a member of the Evanston Masters Swim Team. He states that "as time passes, I realize that I must keep doing it, so that I can keep doing it!"
Ray Anderson is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in DownBeat magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s.
Joseph Norman Alessi is an American classical trombonist with the New York Philharmonic.
David Nathaniel Baker Jr. was an American jazz composer, conductor, and musician from Indianapolis, as well as a professor of jazz studies at the Indiana University Jacobs School of Music. Baker is best known as an educator and founder of the jazz studies program. From 1991 to 2012, he was conductor and musical and artistic director for the Smithsonian Jazz Masterworks Orchestra. He has more than 65 recordings, 70 books, and 400 articles to his credit.
Arnold Maurice Jacobs was an American tubist who spent most of his career with the Chicago Symphony Orchestra. He held that position from 1944 until his retirement in 1988.
Denis Wick is an influential British orchestral trombonist. He is also an internationally respected brass teacher and designer of brass mutes and mouthpieces. On retirement in 1989 he was awarded the International Trombone Association's annual award; he served as their president 2004–2006.
Gordon Percival Septimus Jacob CBE was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward.
Joseph Clyde Schwantner is a Pulitzer Prize-winning American composer, educator and a member of the American Academy of Arts and Letters since 2002. He was awarded the 1970 Charles Ives Prize.
Douglas Yeo is an American bass trombonist who played in the Boston Symphony Orchestra from 1985 to 2012, where he held the John Moors Cabot Bass Trombone Chair. He was also on the faculty of the New England Conservatory. In 2012 he retired from the BSO and accepted a position as professor of trombone at the Arizona State University School of Music, a position he held until 2016. In 2019, he was appointed to the faculty of Wheaton College (Illinois).
Emory Brace Remington (1892–1971) was a trombonist and music teacher. His unique method made him one of the most well-known and influential trombone educators in history. He was a member of the Rochester Philharmonic Orchestra from 1923 to 1949, and on the faculty of the Eastman School of Music in Rochester, NY from 1922 until his death in 1971.
Christopher Chapman Rouse III was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015.
Alain Trudel is a Canadian conductor, trombonist and composer.
Daniel Asia is an American composer. He was born in Seattle, Washington, in the United States of America.
Raymond Eugene Premru was an American trombonist, composer, and teacher who spent most of his career in London, England.
David C. Sampson is an American contemporary classical composer.
Dale Clevenger was an American musician who was the Principal Horn of the Chicago Symphony Orchestra from 1966 until his retirement in June, 2013. Before joining the CSO, he was a member of Leopold Stokowski's American Symphony Orchestra and the Symphony of the Air directed by Alfred Wallenstein. He was also principal horn of the Kansas City Philharmonic. Prior to his death, he taught horn at the Jacobs School of Music in Indiana University.
Robert Charles Suderburg was an American composer, conductor, and pianist.
Philip Jameson graduated from Wooster High School in 1959 and attended Baldwin Wallace College for one year.
Trombonist Peter Ellefson is Professor of Music at Indiana University's Jacobs School of Music, having been a faculty member since 2002 and Chair of the Brass Department since 2014.
Steve Wiest(néJohn Stephen Wiest; born 1957) is an American trombonist, composer, arranger, big band director, music educator at the collegiate level, jazz clinician, author, and illustrator/cartoonist. From 1981 to 1985, he was a featured trombonist and arranger with the Maynard Ferguson Band. Wiest is in his tenth year as Associate Professor of Jazz Studies and Commercial Music at the University of Denver Lamont School of Music. He is the Coordinator of the 21st Century Music Initiative at the school. Wiest has been a professor for thirty-five of the forty-three years that he has been a professional trombonist, composer, and arranger. From 2007 to 2014, Wiest was Associate Professor of Music in Jazz Studies at the University of North Texas College of Music and, from March 2009 to August 2014, he was director of the One O'Clock Lab Band and coordinator of the Lab Band program. At North Texas, Wiest also taught conducting, trombone, and oversaw The U-Tubes — the College of Music's jazz trombone band. Wiest is a three-time Grammy nominee — individually in 2008 for Best instrumental Arrangement and in 2010 for Best Instrumental Composition, and collaboratively in 2010 for Best Large Jazz Ensemble Album, which he directed. As of 2013, Wiest has in excess of 58 arrangements and compositions to his credit, which include 10 original compositions from his current project (see 2013–2014 project below).
The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.