Charlotte Eyerman

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Charlotte Nalle Eyerman is an American museum director and curator and expert in 19th century French art. She was appointed Director and Chief Curator of the JPMorgan Chase art collection in 2017. [1] She is a member of the board of trustees at Accountability Lab. [2] Eyerman has also served as Director and chief executive officer of the Monterey Museum of Art (2010–2013), [3] and as Director of the Gagosian Gallery, Beverly Hills. [3] [4]

Contents

In 2014 Eyerman was named a Chevalier (Knight) in France's Ordre des Arts et des Lettres, in honor of her "outstanding achievements in the field of cultural diplomacy." [5]

Biography

Charlotte Eyerman is the daughter of artist and psychotherapist, Sun Smith-Foret, [6] and Edward L. Eyerman, Jr., a neurologist [7] [8] and art collector. She was born and raised in St. Louis, Missouri. [9] She received her master's degree in 1990 and her PhD in the History of Art in 1997 from the University of California, Berkeley. [9] At Union College in Schenectady, New York, Eyerman was Assistant Professor of Art History (1994-2001).

Eyerman served as the Director of the French American Museum Exchange (FRAME) North America (2010–2013), [10] Curator of Modern and Contemporary Art at the St. Louis Art Museum, St. Louis, Missouri (2006–2009). [6] [11] As Curator, she oversaw the installation of the 2009 exhibition, Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, which won an award from the Association of Art Museum Curators for best installation or exhibition. [12] Before that, Eyerman served as Assistant Curator of Paintings, at the J. Paul Getty Museum, Los Angeles, California (2002–2006). [6] In 2013, she became the executive director of the Monterey Museum of Art. [13]

As independent curator, Eyerman's exhibitions include Just Add Water at the Natural History Museum Los Angeles County (2013–2015), [14] Cubisti Cubismo at the Complesso Monumentale del Vittoriano in Rome, Italy (2011–13), [15] Pacific Standard Time at the Natural History Museum Los Angeles County, [16] and Artistic Evolution at the Natural History Museum Los Angeles County (2010–2012). [17] [18] In 2012, Eyerman gave a TEDx talk on Artist as Muse, in Santa Monica, California. [19]

Work

Along with Mary Morton, the associate curator of paintings at the J. Paul Getty Museum, Eyerman coauthored the work published by the museum that accompanied the 2006 exhibition of a collection of curated works of Gustave Courbet's landscapes Courbet and the Modern Landscape (2006). [20] The publication groups the art by topography and also "succeeds in presenting Courbet in a new light," according to Library Journal . [21] The Art Book wrote "It is a handsome publication, a welcome addition to any library, public or private." [22]

The book, Old Masters, Impressionists, and Moderns (2002) collects the "big names" of French artists from the collection of the State Pushkin Museum in Moscow. [23]

Publications

Honors

In 2014 Eyerman was named a Chevalier (Knight) in France's Ordre des Arts et des Lettres. [5]

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References

  1. "New Director and Chief Curator of the JPMorgan Chase Art Collection Named". JPMorgan Chase & Co. Retrieved March 17, 2018.
  2. "Building a new generation of active citizens and responsible leaders around the world - Accountability Lab". Accountability Lab. Retrieved March 17, 2018.
  3. 1 2 "Charlotte Eyerman leaves the Monterey Museum of Art". The Salinas Californian. Retrieved March 17, 2018.
  4. "Monterey Museum of Art appoints Charlotte N. Eyerman, PhD as new Executive Director". ArtDaily. Retrieved March 20, 2018.
  5. 1 2 Charlotte Eyerman, Knight in the Order of Arts and Letters at website of Consul General of France in Los Angeles
  6. 1 2 3 "From ST. Lou TO Beverly Hills". St. Louis Post-Dispatch. St. Louis, Missouri. October 24, 2009. p. A015. Retrieved March 20, 2018.
  7. "St. Louis Post-Dispatch from St. Louis, Missouri on December 20, 2001 · Page 45". Newspapers.com. Retrieved March 21, 2018.
  8. "In Memoriam > Spring 2002 | Yale Medicine". ymm.yale.edu. Retrieved March 21, 2018.
  9. 1 2 Ryce, Walter. "Charlotte Eyerman ushers in a new era at the Monterey Museum of Art". Monterey County Weekly. Retrieved March 18, 2018.
  10. "Dr. Charlotte Eyerman Elected FRAME American Director". framemuseums.org. November 8, 2010. Archived from the original on March 20, 2018. Retrieved March 19, 2018.
  11. "News & Notes" . Art & Antiques. 29 (3): 49. March 2006 via EBSCOhost.
  12. Bonetti, Judith Newmark and David. "ARTS BRIEFS". stltoday.com. Retrieved March 21, 2018.
  13. Austin, Jan (February 7, 2014). "Keeping an Eye on Art". The Californian. Retrieved March 18, 2018 via Newspapers.com.
  14. "Just Add Water". Natural History Museum of Los Angeles County. August 21, 2013. Archived from the original on March 18, 2018. Retrieved March 17, 2018.
  15. "Cubisti e Cubismo al Vittoriano". Il Sole 24 ORE. Retrieved March 17, 2018.
  16. "Pacific Standard Time". Natural History Museum of Los Angeles County. August 8, 2011. Archived from the original on March 18, 2018. Retrieved March 17, 2018.
  17. "Art review: 'Artistic Evolution' at the Natural History Museum". LA Times Blogs - Culture Monster. October 27, 2011. Retrieved March 17, 2018.
  18. Villarreal, Ignacio. "Artistic Evolution: Southern California Artists at the Natural History Museum of Los Angeles County, 1945-1963". artdaily.com. Retrieved March 17, 2018.
  19. TEDx Talks (September 14, 2012), TEDxSantaMonica - Charlotte Eyerman - Artist as muse , retrieved March 21, 2018
  20. 1 2 Font-Reaulx, William M. Griswold, Peter C. Marzio, Gary Vikan, Mary Morton, Charlotte Eyerman, Dominique de. "Courbet and the Modern Landscape". www.getty.edu. Retrieved March 26, 2018.
  21. Frosch, Paula (March 15, 2006). "Courbet and the Modern Landscape" . Library Journal. 131 (5): 71 via EBSCOhost.
  22. Lambirth, Andrew (2007). "Courbet and the Modern Landscape by Mary Morton and Charlotte Eyerman". The Art Book. 14 (2): 29–30. doi:10.1111/j.1467-8357.2007.00794_10.x.
  23. Brown, Jack Perry (February 2003). "Old Masters, Impressionists, and Moderns" . Library Journal. 128 (2): 80 via EBSCOhost.
  24. Morton, Marsha L.; Schmunk, Peter L. (1999). The arts entwined : music and painting in the nineteenth century. New York: Garland. ISBN   0815331568 . Retrieved March 20, 2018.
  25. Cvejić, Žarko (2016). The Virtuoso as Subject:The Reception of Instrumental Virtuosity, c. 1815–c.1850. Cambridge Scholars Publishing. ISBN   978-1-4438-9071-7 . Retrieved March 20, 2018.
  26. "Old Masters, Impressionists, and Moderns | Yale University Press". yalebooks.yale.edu. Retrieved March 17, 2018.
  27. "Cubisti Cubismo". UnDo.net. 2013.
  28. "Cubisti Cubismo" . Retrieved March 21, 2018.