Charlotte Nalle Eyerman is an American museum director and curator and expert in 19th century French art. She was appointed Director and Chief Curator of the JPMorgan Chase art collection in 2017. [1] She is a member of the board of trustees at Accountability Lab. [2] Eyerman has also served as Director and chief executive officer of the Monterey Museum of Art (2010–2013), [3] and as Director of the Gagosian Gallery, Beverly Hills. [3] [4]
In 2014 Eyerman was named a Chevalier (Knight) in France's Ordre des Arts et des Lettres, in honor of her "outstanding achievements in the field of cultural diplomacy." [5]
Charlotte Eyerman is the daughter of artist and psychotherapist, Sun Smith-Foret, [6] and Edward L. Eyerman, Jr., a neurologist [7] [8] and art collector. She was born and raised in St. Louis, Missouri. [9] She received her master's degree in 1990 and her PhD in the History of Art in 1997 from the University of California, Berkeley. [9] At Union College in Schenectady, New York, Eyerman was Assistant Professor of Art History (1994-2001).
Eyerman served as the Director of the French American Museum Exchange (FRAME) North America (2010–2013), [10] Curator of Modern and Contemporary Art at the St. Louis Art Museum, St. Louis, Missouri (2006–2009). [6] [11] As Curator, she oversaw the installation of the 2009 exhibition, Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, which won an award from the Association of Art Museum Curators for best installation or exhibition. [12] Before that, Eyerman served as Assistant Curator of Paintings, at the J. Paul Getty Museum, Los Angeles, California (2002–2006). [6] In 2013, she became the executive director of the Monterey Museum of Art. [13]
As independent curator, Eyerman's exhibitions include Just Add Water at the Natural History Museum Los Angeles County (2013–2015), [14] Cubisti Cubismo at the Complesso Monumentale del Vittoriano in Rome, Italy (2011–13), [15] Pacific Standard Time at the Natural History Museum Los Angeles County, [16] and Artistic Evolution at the Natural History Museum Los Angeles County (2010–2012). [17] [18] In 2012, Eyerman gave a TEDx talk on Artist as Muse, in Santa Monica, California. [19]
Along with Mary Morton, the associate curator of paintings at the J. Paul Getty Museum, Eyerman coauthored the work published by the museum that accompanied the 2006 exhibition of a collection of curated works of Gustave Courbet's landscapes Courbet and the Modern Landscape (2006). [20] The publication groups the art by topography and also "succeeds in presenting Courbet in a new light," according to Library Journal . [21] The Art Book wrote "It is a handsome publication, a welcome addition to any library, public or private." [22]
The book, Old Masters, Impressionists, and Moderns (2002) collects the "big names" of French artists from the collection of the State Pushkin Museum in Moscow. [23]
In 2014 Eyerman was named a Chevalier (Knight) in France's Ordre des Arts et des Lettres. [5]
En plein air, or plein-air painting, is the act of painting outdoors.
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically overlooked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
Catherine Sue Opie is an American fine-art photographer and educator. She lives and works in Los Angeles, as a professor of photography at University of California at Los Angeles.
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa.
James Jarvaise was an American painter based in Southern California.
The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century California artists who worked out of doors, directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the California Impressionists are a subset of the California Plein-Air School.
Decorative Impressionism is an art historical term that is credited to the art writer Christian Brinton, who first used it in 1911. Brinton titled an article on the American expatriate painter Frederick Carl Frieseke, one of the members of the famous Giverny Colony of American Impressionists, "The Decorative Impressionist."
The Musée d'art moderne André Malraux is a museum in Le Havre, France containing one of the nation's most extensive collections of impressionist paintings. It was designed by Atelier LWD, an architecture studio led by Guy Lagneau, Michel Weill and Jean Dimitrijevic. It is named after André Malraux, Minister of Culture when the museum was opened in 1961.
The Magpie is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet to paint in relative comfort, surrounded by his family.
Jules-Antoine Castagnary was a French liberal politician, journalist and progressive and influential art critic, who embraced the new term "Impressionist" in his positive and perceptive review of the first Impressionist show, in Le Siècle, 29 April 1874.
Mary Evelyn McCormick was an American Impressionist who lived and worked around San Francisco and Monterey, California at the turn of the 20th century.
Joachim Pissarro is an art historian, theoretician, curator, educator, and director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College of the City University of New York. Since 2002, Pissarro has served as the Editorial Director of Wildenstein Publications. His latest book, authored with art critic David Carrier, is called Wild Art. Pissarro was curator at the Museum of Modern Art's Department of Painting and Sculpture from 2003 to 2007.
Ree Morton was an American visual artist who was closely associated with the postminimalist and feminist art movements of the 1970s.
Charlotte Cotton is a curator of and writer about photography.
Jean Stern, Director Emeritus of The Irvine Museum is an art historian and retired museum director who specializes in paintings of the California Impressionist period (1890-1930).
The Vincent Price Art Museum (VPAM) is an art museum located at East Los Angeles College in Monterey Park, California, US.
William H. Clapp was a Canadian-American painter and art curator. He was a member of the Society of Six in Oakland, California, and an Impressionist landscape painter. He was also the curator of the Oakland Art Gallery.
Channel "Chan" Pickering Townsley or C.P. Townsley (1867–1921) was an American painter, art administrator, and educator. The subject and genre of his California Impressionist paintings were landscapes, portraits and still lives. He served as a director of Otis Art Institute (1914–1921) and Stickney Memorial Art School (c.1912–1918).
The Eternal Feminine is an 1877 oil-on-canvas painting by the French Post-Impressionist artist Paul Cézanne. The ambiguous work shows men gathered around a single female figure. A range of professions are represented: writers, lawyers, and a painter.